Wednesday, February 25

North West

The Last Laugh – Manchester Opera House
North West

The Last Laugh – Manchester Opera House

It is a well-known fact that most comedians have an insecurity caused by and driven by the need to get the next laugh. Tony Hancock for example paid the ultimate price in his strive to stay funny. It is fuelled by the need to build on the success they have already built.  It is an anxiety shared by the three comic greats we see presented on stage in Paul Hendy’s touching script though how they deal with it is very different.  All three come from the first generation of comedians to transition from the age of music hall to the age of television. In music hall, comics often toured the same material for years, but once seen on television, that material becomes yesterday’s chip paper and the need to create new, funnier comedy drives the insecurity to get the next laugh. There can ...
Nuns of Fury! – Seven Oaks Pub
North West

Nuns of Fury! – Seven Oaks Pub

What happens when you combine the criminal-catching of Charlie’s Angels with beloved women of the cloth of Sister Act? Rocket Whip’s Nuns of Fury offers a unique look into the world of a crime-fighting, habit wearing, God-backed group who are on a mission to steal from the rich and give to the poor. This comedic musical, presented with blessings and favour from up above, is a great addition to this year’s Greater Manchester Fringe line-up. This show’s holy word comes from writer and co-director Liv Burton. Throughout the one-act musical, the plot falls into common tropes expected from a crime genre parody; a rag-tag-team of crime fighters, a cocky duo of criminals and over-exaggerated kung-fu fighting. Where this show differs and excels is when it breaks the fourth wall with a wink ...
Flat 4 – The King’s Arms
North West

Flat 4 – The King’s Arms

Influenced by her own experiences and trauma, Isobel Songer’s ‘Flat 4’ is a powerful one-woman show that forms part of the Greater Manchester Fringe 2025 at the King’s Arms Theatre. Impressively, Songer has both written the play and performs the roles of all characters and monologues within the story. Through its entirety, ‘Flat 4’ demandsthe audience’s undivided attention. The performance is essentially about the complexities of female friendships, introducing ‘Alex’ and ‘Becks’ and their flat share at university. Songer guides the  audience through Alex’s downwards spiral as she deals with abuse, anorexia and her subsequent depression. The combination of spoken word poetry alongside theatre is an interesting approach to the story. Integrating frequent poetic monologues ...
The Invocation – The King’s Arms
North West

The Invocation – The King’s Arms

In one of the most suited theatres for such a performance, the King's Arms welcomes "The Invocation", a bizarre twilight zone-esque evening by Casino Improv, an Improv troupe from Wigan as part of Greater Manchester Fringe.As the audience settled into their seats, the cast, clad in black clothing and red capes, began engaging with the audience in a ceremonial fashion as they asked for "requests" that could be improvised into a horror story. The requests chosen were randomly selected via an iPad and then the stories began!The evening then essentially became the presentation of a bunch of improvised horror stories in a hilarious "off the cuff" style by the comedy quintet. Eerie music and various sounds to accompany stories were used throughout. There is no denying the talent on stage and the...
Robo Bingo 2.0 – The King’s Arms
North West

Robo Bingo 2.0 – The King’s Arms

‘IT Consultants’ Lloyd Henning and Peter Sutton, better known as Foxdog Studios, have, in true IT style ‘turned it off and on again’ on one of their popular shows, Robo Bingo, rebooted as 2.0 with new wi-fi, new games and a whole lot of new coding headaches to keep both our dynamic duo and audience on their virtual toes.   Mixing Flight of the Conchords musical jamming with the social awkwardness of The IT Crowd, Foxdog invite the audience to play along not only in games of bingo but also classic childhood games of Snap, Guess Who and Spot the Difference albeit constantly interrupted with a variety of pop-ups and other technological interludes. Henning and Sutton are a charming and witty duo, with quips and quick thinking as they navigate the chaos, bringing gales of laughte...
Marcus Is Alive – Manchester Jewish Museum
North West

Marcus Is Alive – Manchester Jewish Museum

With direction and dramaturgy by Mark Rice-Oxley, Marcus J Freed’s solo show recounts the true story of his near-death experience and two brain surgeries following a hit-and-run incident one crazy night in LA. Add in six failed marriage proposals, a psychic detective, and a wayward rabbi and you get a glimpse of some of the surreal experiences which also follow. But never fear, as Marcus’ friend Metuka (voiced by Jill Moray Reichman) assures Marcus’ mum, Gill (voiced by Amy Wisenfeld), in the opening scene, ‘Marcus is alive.’ Coming in at just shy of ninety minutes, which, like Marcus’ accident, went by in a flash, it segues through its three acts with perfect pacing whilst serving up a much deeper exploration of the mystery as to why he survived as well as to why any of us are here...
Soaked – The King’s Arms
North West

Soaked – The King’s Arms

As Greater Manchester Fringe makes a welcome return, The King’s Arms is appropriately in the hub of it all again! This time, directed by Peter Macqueen, the play ‘Soaked’, a La'al Marra production, is gracing its stage. Written by Emma Rydal, ‘Soaked’ it is a story that many can identify with. The writing seems effortless, and the main characters could be any one of us chatting, interacting and simply trying to juggle life. Soaked is an intelligent piece of theatre with no pretentions and a thought-provoking storyline. At times it felt like the audience were presented with potentially a challenge as to whether it was appropriate to laugh or not. There are some seriously amusing parts of the play and Emma Rydal must be applauded for interjecting humour into such a serious thread of ...
When You Die – Anthony Burgess Foundation
North West

When You Die – Anthony Burgess Foundation

When You Die pitches itself as a Gothic horror comedy exploring the afterlife through the lens of undead housemates—but despite a promising concept, the show is let down by sluggish pacing, underwhelming humour, and several frustrating production choices. Finn, Yuri, Devon, and Boby are sharing a flat in death, trying to get along in the afterlife when their already turbulent dynamic is disturbed by the arrival of a mysterious briefcase. With the help of the cryptic Lazlo, they must uncover who—or what—is behind the growing sense of threat. It’s a quirky setup with potential, and the cast give it their all, but the execution falls flat. The first half drags considerably. There’s far too much time spent establishing the characters’ personalities and routines, with little dramatic ...
Leeches – The King’s Arms
North West

Leeches – The King’s Arms

How far would you go for influence? Would you be prepared to use work colleagues, friends, or even family, in the name of ambition? Leeches, written by Kieran Scott and slickly directed by Thomas Bateman explores themes of insecurity, cancel culture and personal ethics, amongst others, through the eyes of three highly flawed narrators. When a protest erupts in the city centre, it results in a moment of violence that has significant repercussions for all three. Simple staging with nothing more than a crowd control barrier and a couple of chairs allows the spotlight to shine on three strong actors from the Manchester School of Theatre, who do an excellent job of showcasing Scott’s tight and compelling script, peppered with deft touches of levity, and which itself smartly exposes an...
Chicago – Blackpool Opera House
North West

Chicago – Blackpool Opera House

Dubbed “the sexiest musical ever” (Metro), Chicago returns to Blackpool this week, with a huge sprinkle of razzle-dazzle with it! Set with the decadent backdrop of the 1920s Chicago jazz scene, the story follows Roxie Hart who murders her lover when he threatens to leave her. In a desperate attempt to avoid conviction, Hart hires renowned lawyer Billy Flynn to assist her in deceiving the media, public and rival cellmate, Velma Kelly. With show-stopping songs a plenty, the sultry, sassy, sensational Chicago is back at the Seaside with a bang. With lyrics from Fredd Ebb and music by John Kander, blasted out by a live band onstage (under the superb musical direction of Neil MacDonald), it’s easy to understand Chicago’s appeal. I must admit, having seen the show various times over the years...