Sunday, October 6

North West

Sing The Musicals – Floral Pavilion
North West

Sing The Musicals – Floral Pavilion

If you are one of those people who wishes they could sing along to a musical, then you need to make sure you add this show to your list. Massaoke’s Sing The Musicals is an evening of fun, laughter and above all else – musicals! With a cast of five singer-musicians, you’d think each one would be under more scrutiny from the audience, but for the majority, they were just happy to be led in the sing along. Luckily, however, the three lead vocalists are good at what they do and have the vocal ranges to fit the songs selected. Nicholette Chew especially, has vocals to die for and with a range from ‘Oom-Pah-Pah’ to ‘Defying Gravity’ and Disney in between, you are left wondering if there is anything she can’t do. And she plays the keys too! She is definitely a talent to watch out for. Josh Tay...
Lantern Writers: Boss New Plays – Royal Court Studio, Liverpool
North West

Lantern Writers: Boss New Plays – Royal Court Studio, Liverpool

The Lantern Writers originally formed in 2011 is one of Liverpool’s foremost creative playwriting groups. The group was established to showcase the writing talents of local creatives and to give the important opportunity for their individual works to come alive on the stage. Boss New Plays is an annual festival of short plays written by members of the Lantern Writers and its always exciting to welcome new works to the stage. Tonight’s performance (part one of two) featured four plays. Love Target is written by Mark Davoren and directed by Alex Carr. This black comedy centres around a blind date that clashes with a planned euthanasia “date” – in fact, all a case of mistaken identities. It’s an interesting and unusual farce which allows the actors to exercise their considerable c...
Hardy and Webb: Mystery at the Museum – Unity Theatre
North West

Hardy and Webb: Mystery at the Museum – Unity Theatre

There were a couple of mysteries surrounding this production for children. Part of the Liverpool Improvisation Festival, hosted at the excellent Unity Theatre, the first poser was: where was Becky Webb? The second: where were the children? No matter, the audience of adults thoroughly enjoyed this detective romp played with enthusiastic elasticity by Jen Hardy and Mike Burton, in place of Becky Webb. Improv for a beginner audience, the interaction was light but nonetheless introductory to the genre. An audience stooge was asked to play the role of the Chief who informed the detective duo that they were due a day off, whether they wanted it or not, and that they were to visit a museum. Mavis (possibly her real name) came up with the concept of a postal museum; my mate Jane came up with...
Your Flaws: The Musical – Unity Theatre
North West

Your Flaws: The Musical – Unity Theatre

This fifty-minute whirlwind came as part of the Liverpool Improvisation Festival, which might look to become an annual event for the Unity theatre, following its launch last year. Alongside Patrick Clopon on the piano, Lee Apsey and Emma Wessleus explained their ‘flaws’, distastes and aversions, and invited us to share our own. As we admitted to being afraid of a range of kitchen devices (i.e. potato peelers, sieves, blenders) and taking umbrage with food combinations (i.e. mint and chocolate), the piano began to twinkle… Engaging with the audience’s culinary offers, the trio embarked on a journey through a haunted restaurant with all characters gifted with strange fears and desires which echoed our flaws back to us. We watch the tortured head chef fight for his Michelin star, a chef lo...
Rambert: Death Trap – The Lowry
North West

Rambert: Death Trap – The Lowry

Following on from the success of their adaptation of Peaky Blinders, Rambert are back at the Lowry with their current tour Death Trap. Consisting of two separate pieces Cerberus and Goat, Death Trap is more contemporary theatre than contemporary dance but is no less engaging and is intensely powerful.        Cerberus is an adaptation of the story of Orpheus and Eurydice.  It opens with Aishwarya telling the audience that what we are about to see is her life, from birth to death.  She emerges stage right, with a rope around her middle and moves across till she exits stage left.  As she exits her Orpheus emerges holding onto the other end of the rope.  He is unwilling to believe she is dead and with the assistance of his translator fr...
Is This Thing On? – Contact Theatre, Manchester
North West

Is This Thing On? – Contact Theatre, Manchester

Is This Thing On? Was written by Megan Keaveny and Ellie Campbell and follows flat mates Mary and Liz, a musician and a poet, as they battle over integrity, ownership, the spotlight and who’s turn it is to buy the f*king toilet roll. It is MissMatch’s debut into the theatre scene. The pair has clear chemistry, great energy and pace throughout. Their friendship feels believable, and some funny moments pepper their description of sexual exploits as they are introduced. There are ambitious choices made with the use of loop pedals and music, movement and spoken word. However, this is a story that lacks purpose and focus. Too much, and yet too little is tackled, and while the story tries to tackle serious and weighty themes along with personal conflict, the result is unfortunately muddied...
Kinky Boots – Crewe Lyceum
North West

Kinky Boots – Crewe Lyceum

Crewe Amateur Musicals Society (CAMS) are gracing the stage of the Crewe Lyceum this week with their 100th Anniversary show and a performance of ‘Kinky Boots’ and it must be acknowledged that this is certainly a brave undertaking. Having first debuted on Broadway in 2013, with an original score by Cindy Lauper, Kinky Boots has won an impressive six Tony Awards. This interpretation, directed by Sean Johnson- Hargreaves is certainly ambitious and was performed to a very excited packed theatre. Written by Geoff Deane and Tim Firth, Kinky Boots is based on a true story and tells the tale of Charlie Price who is presented with the challenge of following his late Father’s footsteps when he is forced to save the family business. He meets the colourful drag queen, Lola, who he eventually works ...
The Drifters Girl – Birmingham Hippodrome
North West

The Drifters Girl – Birmingham Hippodrome

Faye Treadwell, born in Arkansas in 1926, owned and managed the Drifters following the death of her husband George Treadwell in 1967 and since then navigated their careers and oversaw many legal battles over the use of the name. She made history as one of the first African American managers in show business and created a reputation as a hard-headed businesswoman. Plus, she gave the world the Drifters! For those of us brought up in the seventies the great American songbook was filling up nicely with much loved numbers by tunesmiths who’d long since packed away their music stands and headed for swimming pool filled retirement, but not Miss Treadwell and not the Drifters. They were still touring well into the eighties and beyond with Tina Treadwell taking over her mother’s musical mantle a...
Les Misérables: School Edition – Hyde Festival Theatre
North West

Les Misérables: School Edition – Hyde Festival Theatre

It’s not very often, if ever, that I am left speechless by a performance, but this was one such occasion. I found myself so enthralled by what was happening on the stage that I forgot that I was actually meant to be reviewing the show, in fact I got to the end of Act 1 and discovered that I hadn’t written anything on my notes, so I will have to write this review purely from memory. I’ve had to edit my review and have left out the synopsis which I had originally included. For those few of you who don’t know the story of Les Miserables, all I can suggest is that Google is a wonderful thing! Anyway, back to the show. The first solo of the performance was taken by Harry O’Connor as the Bishop of Digne who set the standard for the rest of the performers to follow, a good opening and great...
I Should Be So Lucky – Liverpool Empire
North West

I Should Be So Lucky – Liverpool Empire

This evening, I had the immense privilege of watching Debbie Isitt and Jason Gilkison’s brand new musical creation, ‘I should be so lucky’ at the marvellous Liverpool Empire Theatre, which cleverly comprises of Stock Aitken Watermans greatest hits intertwined into a hilariously feel-good tale. The show takes us on an action-packed whirlwind, when two engaged lovers (Ella and Nathan) experience the greatest pre-wedding jitters of all, causing Ella to be jilted at the altar, but as the show’s tagline says ‘The wedding is off but the Honeymoon is on’! The show opens to reveal a set of great stature, with many cut out heart layers all one behind the other boasting gorgeous seaside themed details and outlined with vibrant lighting on each panel, demonstrating the show’s incredibly high pr...