London Archives - Page 48 of 115

20May

By Carole GordonNo Comments

London

Bleak Expectations – Criterion Theatre

Based on the award-winning BBC comedy of the same name, Mark Evans' Bleak Expectations takes everything you think you know about Charles Dickens work, chucks it in the air and sees where it lands. There are some recognisable features of Dickens - foggy London, mistaken identities, legal intricacies, cruel headmasters. There the similarities deliberately end. Evans' hilarious comedy is narrated by Sir Philip Bin, who takes the audience through his life, introducing the characters who have shaped him. Known as Pip, Sir Philip's overwhelming motivations are to protect his family and find true love. This does not always prove straightforward; he survives the cruelty of a public school with its regular beatings and lack of edible food, his mother goes mad after Pip's father dies abr...

20May

By Dave SmithNo Comments

London

Mustard – Arcola Theatre

Mustard, both written and performed by Eva O'Connor, is a one-woman show about Eva, a young Irish woman escaping the religious trappings of rural Ireland to London to study art. On a night out clubbing she meets a ‘smoking area man’, and after going back to his and discovering he is a professional cyclist, he is then known only as The Cyclist. O'Connor’s script is smart and zings, mustard being the only English ‘colonial’ item allowed in Eva’s home, lines about dipping Tayto and other moments leading to extra laughs from the knowing Irish in the audience. There are some lovely turns of phrase throughout including describing the caller id of her ex as ‘the letters and numbers that make him up’. O’Connor keeps the audience's attention throughout, a focused and measured delivery with lyric...

20May

By Anisha AnantpurkarNo Comments

London

At Birth – Baron’s Court Theatre

The stage is set with 3 stage-blocks, a couple of wine glasses, a bottle of white wine, and an assortment of stuffed animals neatly arranged in a corner. Sitting in an intimate setting watching Isaac (Ty Autry) and Anna (Thalia Gonzales Kane) work through an unplanned pregnancy was like dropping in on crucial moments of their life. The premise of the show is hilarious and intriguing– two best friends Anna, a lesbian, and Ty, a gold-star gay man, have sex. What starts off as a funny, light-hearted, and awkward piece, then explores the difficulties Anna faces after finding out that she is pregnant. Isaac and Anna, drinking wine, talking about past relationships, and feeling sexually frustrated but also too lazy to find other partners, express their desire to have sex. The first scene is l...

Once on this Island – Regents Park Open Air Theatre

18May

By Zara OdetundeNo Comments

London

Once on this Island – Regents Park Open Air Theatre

I arrived back at the Regent’s Park Open Air theatre to watch them kick off their 2023 summer season with a revival of Once on this Island. This 1990 original musical retelling of the Hans Christian Anderson version of the little mermaid tale, was set against the heat of the Caribbean sun, in the jewel of the Antilles. Once Upon This Island tells the story of the unending love of peasant girl Ti Moune for a boy Daniel. Where we will see if love can overcome death and settle a wager made by the Gods. The story and told through the staging of informing two young girls about their culture, within a fairy tale structure. Ti Moune is an innocent girl who longs for something more than the normal day to day life she lives “Waiting for Life”, she becomes the figure of interest of the G...

Around the World in 80 Days – Richmond Theatre

18May

By Maani WayNo Comments

London

Around the World in 80 Days – Richmond Theatre

The classic tale of Phileas Fogg and Passepartout, who, to win a wager, travel around the world in no less than 80 days, is back and this magical adventure has been brought to life once more. Fact meets fiction in this production as the audience is treated to the incredible true story of American journalist Nellie Bly who decided to take Phileas’ goals and make them a reality. In a somewhat Brecht style, the show is a “play within a play” and creates some fun stylistic moments. The set is bright and vibrant, allowing for dynamic movement across several levels, featuring some unusual and fun props. Though a cast of only five, this performance is nothing less than rich. Every cast member gives a full and polished performance, each playing at least three different characters, making it ...

10May

By Ely KingNo Comments

London

Operation Mincemeat – Fortune Theatre

A dead man, a newt obsession, and a birthday. If you’re looking for a camp, overambitious comedic production, then Operation Mincemeat is just for you. As long as you’re fine with being cramped into tiny seats and potentially having knees in the back of your head for the entire production. The Fortune Theatre has long been a theatre that has a love-hate reaction with punters, some adore it, some despise it. Sitting in the second row of the upper circle, the view would be expected to be clear, albeit slightly high up, however the safety rail completely blocks the entire centre line of the stage, and your neck can only handle so much craning – especially when your legs are in your chest and leaning back a fraction would have your head in the lap of the person behind you. Aside fr...

8May

By Riana HowarthNo Comments

London

August in England – Bush Theatre

Lenny Henry captivates in this bittersweet tale about a man whose life is turned upside down by the Windrush scandal. It is surprising to find out that this is the first play he has written as the language and events flow sinuously and the script is imbued with a strong sense of August Henderson’s character with funny, quirky details. August’s journey is an eclectic one from Kingston Jamaica to Calypso Crescent in an emphatically ghastly Peckham and then to West Brom. This no doubt reflects aspects of Henry’s own life and those he knows, having parents who emigrated to Britain from Jamaica and brought him up in Dudley. The story begins with the family’s move and then cleverly branches into August’s life, starting a zealous band-cum-rebel group called Black Fist and later launching Iq...

The Motive and the Cue – National Theatre

8May

By Khushboo ShahNo Comments

London

The Motive and the Cue – National Theatre

Celebrating Broadway’s famous actor-director duo of the 60s, The Motive and the Cue depicts the journey of Sir Arthur John Gielgud (Mark Gatiss) and Richard Burton (John Flynn) arriving at a Hamlet that is meaningful to both. And in this exciting journey, layer after layer is revealed as reflected in the brilliant set and design of the play. It is the story of two Hamlets, generations, and experiences apart, and when they face each other, one as a “classicist [director] wanting to be modern, and a modern [actor] wanting to be a classicist”, one can hear clashes between theatre v/s film, old v/s new, craft v/s showbiz. Sam Mendes exceptionally directs a stellar cast and production involving Jack Thorne’s words intermingled with excerpts from Shakespeare’s Hamlet. What truly connects the duo...

Kitty in the Lane – Brockley Jack Studio Theatre

7May

By Paul AckroydNo Comments

London

Kitty in the Lane – Brockley Jack Studio Theatre

Kitty is waiting in her kitchen, dressed up to go to a pageant where her competitive friend will be performing. In her isolated house, at the end of a long lane, Kitty lives with her invalid father. She is also awaiting the arrival of her sometime lover, but he never does. Kitty is played by Aine Ryan who also devised this one-hander. She narrates the story of her life on the isolated farm, where she was always dominated by her dictatorial father. It is a grim piece of theatre, describing suicide, rape, and abortion. The play is intended to be the tale of a woman imprisoned by circumstances, but as a picture of modern day Ireland it was anachronistic. The farm had tractors and CCTV in all the fields: there was clearly no shortage of money. This is not a believable picture of rural...

5May

By Anisha AnantpurkarNo Comments

London

Bakkhai – National Youth Theatre

As I walk into the theatre, there is a table where I can avail a free glass of wine. With a glass of wine in hand, most of the audience prepares for the arrival of the God. As they (Dionysos played by Jack d’Arcy) arrive, we go silent, and they take their seat among us in a chair “reserved for God”. On stage is a cubical locker, door ajar, light pouring out. A pomegranate lies by the door- that later gets ripped like a throat. A dress, handed to Pentheus by Agave is locked in it, out of fear of Kadmos and the guards. And only Dionysos can make Pentheus realize and proclaim, “It is valid, this thing we call Daemonic”. Anne Carson, in her translator’s note, ponders: Look at Pentheustwirling around in a dress,so pleased with his girl-guisehe’s almost in tears.Are we to believethis desir...