London Archives - Page 64 of 149

6Feb

By Eleanor HallNo Comments

London

FutureQueer – King’s Head Theatre

Alexis Gregory’s one-man show did exactly what it said on the tin: it facilitated a co-imagining of future in which queerness is ubiquitous. Gregory’s ironic repetition of right-wing frenzied slogans (‘it’s woke gone mad!’) to open the show provided us with an effective comic introduction. The rest of the piece featured an enjoyable mix of contemporary journalistic articles and queer scholarship, notably the literature of Esteban Muñoz, as well as the presentation of imagined characters from the late 21st Century. For example, Gregory interpreted the role of ‘Futura’, an A.I. drag queen, who invited us into the possibilities of ‘alternative intelligence’, all the while serving us ‘deepfake realness’ and (garnering audience laughter along the way!). We journeyed through the ‘speculative ...

5Feb

By Kira DanielsNo Comments

London

The Handmaid’s Tale – London Coliseum

How well do you remember the beginning of the end? Make sure to do your homework before attending this production of The Handmaid’s Tale where the London Coliseum transforms into the venue of a future-set historical conference where a stunning and severe white-pantsuited Professor Piexoto (Juliet Stevenson) directly addresses audience members in her introduction to the overtaped cassettes which comprise the narrative bulk of The Handmaid’s Tale. Eliciting a few laughs in her pithy introduction but primarily conveying static gravitas and the restrained sensitivity of an academic among peers, Stevenson commands the stage at the opera’s bookends. However, her forceful presence is at times an unfortunate distraction as she every so often, ever so covertly interrupts the action to change the ta...

2Feb

By Zara OdetundeNo Comments

London

Bury Me – Riverside Studios

Bury Me is billed as a one act comedic drama which has been put on at the Riverside Studios as a part of their Bitesize Festival, a theatre festival meant to platform and uplift new and emerging theatre talent. This story was told in two timelines. The timeline in which Nadia is trying to track down her brother Noah’s body to be able to hold his funeral and the timeline in which Noah and his family are preparing for him to undergo a surgery to treat his cancer. Being able to get to know the person that these characters lost was a great choice, so we can imagine the extent of Nadia’s pain more and more throughout the play. The highlight of this show was the exploration of the strength of the sibling bond. Explored by Gillian Konko and Peter Todd through their characters Nadia and Noah...

2Feb

By Kira DanielsNo Comments

London

Stimmicanto – Barons Court Theatre

Do you keep more than five pictures of Paul Rudd on your laptop? Have you ever tried and failed to make small talk with your own brain? Do you find yourself giggling at peculiar street names on a regular basis? If so, consider this your sign to check out Stimmicanto, an hour of offbeat comedy full of surprises. The show, conceived and performed by comedian Paggy Gacheva, densely packs a wide-ranging slew of information into its 60-minute run time. Audiences are guided gently through its many transitions between topics, but their frequency and lack of clear directional focus prevent viewers from settling into consistent enjoyment, and the absence of an overall theme in the work at times makes it difficult to follow. The joy, or “encanto” Gacheva finds in performance is evident and...

Bronco Billy The Musical – Charing Cross Theatre

1Feb

By Carole GordonNo Comments

London

Bronco Billy The Musical – Charing Cross Theatre

"There's a world out there that has lost its way, full of dark and hateful things to say." The first line of Dennis Hackin's Bronco Billy - The Musical is as relatable to the current world as it is to the 1979 in which this musical is set. Powerfully delivered and led by Karen Mavundukure as Doc Blue, the opening song, "Ride With Us" sets the scene with a wow start to the show. With music and lyrics by Chip Rosenbloom and John Torres, and based on Hackin's earlier movie, this is a wonderful triple-threat of a production. Marvellous vocals, credible characters with chemistry and a clever set that almost steals the show. Bronco Billy and his small troupe of Wild West show people are touring the US in a beat-up bus to ever-dwindling audiences. They've made it to Kansas when Bil...

1Feb

By Dave SmithNo Comments

London

Rewind – New Diorama Theatre

Rewind opens with Andres Valesquez talking to the audience, he is informal and casual. As he introduces himself and the rest of the cast, he gives us some context around the story they will tell. In Latin America in the 1970s and 1980s, dictators and regimes often supported by the United States were in charge. People disappeared, often without a trace. Valesquez dons a white shawl to represent Madres de Plaza de Mayo, known in English as The Mothers Of the Disappeared, and then a blue coverall, the uniform of an investigator for El Equipo Argentino de Antropología Forense, the Argentine Forensic Anthropology Team. It is clear that Ephemeral Ensemble have a very set vision for the show. Through very little dialogue relying instead on music, puppetry and physical t...

I Should Be So Lucky – New Wimbledon Theatre

31Jan

By Alan Stuart MalinNo Comments

London

I Should Be So Lucky – New Wimbledon Theatre

‘I Should Be So Lucky’ marks a long-awaited milestone in musical theatre, finally a production that pays total homage to the iconic music of Stock Aitken and Waterman, the soundtrack of “generation pop”, intertwined with a typically British camp musical comedy storyline that should, on paper, be guaranteed to leave audiences dancing in the aisles. At the heart of the show lies the story of Ella (Lucie-Mae Sumner) and Nathan (Billy Roberts), whose impending nuptials are thrown into total chaos when Nathan jilts Ella at the altar due to a mysterious family secret. All is not lost though as Ella's larger than life family and closest friends rally around her, whisking her off to Turkey for what was meant to be her romantic honeymoon, but ends up being a glitter bomb of rom-com moments, in...

29Jan

By Kira DanielsNo Comments

London

Northanger Abbey – Orange Tree Theatre

Northanger Abbey? I hardly know ‘er! Zoe Cooper’s transformative adaptation of Austen’s offbeat gothic satire reinvents the much-neglected classic, leaning into its absurd humor, and imbuing it with a novel gravitas. Eschewing the modernizing impulse that so often muddies queer retellings of canonical works, this adaptation remains firmly rooted in the time and place of its origin and weaves a compelling original story out of each of the book’s special strands. This play packs a punch but doesn’t quite hit the spot. Designer Hannah Sibai’s work makes a most pleasing first impression. The cozy in-the-round Orange Tree Theatre is decked out in all hot pink and bedazzled with no less than seven chandeliers. A light aroma of fog pervades the space, hinting at the gothic vibes to come in the...

29Jan

By Anisha PucadyilNo Comments

London

Heart – Brixton House

‘Heart’ is a Coming-of-age love note to the ones who are still holding on to hate and to the ones who have still not been able to take that leap of faith. It has a beating pulse of the many trials and tribulations one goes through to be able to accept oneself in all our queer glory. The debut show of Jade Anouka’ platforms her personal experience and gives it all her heart and soul. Her rhyming poetry and performance are accompanied by live music and sound design by musician and four-time UK Beatbox champion Grace Savage. It's beautiful to see Grace intently watch Jade, knowing that they must have gone over this a million times, accompanying her movement with bass, her emotion with grounded beats. It's delightful to witness the synergy they share and would love Jade to be more physic...

26Jan

By Kira DanielsNo Comments

London

Last Rites – Shoreditch Town Hall

Devised and performed by Ramesh Meyyappan, this 65-minute work covers a broad swath of one family’s history. Beginning with one man’s arrival in India, accompanied by his young son, on a journey to lay his estranged father to rest, Meyyappan, the solitary performer, alone on stage throughout the show but for the most minimal of props, embodies all three generations. His performance is physically impressive and well directed by co-creator George Mann. An early comedic interlude depicting a series of cooking mishaps especially allows Meyyappan’s gifts to shine. Although rife with comedic moments the overall tone of the show is sobering, and it takes its subject matter seriously. As Meyyappan performs rituals over the body that is in turns both his own and his imagination’s, audiences are ...