London Archives - Page 34 of 111

21Sep

By Stewart Who?No Comments

London

Operation Epsilon – Southwark Playhouse

Operation Epsilon is concerned with a niche piece of 1945 history that may potentially find a wider audience due to the popularity of recent Oppenheimer movie. Thanks to Cillian Murphy’s turn in Christopher Nolan’s blockbuster biopic, suddenly everyone has an opinion on the ethics of scientific research and the uses of nuclear fission. The play is set after the fall of Nazi Germany, as the Allies carved up the Reich and sought justice and peace for the world at large. Except, it’s never that simple. At best, war creates moral ambiguities, and by its very nature, revels in murder and destruction. Ethics become very bendy once bombs start falling. In the post-war clean up, British and American intelligence services were keen to get the lowdown on the extent of Germany’s nuclear research. ...

20Sep

By Paul AckroydNo Comments

London

Rebecca – Charing Cross Theatre

There seems to be no source material nowadays which cannot be turned into a musical. However, Rebecca, having its London musical premiere at the Charing Cross Theatre illustrates that some material is really not suitable for such a treatment. This show premiered in Vienna in 2006 and ran for 3 years. It had original German lyrics by Michael Kunze, translated for this production by Christopher Hampton, and music by Sylvester Levay. It follows the story of the famous Daphne Du Maurier novel closely. An unnamed young woman is swept off her feet by the enigmatic Maxim de Winter in a Monte Carlo hotel and agrees to become his wife and returns with him to his home at Manderley on the Cornish coast. However, the memories of the first Mrs De Winter, Rebecca, are everywhere in the house, kept ...

Sorry We Didn’t Die at Sea – Park Theatre

20Sep

By Zoё MeeresNo Comments

London

Sorry We Didn’t Die at Sea – Park Theatre

The snug space of Park 90 at Park Theatre is perfect for Emanuele Aldrovandi’s Sorry We Didn’t Die at Sea, translated for a British audience here by Marco Young. Directed by Daniel Emery, who with Young is co-director of Riva Theatre, the intimate setting allows the audience to see every flinch of fear, every brief touch of tenderness and every wince of discomfort in this tense yet darkly comedic piece. The play focuses on three characters attempting to illegally escape the UK for a new life of opportunity across the sea, a thoughtful twist on the current migration situation. The characters, made a foursome by the sinister shipping container owner, never earn names and as their stories gradually unfold through a series of lies, half-truths and stark honesty, each of the ensemble gives a...

20Sep

By Robert BartleyNo Comments

London

The Little Big Things – @sohoplace

As much as we love all of the American musicals that cross the pond to entertain us, there’s a special kind of excitement that comes when a new British creation gets announced. The latest “little” show with “big” aspirations is ‘The Little Big Things’, playing at the @SohoPlace Theatre in London’s West End. Based on the memoir of the same name by artist Henry Fraser, the musical hopes to follow in the footsteps of other British successes like ‘Everybody’s Talking About Jamie’ and ‘Six’, and is already capturing audiences’ hearts with its uplifting true story of triumph over adversity, the importance of family, and the strength of the human spirit. When an accident on holiday changes his life forever, Henry Fraser (played in dual roles pre- and post-accident by Ed Larkin and ...

12Sep

By Jennifer LaishleyNo Comments

London

Sing-easy – Leicester Square

Sing-easy is the bar that musical theatre fans have been waiting for and now on Fridays and Saturdays Sing-easy will host musical theatre lates with a DJ till 3am! Sing-easy is an intimate piano bar within The Piano Works in Leicester Square. Throughout the night the pianist takes song requests, and the waitresses take turns stepping up to sing. The set list is strictly musicals! The nature of this kind of show does mean that the quality of music will depend on the taste of your fellow audience members. Luckily, we were spoilt with a wide range of musicals from different eras. The standard of performance is really high all of the singers are working professionals, and we were really blown away by the singing. A particular highlight was Take Me or Leave from Rent me sung by Eleano...

10Sep

By Alice RoseNo Comments

London

Strategic Love Play – Soho Theatre

Dating in this day and age seems to be getting harder and harder, what with less natural ‘bumping into someone’ and more organised ‘meet ups’ with your fingers crossed that a spark lights and then you can finally relax because you’re back on track. ‘Him’ and ‘Her’ (Archie Backhouse and Letty Thomas) find themselves in a pub with two pints and both completely willing to make it work. But it doesn’t, she makes it difficult admitting that she’s unlovable and all she asks is for him to not lie. He, confused then of course lies and says ‘you’re great’ but I think I’m going to leave. Somehow she convinces him to stay. The next hour takes us through a whole evening of deep, truthful conversation ending with a contract of what ‘this’ is. They agree to be like those old couples holding hands, compl...

8Sep

By Dave SmithNo Comments

London

Birthright – Finborough Theatre

Continuing their re-discovery season, Finborough Theatre presents Birthright by T. C. Murray. Written in 1910 and staged at the Abbey Theatre in Dublin that same year, it was a huge success. Set around the same time in rural Ireland, a farming family comes to conflict over the different ways the two sons are being drawn in their own lives. Shane, the second son, has an innate talent for farm work, often finding solutions to farm challenges more swiftly than his father, Bat. Yet, despite this, the farm and its birthright were never destined to be his. He has arranged to emigrate to America. On this particular evening, we find ourselves at the family table, where a freshly delivered trunk rests, symbolising the second son's future far away – a "spare," borrowing a phrase from recent UK te...

7Sep

By Paul AckroydNo Comments

London

Sugar – The Old Red Lion Theatre

This one-woman show, which was performed initially online at the 2021 Edinburgh Fringe and, thereafter, live at the 2022 Fringe to critical acclaim is now being performed to London audiences at The Old Red Lion Theatre in Islington. Written and performed by Mabel Thomas it charts the life of May, from schoolgirl, aged 6, to a young lady of 18 just entering the adult world. May is a feisty young lady with a determination to win at all costs. This is first demonstrated when in primary school determined to be champion at a rather strange game of " Dibbits" she takes revenge on the boy who actually wins by inveigling him to take her along to share the much-vaunted prize. Aged 10 she decides to become an entrepreneur in order to earn some money but is frustrated when the school decides...

3Sep

By Alice RoseNo Comments

London

As You Like It – Shakespeare’s Globe

Heading back to the Globe for what seems like the last summery evening of Shakespeare this year left me slightly underwhelmed and fidgety. As You Like It directed by Ellen Mcdougall runs with a gender fluid rendition, flouncy costumes filled with frill and colour with flicks of modern song. The classic has been done countless times in the past few years however maybe we have a hit a wall with what else can be done. The cast enter the stage with the unfortunate news that one cast member has fallen ill and an actor will be stepping in with script. I’m devastated to have not caught the name as this wonderful actor breathed a real freshness into the atmosphere that felt drier when they exited. The story itself is relatively easy to grasp as a couple are in love however Rosalind being ban...

A Midsummer Night’s Dream – Brockley Jack

3Sep

By Paul AckroydNo Comments

London

A Midsummer Night’s Dream – Brockley Jack

Bear in the Air Productions have produced a fresh traditional retelling of one of Shakespeare's most famous plays without resorting to gimmicks. It has been adapted brilliantly by Heather Simpkin to be performed by a cast of only six. This of course required very rapid costume changes, and placed great demands on the cast as they shifted within seconds from one character to another. All this was accomplished with great professionalism. The setting was minimal in the Brockley Jack's limited theatre space, with only a rudimentary bower, a statue and a few pieces of platform to represent the leafy bank. But the space was excellently used by the director, Conor Cook, although the need for cast members to leave the playing area to change rapidly into other costumes made for...