London Archives - Page 9 of 94

2Feb

By Kira DanielsNo Comments

London

Stimmicanto – Barons Court Theatre

Do you keep more than five pictures of Paul Rudd on your laptop? Have you ever tried and failed to make small talk with your own brain? Do you find yourself giggling at peculiar street names on a regular basis? If so, consider this your sign to check out Stimmicanto, an hour of offbeat comedy full of surprises. The show, conceived and performed by comedian Paggy Gacheva, densely packs a wide-ranging slew of information into its 60-minute run time. Audiences are guided gently through its many transitions between topics, but their frequency and lack of clear directional focus prevent viewers from settling into consistent enjoyment, and the absence of an overall theme in the work at times makes it difficult to follow. The joy, or “encanto” Gacheva finds in performance is evident an...

Bronco Billy The Musical – Charing Cross Theatre

1Feb

By Carole GordonNo Comments

London

Bronco Billy The Musical – Charing Cross Theatre

"There's a world out there that has lost its way, full of dark and hateful things to say." The first line of Dennis Hackin's Bronco Billy - The Musical is as relatable to the current world as it is to the 1979 in which this musical is set. Powerfully delivered and led by Karen Mavundukure as Doc Blue, the opening song, "Ride With Us" sets the scene with a wow start to the show. With music and lyrics by Chip Rosenbloom and John Torres, and based on Hackin's earlier movie, this is a wonderful triple-threat of a production. Marvellous vocals, credible characters with chemistry and a clever set that almost steals the show. Bronco Billy and his small troupe of Wild West show people are touring the US in a beat-up bus to ever-dwindling audiences. They've made it to Kansas when Bi...

1Feb

By Dave SmithNo Comments

London

Rewind – New Diorama Theatre

Rewind opens with Andres Valesquez talking to the audience, he is informal and casual. As he introduces himself and the rest of the cast, he gives us some context around the story they will tell. In Latin America in the 1970s and 1980s, dictators and regimes often supported by the United States were in charge. People disappeared, often without a trace. Valesquez dons a white shawl to represent Madres de Plaza de Mayo, known in English as The Mothers Of the Disappeared, and then a blue coverall, the uniform of an investigator for El Equipo Argentino de Antropología Forense, the Argentine Forensic Anthropology Team. It is clear that Ephemeral Ensemble have a very set vision for the show. Through very little dialogue relying instead on music, puppetry and physical ...

I Should Be So Lucky – New Wimbledon Theatre

31Jan

By Alan Stuart MalinNo Comments

London

I Should Be So Lucky – New Wimbledon Theatre

‘I Should Be So Lucky’ marks a long-awaited milestone in musical theatre, finally a production that pays total homage to the iconic music of Stock Aitken and Waterman, the soundtrack of “generation pop”, intertwined with a typically British camp musical comedy storyline that should, on paper, be guaranteed to leave audiences dancing in the aisles. At the heart of the show lies the story of Ella (Lucie-Mae Sumner) and Nathan (Billy Roberts), whose impending nuptials are thrown into total chaos when Nathan jilts Ella at the altar due to a mysterious family secret. All is not lost though as Ella's larger than life family and closest friends rally around her, whisking her off to Turkey for what was meant to be her romantic honeymoon, but ends up being a glitter bomb of rom-com moments, i...

29Jan

By Kira DanielsNo Comments

London

Northanger Abbey – Orange Tree Theatre

Northanger Abbey? I hardly know ‘er! Zoe Cooper’s transformative adaptation of Austen’s offbeat gothic satire reinvents the much-neglected classic, leaning into its absurd humor, and imbuing it with a novel gravitas. Eschewing the modernizing impulse that so often muddies queer retellings of canonical works, this adaptation remains firmly rooted in the time and place of its origin and weaves a compelling original story out of each of the book’s special strands. This play packs a punch but doesn’t quite hit the spot. Designer Hannah Sibai’s work makes a most pleasing first impression. The cozy in-the-round Orange Tree Theatre is decked out in all hot pink and bedazzled with no less than seven chandeliers. A light aroma of fog pervades the space, hinting at the gothic vibes to come in th...

29Jan

By Anisha PucadyilNo Comments

London

Heart – Brixton House

‘Heart’ is a Coming-of-age love note to the ones who are still holding on to hate and to the ones who have still not been able to take that leap of faith. It has a beating pulse of the many trials and tribulations one goes through to be able to accept oneself in all our queer glory. The debut show of Jade Anouka’ platforms her personal experience and gives it all her heart and soul. Her rhyming poetry and performance are accompanied by live music and sound design by musician and four-time UK Beatbox champion Grace Savage. It's beautiful to see Grace intently watch Jade, knowing that they must have gone over this a million times, accompanying her movement with bass, her emotion with grounded beats. It's delightful to witness the synergy they share and would love Jade to be more physi...

26Jan

By Kira DanielsNo Comments

London

Last Rites – Shoreditch Town Hall

Devised and performed by Ramesh Meyyappan, this 65-minute work covers a broad swath of one family’s history. Beginning with one man’s arrival in India, accompanied by his young son, on a journey to lay his estranged father to rest, Meyyappan, the solitary performer, alone on stage throughout the show but for the most minimal of props, embodies all three generations. His performance is physically impressive and well directed by co-creator George Mann. An early comedic interlude depicting a series of cooking mishaps especially allows Meyyappan’s gifts to shine. Although rife with comedic moments the overall tone of the show is sobering, and it takes its subject matter seriously. As Meyyappan performs rituals over the body that is in turns both his own and his imagination’s, audiences are...

26Jan

By Alice RoseNo Comments

London

Forgiving (my mother) – The Glitch

Performed in a small space at The Glitch, this devised performance was an intimate piece set in a ‘rehearsal room’ with two actors practicing a scene with two sisters discussing their mother who had recently had a fight with them. It is as if we are with them and apart of the creative process as their character’s adapt and shape a scene of a play they’re rehearsing. The performance will stop as one actor will question why this line is here, whether that would be a true response and how thoughtless the mother seemed to be. They lead discussions about theatre and its reason, the purpose of understanding our own trauma and the hilarity of being apart of an opinion but one’s only contribution is writing a play and moving on from it. The actors are really in their element here, shaping this te...

26Jan

By Carole GordonNo Comments

London

Rita Lynn – Turbine Theatre

Louise Marwood's one-woman performance is informed by her own lived experience, a dark tale of depression, drink, drugs and self-deprecation. "Rita Lynn" lays bare the life of an addict who struggles to break free from the grip of cocaine after her dance career has failed. Imogen has lost everything; with her drug addiction enabled by her toxic boyfriend and dealer Dexter, and her drag queen pal Melian, also an addict. Imogen spirals from overdose to overdose between occasional unsuccessful trips to AA meetings. Then, purely by accident and in a moment of drug-induced delusion, she offers to counsel a wealthy woman as a life coach, adopting the name Rita Lynn. She sees this as an encouraging new start, a way forward out of her chaotic lifestyle and a release from the trauma of her p...

26Jan

By Mark DavorenNo Comments

London

Rusalka – Royal Opera House

Created and directed by Natalie Abrahami and Ann Yee, who is also the choreographer, the contemporary whilst still traditional new staging of this lyrical fairy tale captures nature’s impassioned plea to humanity whilst musically only Dvořák can break your heart so beautifully. From an exquisite aerial ballet reflecting the delicate balance between nature and humanity at the start, three wood spirits (Vuvu Mpofu, Gabriele Kupšyte and Anne Marie Stanley) playfully tease Vodník (Alexei Isaev), an immortal water spirit. All seems to be perfect but his daughter, Rusalka (Asmik Grigorian) longs to be united with the Prince (David Butt Philip) with whom she fell in love when he swam in the lake. Despite being warned about the seductive dangers of humanity that promises much whilst deliver...