Friday, January 16

London

Jean-Michel Bernard Plays Lalo Schifrin – Coronet Theatre
London

Jean-Michel Bernard Plays Lalo Schifrin – Coronet Theatre

Acclaimed French pianist and composer Jean-Michel Bernard is best known for writing, performing, and scoring for films such as Hugo and Be Kind Rewind. But in his second of two nights delighting audiences at Notting Hill’s Coronet Theatre, Bernard played tribute to another icon of the genre, Lalo Schifrin. Bernard delicately took us along a journey through Schifrin’s music, as well as other compositions inspired by his artistry, for an evening that highlighted the inimitable power of music to transport us to another time and place entirely. Accompanied by nothing but his piano, simple lighting and an adorable picture of his beloved chihuahua Onion, Bernard had an astutely commanding presence in the characterful space, and his effortless mastery of his instrument was bewitching. ...
Tender – Rich Mix
London

Tender – Rich Mix

Phosphoros Theatre, renowned for its impactful and thought-provoking productions, returns with its fifth play, "Tender." Building on the success of their previous tours through a collaborative research and development process across the UK, "Tender" is a timely, robust, and engaging production. With the new Illegal Migration Act and Rwanda Bill, this piece fills an urgent gap that mass media seems unwilling to report on factually. The play features a diverse cast from Albania, Chad, Eritrea, Ethiopia, and Iraq. Each actor brings unique flavours and perspectives, adding authenticity and depth to the production. Abel, Klevina, Ibrahim, Ismael, and Sara form a terrific and talented team on stage, seamlessly adopting numerous roles. "Tender" humanises the pain and suffering of young ...
Now I See – Stratford East
London

Now I See – Stratford East

In a unique fusion of movement, music and text, “Now, I See” takes audiences on a vibrant, emotional journey through the joys and pains of being black and male in contemporary Britain. Directed, choreographed and written by Lanre Malaolu, this 130-min nugget offers a luscious dive into male consciousness and the culture that shapes childhood adventures and a man’s ability to choose his narrative later in life. Fans of Suzan-Lori Parks’ “Topdog/Underdog” should feel right at home. The story centres on three brothers, and the aftermath of the middle one’s death, Adeyeye, from sickle cell disease. His passing leaves big brother Kieron and youngest brother Dayo grappling with their grief and searching for a way forward. History, big and small, has not been kind to either and the brothers’ c...
Sniff – Park Theatre
London

Sniff – Park Theatre

Pissing on stage has never been more popular. From Travis Alabanza’s Overflow to Sam Grabiner’s Boys on the Verge of Tears plays set in bathrooms proliferate. It seems all the best new writing owes its inspiration to some form of cubicle poetry. Poetry this play is. Lewd, brash, and at times nauseating poetry it may be but it is poetry and a very powerful sort at that. With spectacular writing and performances by Gabriel Fogarty-Graveson & Felix Grainger under Ben Purkiss’s deft direction the chemistry between Liam (Fogarty-Graveson) and Alex (Grainger), two men who meet in a pub toilet, genuinely sizzles. Fogarty Graveson is especially undeniable as Liam, a character so intensely charming and menacing that he is somehow impossible not to root for even as he gets up to nothing but b...
Cold Water – Park Theatre
London

Cold Water – Park Theatre

Cold Water is fantastic writing by Philippa Lawford who also directs this both uproariously and understatedly funny small-scale, world-premiere production. The play is exceptionally well cast, a necessity in a two-character, full length play of any scale. Whereas some two-handers will focus on generating unbearable tension or palpable chemistry, Cold Water is the rare theatrical experience in which connection does not come at the cost of comfort. Both actors are thoroughly convincing in their characters both together and alone on stage. Under wondrously ambient lighting design by Ed Saunders even dim transitions between scenes feel captivating and revelatory. This is a play it is impossible to tear your eyes away from, not because it keeps you on the edge of the seat or fearmongers an e...
Stop Trying to Look at my D**k! – Canal Cafe
London

Stop Trying to Look at my D**k! – Canal Cafe

Challenging yet underdeveloped, Jacob Grunberger's one man show, ‘Stop Trying to Look at my D**k!’ staged at Canal Cafe Theatre aims to offer a bold exploration of masculinity in a modern world, but unfortunately falls far short of the standards expected for professional London theatre. While the play delves very lightly into provocative themes, its execution lacks the refinement and depth required for a polished production. The performance, more reminiscent of theatre student’s end of year showcase than a professional endeavour, suffers from several shortcomings. The use of props is questionable, detracting from the overall impact, the physical theatre and choreography feel rudimentary and lacking in sophistication, and the comedy and script content come across as stunted and disjointe...
Polly (The Heartbreak Opera) – Pleasance Theatre
London

Polly (The Heartbreak Opera) – Pleasance Theatre

Sharp Teeth Theatre and Marie Hamilton resurrect an age-old play and story, adding their own chatmates of satire, camp, and 18 original songs!  Prepare to get bedazzled at the sheer variety of characters, costume changes and diversity of pitches four women belt out on stage. It's an impressive labour of love that evokes pathos, laughter and disdain for the bedfellows of patriarchy and imperialism. The first half paints the sordid picture of how women are treated, the petty fights between women to hold power, male attention and position. At points, the background score music is overarching the performers, and at some points, the different scales need to be heard clearly. The first half of the play probably stays truthful to the 1729 John Gay's banned sequel to The Beggar's Opera, 'P...
A Song of Songs – Park Theatre
London

A Song of Songs – Park Theatre

A ‘song of songs’ was developed by Berkley-based Ofra Daniel as a one-woman show in 2013. Originally called 'Love Sick’, It travels for its European debut to the Park Theatre supported by trained voices and dancing of Ofra Daniel, Laurel Dougall, Rebecca Giacopazzi, Shira Kravitz, Ashleigh Schuman, Joaquin Pedro Valdes and Matthew Woddyatt. The energetic four-women chorus superbly complements an orchestra that tugs at the heart with its sweet longing and tender overtures. Original songs written and performed by Ofra with an incredible diversity of instruments supported superbly by the sounds of the modern European Flamenco and Klezmer have the audience in raptures. It reminded me of an adaptation of the ‘Fiddler on the Roof’ with its youthful anticipation of marriage and community celeb...
Twelfth Night – Regent’s Park Open Air Theatre
London

Twelfth Night – Regent’s Park Open Air Theatre

Twelfth Night or What You Will is a little wishy-washy. Is it a girl or a boy? A grief comedy? A musical or a straight play? It is what you will make of it. The building blocks are all there. The humour, the grief, the ribaldry, and the bleeding heart, all come out to play. Owen Horsley’s new production lives its life to the fullest, making great use of the Open Air Theatre environment, breathing vitality into the too oft neglected queer imagery of the text, and taking full advantage of the Regent’s Park audience’s willingness to be delighted, transported, and even occasionally challenged. This is a production is a rarity among contemporary stagings of Shakespeare’s work in that treats its historical material with full reverence without taking anything in it for granted. Audiences overly f...
Madagascar The Musical – New Wimbledon Theatre
London

Madagascar The Musical – New Wimbledon Theatre

Get ready for an evening of fun, silliness and a spectacle that will leave you feeling like you want to move! Madagascar The Musical opens as a fresh and new take on the classic film that audiences know and love. With an exceptionally talented cast, fresh choreography and staging and an expertly achieved set, this show is a must-see for both children and adults. One of the most impressive parts of this production is the superb execution of the set. Clearly well thought out and planned by Tom Rogers, it is the centrepiece for the whole show and makes it difficult to take your eyes away from the stage. The outside of the stage and the wings are decorated with crates to foreshadow the narrative, but act as an excellent backdrop for each story location. Though the New Wimbledon Theatre has ...