Sunday, May 5

London

<strong>Salt-Water Moon – Finborough Theatre</strong>
London

Salt-Water Moon – Finborough Theatre

David French's Salt-Water Moon is set in 1926, when Newfoundland was still part of the British Empire, only becoming the Canadian province of Newfoundland and Labrador in 1949. Having won a slew of awards since its premiere in Toronto in 1984, the play has since become a classic of Canadian theatre. It's a moon-lit night in the isolated Newfoundland community of Coley's Point, and young Mary Snow is gazing at the stars as she awaits the return of her fiancé, the wealthy Jerome McKenzie. Due to marry Jerome the following month, she is startled by the sudden return of her former love, Jacob Mercer, who left suddenly and without even saying goodbye twelve months previously. Mary cannot forgive Jacob for leaving and not writing to her in the intervening months.  But, as more is reveal...
<strong>Mr Charles Dickens presents A Christmas Carol – Greenwich Theatre</strong>
London

Mr Charles Dickens presents A Christmas Carol – Greenwich Theatre

I’ve been struggling with this review since I left Greenwich Theatre last night, unsure of whether I’d just witness a masterclass in stage performance or a relatively dry rendition of a festive favourite. I shall expand; the clue is in the title, and ‘Mr Charles Dickens presents’ means exactly that. For an hour and 35 minutes, John O’Connor in the role of Charles Dickens narrates and performs A Christmas Carol solo on a static stage, as the author himself would have in the mid-1800s. Sound and lighting are used sparingly to create effects such as the weighty chain Marley forged in life, but otherwise this the epitome of a pared back performance. On the one hand, O’Connor as Dickens is superb. Alone on stage for the duration of the play, O’Connor’s Dickens is jovial and charming and del...
<strong>Potted Panto – Apollo Theatre, London</strong>
London

Potted Panto – Apollo Theatre, London

I’m always sceptical when a show claims it can cater for ages six to 106, but this is Panto season, so I let myself go for the festive ride – and thank the jingle bells on high I did, because ‘Potted Panto’ is the funniest panto I’ve ever seen. From the start you’re not really sure how the dashing duo of Dan (Daniel Clarkson) and Jeff (Jefferson Turner) will turn out seven pantomimes in 70 minutes, until you realise the sheer creative power this pair have. Incisive and utterly brilliant they take the panto punchline and regale the tales in the most madcap funniest display of wit and fun. Their energy and enthusiasm are boundless and infectious. I laughed until my teeth hurt. I know some people aren’t fans of the panto genre, but to call this Olivier Award nominated festive celeb...
<strong>The Rat Pack at Christmas – Cadogan Hall</strong>
London

The Rat Pack at Christmas – Cadogan Hall

I’m not sure who the target audience for The Rat Pack at Christmas might be, but as an ex-acid house raver who likes experimental theatre, it probably isn’t yours truly. However, ‘tis the season to embrace cheesy fare, flashback nostalgia and family entertainment. Unsure of what to expect, the lure of hearing a big band in Cadogan Hall proved enough to park chilly misgivings and hand myself over to the festive spirit. The Manhattan Swing Orchestra were tight and glorious. The acoustics of Cadogan Hall are superb for live music and the setting is on brand and perfect, a Byzantine Revival style ex-church by architect Robert Fellowes Chisholm.  Stephen Triffitt plays Frank Sinatra and gets away with it. As long as one doesn’t focus on the detail, it’s a faithful rendition. He’s go...
<strong>Picture Perfect Christmas – National Gallery</strong>
London

Picture Perfect Christmas – National Gallery

While I’m a cynical native Londoner, even I buy into the idea that there’s nowhere quite like the big city at Christmas. So, when I arrived at Trafalgar Square and saw the Christmas market and the (slightly sad, granted) Trafalgar Square tree, my Christmas spirit began to peak. I’m ashamed to admit that I didn’t even realise there was a theatre in the National Gallery, much less visited it, but it’s a neat and spacious auditorium that I’d definitely return to. The stage for Picture Perfect Christmas is set to resemble Hendrick Avercamp’s wintery painting and set designer Jill Wilson has done an incredible job of creating something that’s both magically beautiful and pleasingly functional. Writer and director Francesca Renèe Reid uses the painting as the inspiration for the productio...
<strong>Rumpelstiltskin – Park Theatre</strong>
London

Rumpelstiltskin – Park Theatre

Offie Award Winner Charles Court Opera presents an action-packed pantomime Rumpelstiltskin this festive season at The Park Theatre written and directed by John Savournin. The classic tale by Brothers Grimm breaks into a unique plot tracing the adventure of a greedy Rumpelstiltskin as he journeys towards reclaiming his identity after having forgotten his name to Dreamcatcher’s vicious ploy. On this journey, this consumeristic little goblin comes across several interesting characters in different places, offshoots of different classics at the mercy of the Dreamcatcher. Some help him, some ditch him. How does he reclaim his identity and what changes in him? The Panto opens with a delightful musical track ‘Once upon a time’ performed by Emily Cairns, Tamoy Phipps and Lucy Whitney dramatisi...
<strong>Circus 1903 – Eventim Apollo</strong>
London

Circus 1903 – Eventim Apollo

Circus 1903 returns to London at its new home this festive season at Eventim Apollo with its supreme skill and showmanship to transport the audiences to the ‘Golden Age of circus’. With an effortless flow, a troupe of global artists present dare-devil performances, sometimes dazzling the audience, sometimes keeping them at the edge of their seats but always entertained and mesmerised. This is interspersed with Ringmaster Willy Whipsnade’s (performed by David Williamson) acerbic yet charming exchange with young people from the audience. While they are mesmerised by the ringmaster’s hands-on magic and spectacle, the elder audience is thoroughly amused. The show format is traditional and simple directed by Neil Dorward and highlights the talent, rigour, and finesse of diverse artists with...
<strong>As You Like It – Soho Place</strong>
London

As You Like It – Soho Place

Doing absolute justice to the title As You Like It, director Josie Rourke reinvigorates Shakespeare’s classic comedy making it inclusive, accessible, and thus relevant. In the Forest of Arden, characters explore possibilities of not just their individual pursuits but also by who has played them impregnating Shakespeare’s lines with multiple layers and meanings. It's up to the audience to interpret how they like it! While certain parts are played by gender-fluid, non-binary, and trans performers, Celia is played by Rose Ayling-Ellis who is a deaf performer and Rosalind played by Leah Harvey use sign language to communicate. This production is elevated by how it celebrates its casts’ identities and uses them to theatrically add meaning and value to the play bringing it closer to a more real...
<strong>Paradise Now! – Bush Theatre</strong>
London

Paradise Now! – Bush Theatre

Paradise Now! reflects the growing empowerment of women in our society, showing both unity and darker, more toxic aspects. The play begins in Gabriel and her sister’s living room, showing a stark contrast between Gabriel’s depression induced exhaustion and Baby’s post work fatigue. When Gabriel meets Alex who sells essential oils for a company called Paradise, her life is given a new sense of purpose. The two go on to recruit more members of the team, we meet Rose and Laurie. All driven by money and success, they repeat the same spiel about connecting to your inner goddess to drive sales. Some climb up the ladder and others struggle, as they eventually reveal hidden truths about themselves in an intense team building workshop. Shazia Nicholl plays Alex, the forcefully ambitious lead...
<strong>Dolly Parton’s Smoky Mountain Christmas Carol – Southbank Centre</strong>
London

Dolly Parton’s Smoky Mountain Christmas Carol – Southbank Centre

Dickens' tale of poverty, inequality and transformation has been a staple of the holiday season since it was first published in 1843. While Dickens was highlighting the terrible deprivation of the London slums, Dolly Parton's new musical takes the audience to the Appalachian Mountains in 1936, at the height of the Depression. As in the original tale, Ebenezer Scrooge owns everything in the town, having taken over ownership of the mine, shop and bank from his partner, Jacob Marley. The inhabitants of the town work all hours for a pittance for Scrooge, struggling, scrimping and saving, but finding joy in their families, and in their hopes and dreams. There's no such joy in Scrooge's life, and he focuses all his time and energy on making and saving money. He has no-one and regards Christmas ...