Friday, December 19

North West

Bright Lights City – Salford Arts Theatre
North West

Bright Lights City – Salford Arts Theatre

When two people meet in a seaside café at the end of a pier on a grueling wet afternoon it can go one of two ways; either sulkily sit out the storm in a sad soggy state or stop for a moment and absorb what is actually going on around you and even gain a new perspective on life, love and latte. Laura Gender’s play introduces us to Woman (Marchia Brogan)– middle-aged, successful, demanding, rude, disappointed, angry, entitled and caught out in a storm. In the empty café in which she takes refuge she meets Waitress (Blue Blackburn) – sixteen years old, unambitious, open, funny, patient, tolerant, smart and ready to shut up shop for the day. In the unfolding drama we see two women, seemingly from very different places, whose worlds collide and clash but who find a way to connection, reso...
SEVEN and a half YEARS – Salford Arts Theatre
North West

SEVEN and a half YEARS – Salford Arts Theatre

Mark Glentworth experienced incredible success as a composer, and then his life changed. But not in the way that you would expect. This autobiographical one-act musical tells the story of what came next: it is a journey that takes Glentworth from the heights of his success to the depths of his despair and isolation, ending with his first steps towards a new start. The production makes the most of the simple set and lighting designs, and Glentworth moves around the space well. It is his authenticity that is most striking; it cannot be easy for him to perform this material over and over and relive the best and worst moments of his life. Glentworth is clearly an outstanding musician, and the music in the show – which switches seamlessly from prerecorded tracks to live piano and back...
What the Dog Said to the Harvest – Unity Theatre
North West

What the Dog Said to the Harvest – Unity Theatre

What the Dog Said to the Harvest is an immersive multi-disciplinary exploration of climate change, presented as part of the Liverpool Arab Arts Festival. Combining song, dance, film and spoken word, the show is a fresh interpretation of the often-explored theme of climate change. On entering the theatre, various footage relating to climate change is being played. There are numerous logs on the stage and on some of the seating and a collection of instruments waiting on the stage. Immersive from the start, the performers begin sitting as part of the audience and when the show begins, call out to each other coming together on the stage in a place of safety and comfort. The performers do a good job of utilising all of the space in the theatre. The logs scattered about the venue confused ...
Things I’d Like To Get Off My Chest – Hope Mill Theatre
North West

Things I’d Like To Get Off My Chest – Hope Mill Theatre

Turns out there are quite a few things that Eva Lily would like to get off her chest and having big boobs is just one of them. This highly entertaining one woman show currently playing at Hope Mill Theatre takes a very honest and open look at the long-term failings of female healthcare and the constant narrative, and subsequent judgement, that the mere existence of women’s bodies creates in our society. But firstly, the boobs. They are big. Really big.  At a size 38K, (‘average’ UK woman is a 36DD) they are prohibitively big and the impact of them upon Eva’s life cannot be underestimated. The piece opens with a 13-year-old Eva in the dressing room at Rigby and Pellier, brassiere makers to the late Queen and the scene of the ritual humiliation of her first bra fitting. I don’t belie...
Les & Ali’s Big Balearic Adventure – The Kings Arms
North West

Les & Ali’s Big Balearic Adventure – The Kings Arms

How many of us haven’t had occasional fantasies of walking away from stressful jobs and responsibilities and escaping to a life of paradise? Tonight (part of the Manchester Fringe Festival) we meet newlywed couple Les and Ali – getting ready to jet off on their Ibiza honeymoon following a lavish wedding that Ali isn’t sure they should have gone through with. Not because she doesn’t adore Les, but because of the £30,000 bill she doesn’t know how they’ll pay off. As they settle into their island life, they contemplate making a permanent change of scene. Ali, the pragmatist falls in love with an apparent stray dog she names Jonathan whilst fretting about their responsibilities back home. Les, the impulsive dreamer, imagines the home they could create in a crumbling villa he spots for sa...
Charlie and the Chocolate Factory The Musical – Palace Theatre, Manchester
North West

Charlie and the Chocolate Factory The Musical – Palace Theatre, Manchester

For the next three weeks, the venerable old Palace Theatre will play host to the UK tour of 'Charlie and the Chocolate Factory The Musical'. Whilst it will undoubtedly prove a box office success with families seeking distraction at the beginning of the long summer holidays, unfortunately its saccharine sweetness without any of the counteracting sourness left me feeling slightly queasy by the conclusion. I am not alone in adoring the work of Roald Dahl; his books have sold over 300 million copies worldwide and his work is widely accepted to be amongst the canon of children's literature, everything from 'James and the Giant Peach' to 'The BFG’ has been voraciously read by succeeding generations of schoolchildren over the last six decades. Part of his appeal is that he is deliciously dark;...
Matthew Bourne’s Romeo and Juliet – Lowry, Salford
North West

Matthew Bourne’s Romeo and Juliet – Lowry, Salford

“These violent delights have violent ends.” - Romeo and Juliet, Act 2, Scene 6. The delights of this ballet are not just violent, but they are plentiful and multifarious. How much did I love this show? Let me count the ways. On display tonight was artistry of the highest order. It was superb, sublime and even, perhaps, a tad spiritual. Shakespeare’s romantic tragedy is the ultimate play about love and death. His star-crossed lovers pay a fatal price for their desire. Sir Matthew Bourne, the director and choreographer, has created an adaptation of this drama that is at turns both intriguing and compelling. He takes it in a different direction but keeps the basic narrative intact. He uses Prokofiev’s Romeo and Juliet ballet score but pares it down so it isn’t so bombastic and overwh...
Anything Goes – Z–Arts, Manchester
North West

Anything Goes – Z–Arts, Manchester

Z-Arts Renaker Theatre hosted Manchester Musical Youth’s (MMY) latest summer production of ‘Anything Goes’. With a cast of over forty young performers, I was intrigued to see how Principle and Musical Director Kimberley Holden would pull this musical off with its huge repertoire of songs, monumental tap numbers, including the sensational choreography that we have come to expect from this classic Cole Porter’s masterpiece. The set is that of the ocean liner S. S. American, where nightclub singer Reno Sweeney (Hanna Cunningham) is on route from New York to England. Reno’s love interest and friend Billy Crocker (Oliver Horton) has stowed away to be his true love Hope Harcourt (Amelia Ruffley), the problem being that his true love is betrothed to be married to a wealthy English Lord – Evely...
Greatest Days – Liverpool Empire
North West

Greatest Days – Liverpool Empire

Matt Wesley and his creative team have brought to life Tim Firth’s story of true friendship and finding ourselves within life’s unpredictability. Framed by a fantastic Take That soundtrack I thought the show was hitting almost all of the right notes. A standout aspect of the performance was the orchestra. Josh Cottell and his talented musicians provided an outstanding backing track for the duration of the show. Being visible from the audience, Josh’s conducting was great to watch. Considering the popularity of the soundtrack, they lived up to all expectation and delivered the feet-stomping, hand-clapping kind of music, perfect to fill the grandiose setting of the Empire. For the performers, I must mention a few highlights. Firstly, my appreciation must go to all female actors and sin...
Enough – The King’s Arms, Salford
North West

Enough – The King’s Arms, Salford

"Enough," a thought-provoking production by Moonstone Theatre, plunges into the harsh realities of systemic misogyny and sexism within UK police forces. Written by Emily Hunter and inspired by the heart-wrenching Sarah Everard case, the play delivers an essential message, though its predictability somewhat hampers its impact. The script showcases the experiences of Constable Irie Dayton, a role brought to life with remarkable emotional depth by Riah Amelle. However, at times, the dialogue leans towards predictability, reducing the punch that such a profound topic merits. Despite this Fringe production's minimalistic setting, the performances are noteworthy. Emily Hunter, taking on the role of Constable Chris Dash, brings a marked intensity to the play, particularly during a pivotal i...