Thursday, January 15

London

Julius Caesar – Southwark Playhouse Borough
London

Julius Caesar – Southwark Playhouse Borough

The Southwark Playhouse Borough’s production of Julius Caesar offers a futuristic reimagining of Shakespeare’s classic tale of political intrigue and the lust for power. While the adaptation remains faithful to the original text and preserves the integrity of Shakespearean language, it falters in its execution, particularly in its attempts to merge modern technological elements with a centuries-old script. The integration of futuristic concepts—such as the use of advanced technology, weapons, and projections—initially seems like a bold choice. The clash between the antiquated language and the modernized aesthetic often feels forced, making it challenging for the audience to remain fully immersed in the world of the play. That said, the production’s technical achievements were impress...
Abigail’s Party – Stratford East
London

Abigail’s Party – Stratford East

Mike Leigh’s 1970s portrayal of an Essex suburban Soiree, taking place of the back of a raucous teenage party "Abigail’s Party," offers a compelling and incisive examination of middle-class life. This production vividly captures the essence of suburban dynamics with both humour and social critique. Set on Richmond Road, the play deftly exposes the tensions and pretensions that define the characters’ interactions, making it a thought-provoking and entertaining experience. The performances in "Abigail’s Party" are another standout aspect of the production. Tamzin Outhwaite shines as Beverley, capturing her character’s blend of superficial charm and underlying vulnerability with remarkable precision. Outhwaite’s portrayal of Beverley is both engaging and nuanced, bringing out the character...
The Shatter Box – The Lion & Unicorn Theatre
London

The Shatter Box – The Lion & Unicorn Theatre

The Shatter Box, written by James Lewis and directed by David Brady, comes with a promising premise. Set in a dystopian world, a man awakens in a cage inside a mysterious facility. His captors probe him for the truth, though they themselves seem unsure of what they're seeking. The cage will only open when he provides the right answer.  This intriguing setup, blending themes of ethics, scientific exploration and human consciousness, should generate gripping drama, but unfortunately falls short of its potential. At the heart of the story are four main characters: the prisoner (Fred Wardale), the examiner (Gabrielle Nellis-Pain), the guard (Nick Hardie), and the carer (Lauren Ferdinand). Despite life-and-death stakes, their performances generally lack the urgency needed. Wardale’s...
London City Ballet’s Resurgence at Sadler’s Wells
London

London City Ballet’s Resurgence at Sadler’s Wells

After nearly three decades, London City Ballet made a triumphant return to its former home at Sadler’s Wells with ‘Resurgence’, a performance that feels both like a heartfelt tribute to its past and a confident step into its future. Under the careful eye of Artistic Director, Christopher Marney, the evening offered a mix of classic and contemporary pieces that beautifully highlighted the company’s range and passion. The evening kicked off with Ashley Page’s Larina Waltz, a vibrant and traditional work set to Tchaikovsky’s famous waltz from Eugene Onegin. This charming piece, which celebrates its 30th anniversary, saw five couples in constant, flowing movement. Whilst there were moments where the synchrony faltered, and the timing between dancers felt slightly off, the dancers’ grace and...
Barista the Musical – The Capitol Horsham
London

Barista the Musical – The Capitol Horsham

Barista is the latest hit musical that beautifully blends romance, humour, and vibrant culture. The show tells the captivating love story between expat Isabella, played by the ever-charming Sara Bartos and a coffee entrepreneur, portrayed by the charismatic George Crawford. Their chemistry forms the emotional heart of the production, set against the backdrop of coffee, culture, and unexpected connections. The performance kicks off with high energy, featuring powerful vocals, dynamic choreography, and an infectious sense of humour that sets the tone for the entire show. Right from the opening number, the pacing is swift and seamless, with each scene flowing naturally into the next, never allowing a dull moment. It's a refreshing change of pace, offering a story set between the contrastin...
Why Am I So Single? – Garrick Theatre
London

Why Am I So Single? – Garrick Theatre

Brand new to the West End, and from the writers of the ever-growing popular musical “Six”, comes this story within a story answering the burning question for those singletons in their twenties: “Why Am I So Single?” From the opening, it is clear what this show intends to be. With its Brechtian set up and constant breaking of the fourth wall, this show is immersive from the off. Particularly clever is the role the ensemble takes on throughout the performance, most notably as parts of the furniture in the stylish flat. Aside from being comically hilarious as the pieces of furniture join in and become a part of the action on stage, the actors perform their roles artistically and cleverly, evoking plenty of laughter. The talent of the cast is bursting at the seams. The ensemble moves eff...
Kim’s Convenience – Riverside Studios
London

Kim’s Convenience – Riverside Studios

London’s theatre scene has no shortage of productions inspired by TV shows, from Stranger Things to Fawlty Towers. Kim’s Convenience, on the other hand, is the rarer example of a successful play that spawned an even more successful TV adaptation. Over 13 years since its first debut at Toronto Film Festival (and nearly six since the premiere of the Netflix sitcom it inspired) Ins Choi’s Korean-Canadian family comedy has debuted in London, transferring to Riverside Studios after a sell-out run at Park Theatre. In this Esther Jun directed production, Choi takes on the role of patriarch Mr. Kim, fondly known as Appa, who owns and runs a neighbourhood convenience store with the reluctant help of his daughter Janet (Jennifer Kim). With new condos springing up across the area and the impend...
The Marriage of Figaro – Royal Ballet and Opera
London

The Marriage of Figaro – Royal Ballet and Opera

The name may have changed but the production values remain as high as ever, with the optimism and energy of Mozart’s satirical and deeply human four-act comic opera, an adaptation with Da Ponte of Beaumarchais’ banned 1778 play about warring masters and servants, offering the perfect start to a new season, and is delightfully brought to life in director David McVicar’s latest revival of his own 2006 production, conducted this time by Julia Jones. As the day of Figaro (Luca Micheletti) and Susanna’s (Siobhan Stagg) wedding arrives, it becomes clear that their master, Count Almaviva (Huw Montague Rendall), is keen to exercise his ‘droit du seigneur’ – his right to bed a servant girl on her wedding night – and they conspire with the forsaken Countess (Maria Bengtsson) to outwit her husband...
Hugh Panaro: Man Without a Mask – Crazy Coqs
London

Hugh Panaro: Man Without a Mask – Crazy Coqs

He is not shy about sharing his feelings about the roles he didn’t get before becoming one of Broadway’s greatest stars. This show is perfectly pitched at a level to introduce the Broadway greats of time gone by and bring on ‘The Girls’. In this production Hugh sings with Christina Bianco an American actress, singer and impressionist, best known for her theatre work and impersonations of the stars like Barbara Streisand, Judy Garland and Lady Gaga. She has received acclaim in the role of Fanny Brice in the Paris premiere of Funny Girl. She duets A Little Fall of Rain with Hugh in a touching tribute, followed by a rendition of her unique style of comedic impersonations bringing to the stage; Liza Minnelli, Julie Andrews to name a few. Offering a flavour of true American cabaret to th...
A Letter To Lyndon B. Johnson or God: Whoever Reads This First – King’s Head Theatre
London

A Letter To Lyndon B. Johnson or God: Whoever Reads This First – King’s Head Theatre

A Letter to Lyndon B. Johnson or God: Whoever Reads This First is a powerful exploration of the pressures which shape a childhood, devastating loss of innocence, and the path which American foreign politics carved out for a generation of working class boys. Grasshopper (Xhloe Rice) and Ace (Natasha Roland) roll onto the stage as impossible-not-to-love Boy Scouts. Scruffy, mud covered, scamps! Spending a summer camp play-fighting imaginary enemies for the elusive praise of Lyndon B Johnson, a comically God-like father figure in their whimsical imaginations, the duo give magnetic, vulnerable and tender performances, creating characters you instantly invest in. As the story unfolds, folklore and propaganda blends with harrowing truths, and suddenly the looming pressures of manhood and w...