Friday, December 19

North West

Mamma Mia – Opera House, Manchester
North West

Mamma Mia – Opera House, Manchester

Mamma Mia! The smash hit jukebox musical opened tonight to a raving full house of ABBA fanatics and theatre enthusiasts, all head- bopping to the renowned hits from the overture to finale. As soon as the band began taking us through a medley of ABBA’s greatest hits during the overture, I could feel the electric energy and could tell this would be an unforgettable night of musical theatre.  The creative team is comprised of highly acclaimed and accomplished theatre professionals. Directed by Phyllida Lloyd, choreographed by Anthony Van Laast and musically directed by Carlton Edwards - this collective is a powerhouse, creating a truly triple-theatre piece of theatre right from the get-go. During the show we were greeted by a simplistic set. This was used to created a multitude of ...
Head Over Heels – Hope Mill Theatre
North West

Head Over Heels – Hope Mill Theatre

Musical theatre productions that challenge conceived norms and push back the boundaries are nothing new for Hope Mill Theatre, their latest offering gives a European premiere to this 2015 'queer jukebox musical' and is thoroughly vindicated with a hugely entertaining spectacle that poses pertinent questions around love and acceptance in the modern world. There is no denying that the genesis of 'Head Over Heels' is an oddity. Not many people would have thought of making a Broadway musical based on 'The Countess of Pembroke's Arcadia', a prose romance written by Sir Philip Sidney in 1593; still fewer would have then decided to add in songs from late 1980's indie-punk popsters, The Go Go's. Then again, not everyone is the iconoclastic figure of Jeff Whitty, the writer of Avenue Q, who once...
Wasteland – Contact Theatre
North West

Wasteland – Contact Theatre

When the mines shut down in the 1980’s, little thought was given to the catastrophic ripple affect it would have on the northern mining towns of England. This story follows Gary Clarke’s award-winning production Coal, which looks at the infamous mining strikes of 1984/5. Wasteland takes flight with its tale about the radial upheaval that followed. Mired in recession, communities struggled but born was an era of illegal raves forming escapism and euphoria. It begins with The Last Miner (Parsifal James Hurst), drunkenly swaying across the stage clutching a bottle. Every inch of his movement is carefully choreographed, from the light lyrical motions to the harsh stomps and falls, his despair and frustrations clearly evident. The Pit Men Singers were a really nice touch, unique to eac...
<strong>Closure – HOME Manchester</strong>
North West

Closure – HOME Manchester

Alex (Conor Burns) and Laura (Nina Holland-Smith) arrive at a dinner party hosted by Laura’s friend Mia (Faye Draper) where they soon discover that all is not as it seems, in fact they may not even leave alive… Written by Draper and directed by Maz Hedgehog, Closure takes black comedy into its darkest corner as it unravels women’s rights, wrongs, and feminine rage. Understandably there is a trigger warning as the piece contains scenes of violence and drowning, strong language, and distressing themes including reference to rape and sexual assault. First and foremost, this is a play dealing with subjects that are far too often glossed over or avoided so I wholeheartedly welcome it for that alone. It does however need longer than the scheduled hour because the set-up was somewhat hurrie...
<strong>Ellen Kent’s La Boheme – Opera House, Manchester</strong>
North West

Ellen Kent’s La Boheme – Opera House, Manchester

Producer Ellen Kent has created a niche in the theatrical world over the last three decades, importing the best of traditional ballet and opera from Eastern Europe to be staged here in the UK. Given the ongoing war in Ukraine and subsequent political upheaval, it is a testament to her tenacity that she has managed to bring 'The Ukrainian Opera & Ballet Theatre' from war torn Kyiv, on a Spring tour to the UK, beginning at Manchester's Opera House. The small company of approximately a dozen, supplemented by local young artists and supported by a full orchestra, will be showcasing classic works by Puccini and Verdi over the next four months; Madama Butterfly, Aida and La Boheme. Ah, 'La Boheme'! At this point I have to confess my history with Puccini's impossibly romantic story of doom...
<strong>Touch – Unity Theatre</strong>
North West

Touch – Unity Theatre

Becky Downing has carefully crafted a beautiful script that brings four people’s stories together. As they were playing to a sold-out crowd, there was high expectation for the long-awaited verbatim piece, and it was received with great warmth. Verbatim, for those that are unaware, is a theatrical device where the real words of people are used in the script. In this instance, it was handled well, and the language of those people was owned and honoured by those on stage. Set over one day, this play tells a lot more about the connections between four neighbours, and for me the best moments were when everyone was still. At times it felt that the movement in and around the space was scripted and not spontaneous, which distracted from what was being said. Using a wonderfully diverse cas...
Madama Butterfly – Manchester Opera House
North West

Madama Butterfly – Manchester Opera House

What a privilege to be able to see one of Puccini’s most iconic operas, in one of auditoriums built for such a performance – at the Opera House in Manchester. I was so delighted to see this (even if it was on a school night!)  and as it was a packed house so were a lot of people. The set was stunning, with the Japanese pagoda and trees across the stage and as the curtain rose we were taken to a mountain top village in Nagasaki, where life was simple, traditions obeyed and love was strong. Lieutenant Pinkerton of the American Navy, awaits his bride to be, the 15 year old naïve Cio-Cio-San, and is shown around his mountain top home by the marriage broker Goro. The American is joined by the American Consul Sharpless, who has adept knowledge of Japanese traditions and knowing that t...
<strong>You Are My Sunshine – Unity Theatre</strong>
North West

You Are My Sunshine – Unity Theatre

Izzy Campbell took on the daunting task of writing and starring in her own work. You are my Sunshine shines a light on the difficult conversations that families have about mental health. With only two performers, the task was big, and they made a large effort to try and make it succeed. It begins with music, a common device for the bringing on of characters, but in this case, it went on for too long and the dialogue got lost. Faye Donnellan chose a simple setting of a living room set-up which worked for the intimacy of the conversations that followed. Yet, the yellow balloons, the same ones on the poster, were rid of in the first scene, perhaps they could have had a bit more relevance throughout the performance to be deemed necessary to have onstage. The character of Emily, played by...
Unsolicited (An Unsafe Space for Straight Men) – Royal Court Theatre
North West

Unsolicited (An Unsafe Space for Straight Men) – Royal Court Theatre

Every woman knows the importance of identifying your exits, they plan their routes home from nights out and experience the momentary panic when the taxi driver takes an unfamiliar route.  They have been educated from birth that it is their responsibility to prevent men from raping them, by dressing appropriately, not wearing headphones, holding their keys in the correct manner.  And so, we join All Things Considered Theatre aboard the Spice Up Your Lifeboat as they navigate the treacherous, sometimes deadly, Sea of Misogyny.  Four multi-talented performers (Ashleigh Owen, Frankie Gold, Holly Wright, Shannon Lavelle) bedecked in sequins and glitter guide us through this exploration of unsafe spaces, unwanted dick pics, harassment and more with All Things Considered’s usual...
<strong>Singing with Friends – Rainhill Village Hall</strong>
North West

Singing with Friends – Rainhill Village Hall

A simple title yet, as director Paul Robinson says in his notes, full of meaning. This was so much more than a show: it was the history of a company that goes back over seventy years; it was the meaning of family that the company has come to embrace; it was the tale of putting on many a production; but most importantly it was the journey and story of many individuals whose combined whole is so much more than these words can do justice. A Broadway musical medley from the entire ensemble with live band accompaniment consisting of Paul Taft (guitar), Kevin Bates (bass) and Amy Gray (drums) led by musical director and maestro on the piano, Wayne Oakes, got the evening off with a bang, with Charlotte Orme injecting some real energy into Supercalifragilisticexpialidocious. Bet Davies’ pron...