London Archives - Page 7 of 149

24Oct

By Zain RussellNo Comments

London

The Wanderers – Marylebone Theatre

The Wanderers is a moving and thought-provoking play inspired by true events. It delves deeply into the complexities of relationships, faith, and family, offering a nuanced exploration of how people navigate love and identity within different cultural frameworks. Set within the Jewish community, the story follows two very different marriages that reflect contrasting worlds. Esther and Schmuli are Orthodox Jews living within the confines of strict religious rules and traditional gender roles. Their lives are guided by faith and duty, highlighting the tension between devotion and personal freedom. In contrast, Sophie and Abe are secular Jews, free to make their own choices, yet still bound by the universal struggles of marriage, expectation, and emotional fulfillment. The narrative cen...

24Oct

By Alan Stuart MalinNo Comments

London

The Unbelievers – Royal Court Theatre

Silence sits heavily in Nick Payne’s “The Unbelievers”, a play that dares to explore the uneasy space between grief, uncertainty and the fragile bonds of family. In a production of striking control and emotional weight, the Royal Court presents a portrait of people suspended between hope and despair, clinging to ritual as time slips around them. It is a thoughtful and often gripping piece of writing, although it leaves behind an unsettling aftertaste that is difficult to define. Designer Bunny Christie’s set is extraordinary in both concept and execution. What initially appears to be an ordinary kitchen slowly becomes a canvas for the passage of time. Subtle changes in lighting (Jack Knowles), shifts in everyday clutter and the creeping disarray of domestic life reveal the ache of waiti...

Every Brilliant Thing (Minnie Driver) – Soho Place Theatre

23Oct

By Khushboo ShahNo Comments

London

Every Brilliant Thing (Minnie Driver) – Soho Place Theatre

With a premise like the one mentioned for Every Brilliant Thing, it is seldom that one can go through the entire play without feeling a sense of alienation from the theme in an attempt to keep oneself safe from the seriousness of it. But Every Brilliant Thing amalgamates the journey of a seven-year-old child grappling with her mum’s depression and suicide attempts with such tenderness and light humour that one can’t help but simply connect completely with the whole of it, while holding a smile through it all. The narrator (Minnie Driver) starts writing down every brilliant thing about the world at seven, a list that continues well into her adulthood, hoping to change her mother’s perspective on life. Driver brings a sense of sublime charisma to the character, inviting her audience i...

Fawlty Towers The Play – New Wimbledon Theatre

22Oct

By Maani WayNo Comments

London

Fawlty Towers The Play – New Wimbledon Theatre

John Cleese’s iconic Fawlty Towers begins its UK and Ireland tour in Wimbledon following its record-breaking sold-out run in the West End and it does not disappoint. The nostalgia is evident from the start. The iconic opening theme track plays as the audience settle down into a completely immersive and true to style sequence at Fawlty Towers. The set is eye catching and captures the essence of the series completely. The familiar reception and dining area are the perfect spaces for the dialogue and humour to play out and the characters float effortlessly between the two sets, providing the perfect backdrop for the chaos to unfold. What makes this show standout is the performances from each cast member, their impeccable acting skills and comedic timing which is a true joy to experience...

20Oct

By Charles PipeNo Comments

London

Skeleton – Etcetera Theatre

Skeleton is a new one-woman horror play, written and performed by Lucy Spreckley, which delivers some intriguing and spooky thrills. At its best moments, Skeleton is atmospheric, unsettling, and creepy. Spreckley’s script does an excellent job of keeping the audience slightly disorientated, by drip feeding just the right amount of information to keep us intrigued and wanting to know more, without leaving us totally confused. Uncomfortable descriptions of childhood trauma are sprinkled in with just the right amount of frequency to gradually build a sense of mystery and dread. Lloyd Smith’s direction makes effective use of sound and lighting design to enhance this sense of dread further. Spreckley’s performance is solid; she equally effectively portrays emotional vulnerability, panicked t...

Michael Rosen: Getting Through It – The Old Vic

20Oct

By Charles PipeNo Comments

London

Michael Rosen: Getting Through It – The Old Vic

Getting Through It is a poignant, inspiring, heartbreaking and heartwarming storytelling show by acclaimed children’s author Michael Rosen (We’re Going on a Bear Hunt, Michael Rosen’s Sad Book). Unlike Michael Rosen’s best-known work, Getting Through It is not aimed at children. The show is a double bill of two true, personal stories. The first – The Death of Eddie – is about the sudden death of Michael’s son Eddie to meningitis, and Michael’s subsequent grief. The second story – Many Kinds of Love – is about Michael’s 48-day stay in intensive care due to COVID-19. Despite the heavy subject matter of both stories, the show is life-affirming, humorous, and absolutely engaging. Like in his children’s books, Michel’s language is simple and matter of fact. He chooses to describe events s...

The Soon Life – Southwark Playhouse Borough

20Oct

By Michelle KnightNo Comments

London

The Soon Life – Southwark Playhouse Borough

The Soon Life opens with precise staging, a brightly lit room with a sofa, table and garniture you would expect to see in any home. However, this was different a birth pool was inflated and positioned to one side of the room. Birthing books visible, a moses basket assembled, a sign of welcoming a new life, a baby. This was a planned home birth during a time of unknown risks from Covid 19, and hospital considered an unsafe place to give birth. Phoebe Mcintosh is Bec a mixed-race young woman, pregnant and in the early stage of her labour. Whilst bouncing on her birthing ball in a zen state, calm, in control, listening to direction from her headphones, in walks the ‘ex’, Alex, (Joe Boylan). This disruption sets the tone of the play and the couple’s timeline in their relationship which brou...

19Oct

By Zain RussellNo Comments

London

Fanny – King’s Head Theatre

Fanny is a hilarious and clever play that blends fact and fiction to retell the story of Fanny Mendelssohn. Set in the nineteenth century, the play explores the life of Fanny, sister to the famous composer Felix Mendelssohn. While classical music lovers may be familiar with Felix’s work, Fanny’s contributions are often overlooked, despite evidence that she co-composed several of his pieces. The play highlights how Felix discouraged her from publishing her own music, adding a bittersweet edge beneath the comedy. This production offers a brilliantly funny introduction to the Mendelssohn family and the colourful cast of characters surrounding them. The story focuses on Fanny as she’s courted by Wilhelm, played by Riad Richie. Richie’s sharp timing, quick wit, and playful energy delivered s...

17Oct

By Michelle KnightNo Comments

London

Private Lives – Rose Theatre Kingston

What a life of ruse, where “Love and Chaos Collide” in Noel Coward’s Private Lives. It is evident that some knowledge of Noel Coward,his character as a playwright, composer and director, would stand you in good stead to appreciate this play. Coward was a distinguished actor flamboyant full of wit and charm using the English language like a tool to convey drama, comedy in a unique style that became his trademark. Private Lives a 1930 Coward’s comedy classic has seen many revivals in the past and this new production directed by Tanuja Amarasuriya has a sleek “modern connection” to the original. Written about the lives of a couple separated by divorce only to meet again on their honeymoon night with their new spouses. Their eyes meet on the hotel balcony, the chemistry reignites, and rekin...

The Flowers of Srebrenica – Jacksons Lane Theatre

17Oct

By Paul AckroydNo Comments

London

The Flowers of Srebrenica – Jacksons Lane Theatre

The novel The Flowers of Srebrenica was written in 2022 by Aidan Hehir. In her director's notes Lara Parmiani states that this play is not intended to be an adaptation, but rather the spark for its conception. As a result, the play has a feeling of being devised in a theatre workshop rather than following a prewritten script. It is highly visual with a slight narrative and is performed by actors from three countries that have experienced recent civil wars. The play is performed in English, although some of the diction was not always clear. It tells the story of Aidan, an Irish lecturer, visiting Bosnia to expand his knowledge of the conflicts about which he teaches. He is driven to Srebrenica by Mohammed, who turns out to have been much involved in the conflicts, and who leads Aidan to ...