Monday, December 15

London

Murder, She Didn’t Write – Duchess Theatre
London

Murder, She Didn’t Write – Duchess Theatre

The Degrees of Error theatre company, having thrilled audiences at the Edinburgh Fringe, are now on tour around the UK and making their West End debut with their improv comedy of an Agatha Christie-style murder mystery. The audience throws in suggestions about the direction of the case, the murder weapon, the location of the crime, the suspects. There's audience participation, a flying deerstalker and much randomness. Will the audience find the murderer before the culprit is revealed? All characters have the standard means, motive and opportunity to have committed the murder but why and how, what does a giant cucumber have to do with it and why are the characters suddenly speaking in Latin? It's all totally bonkers and great fun.  It's 1932 and Detective Agatha Crusty (Lizzy Sk...
SPENT – Old Red Lion Theatre
London

SPENT – Old Red Lion Theatre

In this daring one act, Greek Austrian playwright and performer Nikoletta Soumelidis and co-star Charlie Collinson draw us into a corrosive dance of love, power, and self annihilation. Soumelidis’s incisive writing examines the intoxicating pull of a BDSM inflected relationship — not for erotic spectacle, but as a stark metaphor for the emotional bondage we too often mistake for passion. Each night, tables turn, roles swap, and the dominant becomes the submissive. By watching both configurations, audiences confront ingrained assumptions about control, romance, and gender roles—as well as the earliest red flags of abuse. When Collinson dominates, his stripped back charisma evokes the familiar lure of a thrilling yet self-destructive darkness that irresistibly draws in Soumelidis’s naï...
Mary and Hyenas – Wilton’s Music Hall
London

Mary and Hyenas – Wilton’s Music Hall

‘Mary and Hyenas’ recreates the life and times of trailblazer Mary Wollstonecraft with tongue-in-cheek humour and peppy indie rock music. Written by Maureen Lennon collaborating on original music and lyrics by Billy Nomates and directed by Esther Richardson, it is a sincere adaptation that must not be missed. Laura Elsworthy brings alive Mary’s bold and assertive character. We are moved by her portrayal of the vulnerable child singlehandedly questioning patriarchy to her pining for unrequited love and inspired by her passion to live a life different from the sensibility imposed on her. We resonate with the tiredness and humaneness of a leader who is making mistakes and figuring out her purpose, safety and vocation while battling poor mental health herself and making bold choices like ch...
The Lightening Thief: The Percy Jackson Musical – The Other Palace
London

The Lightening Thief: The Percy Jackson Musical – The Other Palace

This musical began as a 60 minute Off-Broadway production in 2014. It returned to the New York stage in an expanded two-hour version in 2017. It tells the story of the first book in a series of six books written by fantasy novelist Rick Riordan. Joe Tracz and composer and lyricist Rob Rokicki have “chosen to hone into the first book in the series The Lightening Thief “written with a modern-day twist. Centred around a New York teenager ‘Percy Jackson’ played by Morgan Gregory who discovers he is the half-blood son of the Greek god Poseidon. He gets caught up in an unexpected adventure where he starts a journey of self-discovery, and he soon begins to realise that the people around him are not quite who they seem.   Knowing the back catalogue of the Percy Jackson and the Olympians se...
Playhouse Creatures – Orange Tree Theatre
London

Playhouse Creatures – Orange Tree Theatre

In the intimate setting of Orange Tree’s theatre-in-the-round, the 1660s came visiting. Charles II is on the throne, theatres have reopened, and there is a new creature on the stage – a female actor. The theatre, we are told, was once a bear pit and people came in to watch dancing bears. Now they come to see the women. Directed by Michael Oakley, April De Angelis’ play about five actresses – who were among the very first women in the profession – brings to life real stories from the period. Some of the themes seem like lasting legacies of showbiz, like the way younger faces edge out the old, and pregnancy becoming a full-stop to vibrant careers. Mrs Betterton and Mrs Marshall rule the roost, playing myriad roles from Amazon warriors to powerful queens, before thickly packed audiences...
Men’s Business – Finborough Theatre
London

Men’s Business – Finborough Theatre

Men’s Business by Tony and Olivier Award winning playwright Simon Stephens has its world premiere this season. This 1972 version of Mannersache by Franz Xaier Kroetz, Simon Stephen’s translation is a love story set in a butcher’s shop with a cast of two and a dog and is the London debut for the acclaimed new production company Glass House Theatre from Dublin. From the opening scene, the backroom of a butcher’s shop Charlie and Rex appear in their work attire to the loud sounds of punk rock music, blasting, flashes of red as they assume their positions into what quickly transpires to be the only place the audience will see throughout this play. A small intimate theatre of benches which the audience can truly see, feel and touch the actors on set. Rex Ryan plays Victor the ‘boyfriend’ ...
Double Act – Southwark Playhouse
London

Double Act – Southwark Playhouse

Two clowns enter the stage, their mission: to end their life tonight. We travel with them for the day as they quarrel over the best way to spend this final day. Representing one male, 28 and lost in what purpose his life might have, we meet strangers and exes on the way to the coast. Small gestures of kindness and connection breaks his mission to the cliff, giving him moments of doubt as he continues to question - what is courage? Is it to finally bring it all to an end or is it to keep trying? Written and performed by Nick Hyde, they play one side of the coin along with Oliver Maynard. Each of the pair double as other characters in this man’s life. The nosy neighbour, the ex and the unbearable finance bro from school. Each moment is relatable and hilarious, as we all connect over the j...
A Letter to Lyndon B Johnson or God Whoever Reads It First – Soho Theatre
London

A Letter to Lyndon B Johnson or God Whoever Reads It First – Soho Theatre

A Letter to Lyndon B Johnson is a brilliant piece of physical storytelling, at times funny, thought-provoking, and touching. It follows two boys, Ace (Natasha Roland) and Grasshopper (Xhloe Rice), who are scouts at the time of the Vietnam War. Through child-like inventions we see the world through their eyes, with the lines between playing soldiers at home and being soldiers at war are blurred. Photo: Morgan McDowell The strength of this show comes through its roots in physical theatre and clowning. Xhloe Rice and Natasha Roland, performers and co-creators, use this to evoke the child-like world of their characters. The extent of the ‘set’ is one large, black rubber tyre, but through clowning the two are able to produce so much from this one item: a piece of cover under enemy fire, t...
Dear England – National Theatre
London

Dear England – National Theatre

Dear England, written by James Graham, tells the story of the ‘New’ England football team and centres on the origin story of Gareth Southgate as Manager of the England team between 2016 and 2024. Gareth is determined to bring life and heart back to the squad and we are immersed in his journey, striving for solidarity and a better England. The lighting, sound and projection work of this production is exceptional, as is the set by Es Devlin. As the audience enters, they see a circular stage with a semi-circle above it lit up, representing a football stadium. There is a low hum of the crowd that can be heard which builds anticipation. The semi-circle becomes a space for powerful projection which aids the progression of the show. The revolving stage is used throughout the performance, never...
Mixed Sex – Lion & Unicorn Theatre
London

Mixed Sex – Lion & Unicorn Theatre

Mixed Sex, written and starring Samuel Normington, takes audiences on a nostalgic trip back to the 1990s—a time when Eternals dominated the charts and the Spice Girls were just making their debut. This coming-of-age comedy follows a group of 10-year-olds as they begin to explore their identities, interests, and the awkward, often hilarious, moments of growing up. The play captures the era brilliantly, evoking memories of football-obsessed boys, a fixation on “tits,” and girls who idolized Care Bears and danced to Eternals. The humour is sharp, with plenty of laugh-out-loud moments and well-timed gags that keep the energy high throughout the performance. The writing cleverly taps into the awkwardness of childhood friendships and early discoveries about self and attraction, making for...