Monday, April 29

North West

<strong>The Marriage of Figaro – Liverpool Empire</strong>
North West

The Marriage of Figaro – Liverpool Empire

Mozart’s classic four-act comic opera, an adaptation with Da Ponte of Beaumarchais’ banned 1778 play about warring masters and servants, is delightfully brought to life as Glyndebourne’s 2022 tour reaches the Liverpool Empire with this satirical and deeply human drama. As the day of Figaro (Alexander Miminoshvili) and Susanna’s (Soraya Mafi) wedding arrives, it becomes clear that their master, Count Almaviva (George Humphreys), is keen to exercise his ‘droit du seigneur’ – his right to bed a servant girl on her wedding night – and they conspire with the forsaken Countess, Rosina (Nardus Williams), to outwit her husband and teach him a lesson in fidelity. Plans however are thrown awry when Bartolo (Henry Waddington), seeking revenge against Figaro for thwarting his own earlier plans to ...
<strong>Oppenheimer – Manchester School of Theatre</strong>
North West

Oppenheimer – Manchester School of Theatre

The genesis of the 'Manhattan' project, to develop a nuclear bomb ahead of Nazi Germany at the end of World War II, is an irresistible subject for dramatists with film Director Christopher Nolan bringing his version of the story to the cinema screen next year. Writers have always found its chief architect, J. Robert Oppenheimer, a fascinating study and in 2015 Tom Morton-Smith succeeded where many of his illustrious predecessors (Arthur Miller amongst them) have failed, bringing him to life on stage. Manchester School of Theatre has further burnished its reputation with this excellent production, which manages to weave together the scientific, personal and political threads of the story into a wholly convincing tapestry that is Shakespearean in its breadth and illustration of both persona...
<strong>Matthew Bourne’s Sleeping Beauty – The Lowry</strong>
North West

Matthew Bourne’s Sleeping Beauty – The Lowry

Wow! For the awesome stage set and evocative costumes (such creativity from Lez Brotherton). Wow! For the hauntingly beautiful music (composed by Tchaikovsky) Wow! To the director, choreography and scenario concept (the incredible Sir Matthew Bourne) Wow! To the amazing talent of all the company for their performance, of this sublime version of this well-known fairy tale of deception, passion and devotion.  That could be the full scope of my review for the performance at the Lowry – WOW! but I want to share more …… Matthew Bourne is an advocate of the astonishingly beautiful works of the Russian composer Tchaikovsky, having already directed and created the ballets The Nutcracker! (Composed in 1891) and Swan Lake (1877) and now his latest gothic take on the masterpiece ...
<strong>Noughts and Crosses – Liverpool Playhouse</strong>
North West

Noughts and Crosses – Liverpool Playhouse

A new baby signals hope, as does an unopened letter. Hope that things will be better. Fans of Malorie Blackman’s Noughts and Crosses series are sure to love the stage adaptation of the book, which was also turned into a BBC series a couple of years ago. Sephy Hadley is a Cross, and her father is also the Home Secretary, Callum McGregor is a Nought, and his mother was the housekeeper to Sephy’s family, until she refused to lie for Sephy’s mother and got sacked. Having grown up together, Callum and Sephy continue their friendship in secret as in their world Crosses can’t be seen to be mixing with Noughts, especially not one from a high-profiled family. Things appear to be changing when Callum is one of three Noughts who have won a scholarship to be allowed to go to the same school as Sep...
<strong>Opera North: Orpheus – The Lowry</strong>
North West

Opera North: Orpheus – The Lowry

Opera North’s latest venture into Orpheus is a collaboration with Leeds-based South Asian Arts as their respective musical directors’ fuse Monteverdi’s operatic masterpiece, led by Laurence Cummings, with original compositions composed by Jasdeep Singh Degun reflecting the Indian classical tradition. Whilst the individual parts entertained and demonstrated some great musicianship and singing, it didn’t really add up to a satisfying whole which was often confusing on the eye and ear with its interrupted flow. Whilst billed as a reimagining, the story of Orpheus (Nicholas Watts) the musician trying to retrieve his dead wife, Eurydice (Ashnaa Sasikaran), from the underworld remains the same as does the devastating conclusion when he looks back too soon and loses her forever. The interpret...
<strong>Variations – Liverpool Philharmonic Hall</strong>
North West

Variations – Liverpool Philharmonic Hall

This concert performance by one of Europe’s leading orchestra’s The Royal Liverpool Philharmonic Orchestra is conducted by the recently appointed Domingo Hindoyan.  Hindoyan exudes a great deal of passion throughout tonight’s eclectic and varied programme of classical music. The programme consisted of four pieces of exquisite music from three of the most outstanding composers of their generation – Bartok, Dohnanyi and Dvorak. Dvorak’s Slavic Dance op.72 no 2 is performed as a heartfelt tribute to former principal conductor Libor Pesek (1987 until 1997.) This is a short but sweet piece of melodious classical dance with sweeping strings and delicate lightness of touch. It is performed to perfection by the orchestra. Dohnanyi’s Variations on a Nursery Tune is a delightful and w...
<strong>Stuffed – unity Theatre</strong>
North West

Stuffed – unity Theatre

‘Stuffed’ is a fantastic piece of theatre, there is absolutely no doubt about that. A series of coherent physical theatre and clown sketches serving to highlight food poverty in this country, social attitudes to it, and the regime’s lack of meaningful action. A concept that seems so important, and something we expect the viewing public to be aware of but told in a way that changes everything we think we know about food poverty and the use of food banks. Every bit of the piece made sense and felt meaningful. There were moments where laughter was closely followed by guilt - how can we as an audience make light of such a dire situation? However, when the piece was ready to get serious you could hear a pin drop in the furthest corner of the room. ‘Stuffed’ is very well choreographed and...
<strong>Opera North: Orfeo ed Euridice – The Lowry</strong>
North West

Opera North: Orfeo ed Euridice – The Lowry

First recorded in April 2021 for BBC Radio 3 when Covid restrictions prevented live performance, Opera North present a concert performance of one of Gluck’s key works in his reinvention, in conjunction with librettist Calzabigi, of opera for his own time, as part of their wider celebration of the Orpheus myth which makes up their autumn season. Orfeo’s (Alice Coote) wife Euridice (Fflur Wynn) is dead, and a chorus of nymphs and shepherds mourn her. Orfeo is inconsolable but Amore (Daisy Brown) appears to tell him that Jupiter has taken pity on him and will grant him safe passage to the underworld where he can return Euridice to the land of the living. There is one condition however: he must not look at Euridice until they have reached the light of day. If he does, he will lose her agai...
<strong>Rodgers + Hammerstein’s Cinderella – Hope Mill Theatre</strong>
North West

Rodgers + Hammerstein’s Cinderella – Hope Mill Theatre

Eight years before Richard Rodgers and Oscar Hammerstein famously collaborated on screen with Dame Julie Andrews in 'The Sound of Music', she starred in a 1957 musical version of 'Cinderella' written by the iconic duo specifically for US television. It was a smash hit, during the broadcast the streets of New York were reportedly deserted as around 107 million people tuned in to watch, garnering both critical and public acclaim. Fast forward 65 years and we find another pair of estimable creatives, William Whelton and Joseph Houston the driving forces behind Hope Mill Theatre in Manchester, have sprinkled their special brand of fairy dust over the piece, giving us a pre-Christmas treat to brighten a bleak November night. The time honoured story of Cinderella has many variations and can ...
<strong>Scouse Jack and the Beanstalk – Liverpool’s Royal Court</strong>
North West

Scouse Jack and the Beanstalk – Liverpool’s Royal Court

It’s the beginning of the pantomime season up and down the country and I’m pleased to be welcomed back at the Royal Court Theatre in Liverpool to review this year’s pantomime of Scouse Jack and the Beanstalk written by Kevin Fearon and directed by Stephen Fletcher. Deep in Crosby Jack Jones (Micheal Fletcher) is a lazy lad he gets high and wants to find treasure on an adventure, his mum Mrs Jones (Lindzi Germain) is fewmin. The bills are sky high and the milk from daisy the cow (Jake Abraham) is barely enough to cover the rising costs. So, she sends Jack out to get a job. So, he goes off to the Greatie Market. The council have their share of problems to as the city is broke there is no money and the mayor (Liam Tobin) has to make drastic cuts to make the big Eon in the sky happy, with ...