Saturday, February 28

North West

Your Flaws: The Musical – Unity Theatre
North West

Your Flaws: The Musical – Unity Theatre

This fifty-minute whirlwind came as part of the Liverpool Improvisation Festival, which might look to become an annual event for the Unity theatre, following its launch last year. Alongside Patrick Clopon on the piano, Lee Apsey and Emma Wessleus explained their ‘flaws’, distastes and aversions, and invited us to share our own. As we admitted to being afraid of a range of kitchen devices (i.e. potato peelers, sieves, blenders) and taking umbrage with food combinations (i.e. mint and chocolate), the piano began to twinkle… Engaging with the audience’s culinary offers, the trio embarked on a journey through a haunted restaurant with all characters gifted with strange fears and desires which echoed our flaws back to us. We watch the tortured head chef fight for his Michelin star, a chef lo...
Rambert: Death Trap – The Lowry
North West

Rambert: Death Trap – The Lowry

Following on from the success of their adaptation of Peaky Blinders, Rambert are back at the Lowry with their current tour Death Trap. Consisting of two separate pieces Cerberus and Goat, Death Trap is more contemporary theatre than contemporary dance but is no less engaging and is intensely powerful.        Cerberus is an adaptation of the story of Orpheus and Eurydice.  It opens with Aishwarya telling the audience that what we are about to see is her life, from birth to death.  She emerges stage right, with a rope around her middle and moves across till she exits stage left.  As she exits her Orpheus emerges holding onto the other end of the rope.  He is unwilling to believe she is dead and with the assistance of his translator fr...
Is This Thing On? – Contact Theatre, Manchester
North West

Is This Thing On? – Contact Theatre, Manchester

Is This Thing On? Was written by Megan Keaveny and Ellie Campbell and follows flat mates Mary and Liz, a musician and a poet, as they battle over integrity, ownership, the spotlight and who’s turn it is to buy the f*king toilet roll. It is MissMatch’s debut into the theatre scene. The pair has clear chemistry, great energy and pace throughout. Their friendship feels believable, and some funny moments pepper their description of sexual exploits as they are introduced. There are ambitious choices made with the use of loop pedals and music, movement and spoken word. However, this is a story that lacks purpose and focus. Too much, and yet too little is tackled, and while the story tries to tackle serious and weighty themes along with personal conflict, the result is unfortunately muddied...
Kinky Boots – Crewe Lyceum
North West

Kinky Boots – Crewe Lyceum

Crewe Amateur Musicals Society (CAMS) are gracing the stage of the Crewe Lyceum this week with their 100th Anniversary show and a performance of ‘Kinky Boots’ and it must be acknowledged that this is certainly a brave undertaking. Having first debuted on Broadway in 2013, with an original score by Cindy Lauper, Kinky Boots has won an impressive six Tony Awards. This interpretation, directed by Sean Johnson- Hargreaves is certainly ambitious and was performed to a very excited packed theatre. Written by Geoff Deane and Tim Firth, Kinky Boots is based on a true story and tells the tale of Charlie Price who is presented with the challenge of following his late Father’s footsteps when he is forced to save the family business. He meets the colourful drag queen, Lola, who he eventually works ...
The Drifters Girl – Birmingham Hippodrome
North West

The Drifters Girl – Birmingham Hippodrome

Faye Treadwell, born in Arkansas in 1926, owned and managed the Drifters following the death of her husband George Treadwell in 1967 and since then navigated their careers and oversaw many legal battles over the use of the name. She made history as one of the first African American managers in show business and created a reputation as a hard-headed businesswoman. Plus, she gave the world the Drifters! For those of us brought up in the seventies the great American songbook was filling up nicely with much loved numbers by tunesmiths who’d long since packed away their music stands and headed for swimming pool filled retirement, but not Miss Treadwell and not the Drifters. They were still touring well into the eighties and beyond with Tina Treadwell taking over her mother’s musical mantle a...
Les Misérables: School Edition – Hyde Festival Theatre
North West

Les Misérables: School Edition – Hyde Festival Theatre

It’s not very often, if ever, that I am left speechless by a performance, but this was one such occasion. I found myself so enthralled by what was happening on the stage that I forgot that I was actually meant to be reviewing the show, in fact I got to the end of Act 1 and discovered that I hadn’t written anything on my notes, so I will have to write this review purely from memory. I’ve had to edit my review and have left out the synopsis which I had originally included. For those few of you who don’t know the story of Les Miserables, all I can suggest is that Google is a wonderful thing! Anyway, back to the show. The first solo of the performance was taken by Harry O’Connor as the Bishop of Digne who set the standard for the rest of the performers to follow, a good opening and great...
I Should Be So Lucky – Liverpool Empire
North West

I Should Be So Lucky – Liverpool Empire

This evening, I had the immense privilege of watching Debbie Isitt and Jason Gilkison’s brand new musical creation, ‘I should be so lucky’ at the marvellous Liverpool Empire Theatre, which cleverly comprises of Stock Aitken Watermans greatest hits intertwined into a hilariously feel-good tale. The show takes us on an action-packed whirlwind, when two engaged lovers (Ella and Nathan) experience the greatest pre-wedding jitters of all, causing Ella to be jilted at the altar, but as the show’s tagline says ‘The wedding is off but the Honeymoon is on’! The show opens to reveal a set of great stature, with many cut out heart layers all one behind the other boasting gorgeous seaside themed details and outlined with vibrant lighting on each panel, demonstrating the show’s incredibly high pr...
Dreamcoat Stars – Floral Pavilion
North West

Dreamcoat Stars – Floral Pavilion

After their inaugural tour in 2023, the Dreamcoat Stars are back again with their UK tour for 2024 and tonight I am at The Floral Pavilion, New Brighton and an extremely full looking audience who are here to have a fun night with great songs, fantastic vocals, and some fabulous dance moves. Tonight’s line up are Sam Cassidy, Keith Jack, Rob McVeigh, and Graham Tudor. Each member of this group has strong links to the musical Joseph and the amazing Technicolour Dreamcoat, hence the name The Dreamcoat Stars, and it’s through their love of the show and theatre that have brought these stars together to deliver a fantastic night of entertainment. The stage is set up with a levelled scaffolding stage in the centre of the main stage to create levels for the stars to sing from and six large p...
Nielsen’s Violin Concerto – Royal Liverpool Philharmonic Orchestra
North West

Nielsen’s Violin Concerto – Royal Liverpool Philharmonic Orchestra

Let me let you into a little secret.  When soloists embark on their concerto cadenza (an extended, elaborate virtuosic solo segment where the orchestra stops playing and the soloist takes centre stage) I stop watching what they are doing and ‘people-watch’ the orchestra and conductor.  For there are few things better than watching professionals acknowledge professionals – putting their own instruments down, enrapt, leaning forward for a better look at the action, smiling and even nodding in appreciation at the skill of their fellow performer.  So, it was last night with Swedish-Norwegian violinist Johan Dalene, the RLPO Young Artist in Residence who was last seen here performing the Korngold Violin Concerto.  The Neilsen Violin Concerto affords not one but two opportuniti...
Rock of Ages – New Mills Art Theatre
North West

Rock of Ages – New Mills Art Theatre

As NK Theatre Arts still do not currently have access to their home venue at the Romiley Forum, this production was staged at the 500-seat capacity New Mills Art Theatre, which is a considerable distance from their usual venue, but thanks go to them for accommodating this performance directed by Paul Wilson. Before the show even started many cast members took to the stage, which created a superb atmosphere at the “Bourbon Club” in downtown LA. The show was enhanced by the use of live musicians who were ably directed by Ceri Graves. All the action took place in the club, and it was non-stop right from the word go, with superb choreography from Dawn Wrigley and Rivkah Kneen which contributed hugely to the show’s success. One classic song after another, mainly originating from 80’s Amer...