London Archives - Page 28 of 149

The Importance of Being Oscar – Jermyn Street Theatre

3Apr

By Paul AckroydNo Comments

London

The Importance of Being Oscar – Jermyn Street Theatre

There has never been anyone quite like Oscar Wilde. Famed as an author, playwright and poet in late Victorian England and then vilified for his homosexuality, his works remain as popular today,125 years after his death, as ever. Original Theatre and the Reading Rep Theatre have revived this dramatised biography, which was originally written and performed in 1960 by Micheál Mac Liammóir. Alistair Whately's one man show is a narrative of Wilde's life, illustrated with quotations from his best-known works: The Picture of Dorian Gray, The Importance of Being Ernest, as well as some of his best-known poems and letters. The first half focuses on his rise from his early life in Ireland to his fame in London for his poems and theatrical works. The second half is darker with his prosecu...

This Is Not a Happy Room – King’s Head Theatre

2Apr

By Zain RussellNo Comments

London

This Is Not a Happy Room – King’s Head Theatre

This is not a Happy Room is a new play written by and starring Rosie Day. It explores family dynamics, the ways families drift apart, and how they reconnect when brought together for major life events—such as a wedding and a funeral. Through witty dialogue and engaging performances, the play captures the complexity of sibling relationships, unresolved tensions, and the bittersweet nostalgia of shared memories. The story revolves around a family gathering for their father’s wedding to his new girlfriend. However, as he fails to arrive on time, his children begin to question his whereabouts while also rediscovering their relationships with one another. As they navigate awkward reunions and unspoken resentments, the audience is drawn into the emotional highs and lows of their interactions....

28Mar

By Alice RoseNo Comments

London

Asbo Bozo – Riverside Studios

18 minutes to start her day in silence, our lead and Anti-social Behaviour Officer (Georgina Duncan) needs to start her day off peacefully before dealing with the gruelling week ahead. Even more excitingly- it’s her birthday! With high expectations of the day, she prepares herself to play it cool when presented with cake and cards at work! She whirls around positive thinking, her phone quietly buzzes with yet another work meeting, a voicemail, an email. Her 18 minutes are cut 5 minutes short, so we journey with her on her walk to work through Wigan high street. Observant and suspicious of the locals, she’s seen far too much to just take life at surface level, but rather than confronting these demons, she remains forever bubbling on top of a kill switch. One small spark could set off an exp...

28Mar

By Michelle KnightNo Comments

London

Summoning Sondheim – The Glitch Theatre

The Queen of Cups presents Summoning Sondheim as part of the relaunch of Vaults before heading to 54 Below in New York in the autumn. Co written by Grace O’Keefe {best newcomer at Musical Comedy Awards 24) she has created a two woman show that centres around Stephen Sondheim the American composer and lyricist. He is regarded as one of the most important and influential people in the 21st C of musical theatre. The staging is intimate and minimal seating, the set is focussed on the candle lit alter placed in the centre of the room, the purpose being to attract the spirit of Sondheim. A séance, a place of worship to the great composer in the hope that he comes back to offer guidance and wise words to ‘Grace’ an inspiring writer who someday wants to become herself a renowned female scriptwr...

Murder, She Didn’t Write – Duchess Theatre

27Mar

By Carole GordonNo Comments

London

Murder, She Didn’t Write – Duchess Theatre

The Degrees of Error theatre company, having thrilled audiences at the Edinburgh Fringe, are now on tour around the UK and making their West End debut with their improv comedy of an Agatha Christie-style murder mystery. The audience throws in suggestions about the direction of the case, the murder weapon, the location of the crime, the suspects. There's audience participation, a flying deerstalker and much randomness. Will the audience find the murderer before the culprit is revealed? All characters have the standard means, motive and opportunity to have committed the murder but why and how, what does a giant cucumber have to do with it and why are the characters suddenly speaking in Latin? It's all totally bonkers and great fun. It's 1932 and Detective Agatha Crusty (Lizzy Sk...

24Mar

By Klervi GavetNo Comments

London

SPENT – Old Red Lion Theatre

In this daring one act, Greek Austrian playwright and performer Nikoletta Soumelidis and co-star Charlie Collinson draw us into a corrosive dance of love, power, and self annihilation. Soumelidis’s incisive writing examines the intoxicating pull of a BDSM inflected relationship — not for erotic spectacle, but as a stark metaphor for the emotional bondage we too often mistake for passion. Each night, tables turn, roles swap, and the dominant becomes the submissive. By watching both configurations, audiences confront ingrained assumptions about control, romance, and gender roles—as well as the earliest red flags of abuse. When Collinson dominates, his stripped back charisma evokes the familiar lure of a thrilling yet self-destructive darkness that irresistibly draws in Soumelidis’s naï...

23Mar

By Anisha PucadyilNo Comments

London

Mary and Hyenas – Wilton’s Music Hall

‘Mary and Hyenas’ recreates the life and times of trailblazer Mary Wollstonecraft with tongue-in-cheek humour and peppy indie rock music. Written by Maureen Lennon collaborating on original music and lyrics by Billy Nomates and directed by Esther Richardson, it is a sincere adaptation that must not be missed. Laura Elsworthy brings alive Mary’s bold and assertive character. We are moved by her portrayal of the vulnerable child singlehandedly questioning patriarchy to her pining for unrequited love and inspired by her passion to live a life different from the sensibility imposed on her. We resonate with the tiredness and humaneness of a leader who is making mistakes and figuring out her purpose, safety and vocation while battling poor mental health herself and making bold choices like ch...

The Lightening Thief: The Percy Jackson Musical – The Other Palace

23Mar

By Michelle KnightNo Comments

London

The Lightening Thief: The Percy Jackson Musical – The Other Palace

This musical began as a 60 minute Off-Broadway production in 2014. It returned to the New York stage in an expanded two-hour version in 2017. It tells the story of the first book in a series of six books written by fantasy novelist Rick Riordan. Joe Tracz and composer and lyricist Rob Rokicki have “chosen to hone into the first book in the series The Lightening Thief “written with a modern-day twist. Centred around a New York teenager ‘Percy Jackson’ played by Morgan Gregory who discovers he is the half-blood son of the Greek god Poseidon. He gets caught up in an unexpected adventure where he starts a journey of self-discovery, and he soon begins to realise that the people around him are not quite who they seem. Knowing the back catalogue of the Percy Jackson and the Olympians se...

Playhouse Creatures – Orange Tree Theatre

23Mar

By Savitha VenugopalNo Comments

London

Playhouse Creatures – Orange Tree Theatre

In the intimate setting of Orange Tree’s theatre-in-the-round, the 1660s came visiting. Charles II is on the throne, theatres have reopened, and there is a new creature on the stage – a female actor. The theatre, we are told, was once a bear pit and people came in to watch dancing bears. Now they come to see the women. Directed by Michael Oakley, April De Angelis’ play about five actresses – who were among the very first women in the profession – brings to life real stories from the period. Some of the themes seem like lasting legacies of showbiz, like the way younger faces edge out the old, and pregnancy becoming a full-stop to vibrant careers. Mrs Betterton and Mrs Marshall rule the roost, playing myriad roles from Amazon warriors to powerful queens, before thickly packed audiences...

23Mar

By Michelle KnightNo Comments

London

Men’s Business – Finborough Theatre

Men’s Business by Tony and Olivier Award winning playwright Simon Stephens has its world premiere this season. This 1972 version of Mannersache by Franz Xaier Kroetz, Simon Stephen’s translation is a love story set in a butcher’s shop with a cast of two and a dog and is the London debut for the acclaimed new production company Glass House Theatre from Dublin. From the opening scene, the backroom of a butcher’s shop Charlie and Rex appear in their work attire to the loud sounds of punk rock music, blasting, flashes of red as they assume their positions into what quickly transpires to be the only place the audience will see throughout this play. A small intimate theatre of benches which the audience can truly see, feel and touch the actors on set. Rex Ryan plays Victor the ‘boyfriend’ ...