London Archives - Page 68 of 96

5Mar

By Aditi DalalNo Comments

London

Shedding A Skin – Soho Theatre

When, in the first five minutes of a show, you have both, gone “awww” and burst out loud with laughter, you know you’re in for something special. Amanda Wilkin’s original show journeys through a point in Myah’s life where she is juggling a distressing work environment, a disappointed family and a lack of a love life and a roof over her head. Wilkin chooses, however, to laugh at her circumstances along with the audience, taking a stand-up comedy cum physical theatre approach. Photo: Helen Murray Highlighting sensitive issues in a lighthearted manner requires a nuanced understanding and great storytelling skills, and this writer-performer has both. Wilkin is highly expressive and theatrical yet comes across as authentic. Whether it is the experience of being treated as a mere figure t...

5Mar

By Alice RoseNo Comments

London

Persuasion – Rose Theatre

A fresh perspective on Jane Austen’s adaptation, Persuasion with WAP, Frank Ocean and a foam party. This production follows Anne and her desperate sisters on their conquest for love but as their 30s approach, they worry about compatibility and finding a match that will ensure a long and easy life. However, as with classical romance there is always one who suffers in the quest for true connection, Anne (Sasha Frost) and her desperate love for Captain Wentworth (Fred Fergus) are knocked together like conkers as they try to rekindle a love they once had. We are very much in an age of reflection and in result, seeing the return of a lot of classical texts. It’s refreshing more so to be seeing new interpretations and a wittier perspective on the structures we enforced upon ourselves. It spe...

3Mar

By Alice RoseNo Comments

London

Work.txt – Soho Theatre

An audience, mostly of whom are 9 to 5, maybe some are freelance, of mothers and fathers, of Pisces and Gemini’s, of people who hate their bosses and those who earn more than 30,000 a year have all bought tickets to an immersive show. There are no actors, just a stage manager but they are just clicking a button. We decide if we speak and we listen to those who do, we talk what is written and together we build a city. I was unsure where this play might take me. It’s a Wednesday night and I’m not that up to getting involved so I sit down on the front row with slight anxiety and my mask pulled up very high. I notice the subtle sound of ‘The Sims’ theme music playing, a horrible memory of my Covid pass-time activities. At this point, I’m flustered. As the lights dim, the projector...

The Merchant of Venice – Shakespeare’s Globe

3Mar

By Carole GordonNo Comments

London

The Merchant of Venice – Shakespeare’s Globe

The current rise of antisemitism around the world gives extra resonance and relevance to Shakespeare's 16th Century play on usury, religious conflict, revenge and the manipulation of justice. Abigail Graham's direction packs a serious punch, with a stellar cast who draw out every nuance of the text. The claustrophobic atmosphere of the Sam Wanamaker Playhouse is brilliantly heightened in this beautiful candlelit production set in the present day, but which could relate to any era. Young Bassanio is a spendthrift and hedonist, partying with his buddies and going through money as though there's no tomorrow. Needing cash to pursue his wooing of the rich heiress, Portia, he turns to his friend, the merchant, Antonio, who has bailed him out previously. Antonio agrees and asks Shylock,...

After The End – Theatre Royal Stratford East

3Mar

By Riana HowarthNo Comments

London

After The End – Theatre Royal Stratford East

Dark, disturbing and incisive, Kelly’s apocalyptic play examines human nature and hostility like a thought experiment. Louise and Mark are the lab rats in this harrowing social commentary. Louise finds herself in Mark’s bunker as they shield themselves from a nuclear attack outside. With limited supplies and suffocating, rising tension, anything could happen. The two work colleagues, make for an unlikely pairing with Louise’s feisty, uncompromising strength and Mark’s dorky enthusiasm and rigidity. As a result, it is fascinating to watch their sharp back and forth dialogue. Nick Blood is particularly skilful at bringing Kelly’s idiosyncratic style of writing to life, catching its jerky rhythm. He is perfect as Mark, balancing his comical strangeness with his darker aspects which seep o...

But I’m A Cheerleader: The Musical – Turbine Theatre

3Mar

By Gemma PrinceNo Comments

London

But I’m A Cheerleader: The Musical – Turbine Theatre

Based on the 1999 cult comedy film starring Natasha Lyonne and drag icon Ru Paul which has become a queer classic, But I’m A Cheerleader: The Musical, written by Bill Augustin and Andrew Abrams, has been a decade in the making. The show marks the first brand-new musical to be staged at The Turbine Theatre in London. Directed by Tania Azevedo, the show tells the story of Megan (Alice Croft), the all-American high school cheerleader who seemingly has the perfect life with her jock boyfriend and loving parents until she is shipped off to True Directions, a gay conversion camp after they suspect she is a lesbian. Spearheaded by the strict camp leader Mary Brown (Tiffany Graves), Megan undergoes a five-step programme with the hope that it’ll banish her sexual urges when she unexpectedly mee...

3Mar

By Aditi DalalNo Comments

London

Boot – Lion & Unicorn

A bright red sofa, comfy carpet and warm amber lighting welcome the audience into Karen’s intimate living room. The first and only guest here is a visibly anxious Emma (Kate O'Rourke), touching up her dress and make-up to possibly hide her internal distress. Enter Karen (Eliza Williams). One nervous energy is met with another awkward one. As the story unfolds, the reason for this tension gets clearer (rather, more complex). The two old friends are (seemingly) meeting each other after a long time but as the story unfolds, we see how intertwined their lives have actually been and how much more consciously connected they are about to be. Dramaturgically, Jen Wooster plays with the different levels of awareness in the room. Karen has information that she is desperate to reveal; Emma knows ...

2Mar

By Alice RoseNo Comments

London

The Woods – Southwark Playhouse

David Mamet’s ‘The Woods’ has always been a topic of conversation in its fantastical and mythical approach to the question of heterosexual relationships, and with Southwark Playhouse’s revival it’s likely to continue to be. However, since being written in 1977, I’m not sure of the play’s relevance to today/ what we are questioning since the rapid change of thought regarding our classic male and female stereotypes. Mamet’s original question was to ask why male and female’s fail to get along and where our differences to natural desire to ‘nesting’ lies- in that classically males may dream of it but fear once it becomes reality and female’s may feel most at ease when their nest has settled. When watching, it’s very frustrating to see that not once is this couple on the same page and can f...

Mimma: A musical of war and friendship – Cadogan Hall

2Mar

By Louise PennNo Comments

London

Mimma: A musical of war and friendship – Cadogan Hall

Playing for one-night only in a charity gala concert performance for the Prince’s Trust, Mimma is a story of personal sacrifice in war that seems glumly relevant in the current climate. Sadly, despite a 48-piece BBC Concert Orchestra and a starry cast led by Sir David Suchet, Celinde Schoenmaker, Louise Dearman, John Owen Jones, plus opera stars Ashley Riches and Elena Xanthoudakis, this show is uneven from the start and is neither musical, war drama, or opera. The opening scene set in July 1940 hints at conflict, but we then go back to 1938 and a Turin where the young Mimma (Schoenmaker, enigmatic) is at a family party. Her uncle and mother conspire to send her to safety in London, where Uncle Lorenzo (Jones, underused) has a café in Soho, as war fizzles on the horizon. Her uncl...

28Feb

By Julia PanovaNo Comments

London

God of Carnage – OSO Arts Centre

Children get themselves into a bucketload of trouble these days. Yet can we blame them? After all, their loving, nurturing, “responsible” parents seem to do even worse... “God of Carnage” follows Alain and Anette Reile and Veronique and Michel Vallon (two seemingly happy, married couples) as they meet to attempt resolving a scuffle between their sons. We watch as their demeanours fade from respectable and polite to reckless and crude to a point where the situation at hand is forgotten and replaced with, well to say the least: Carnage. As the train speeds along beside the Vallon home, one wonders if discussion will get back on track. I was personally enthralled by this adaptation performed at the OSO Arts Centre. The staging of this production perfectly complemented its naturalistic ...