London Archives - Page 25 of 150

20May

By Dave SmithNo Comments

London

The Fifth Step – @sohoplace

David Ireland’s Edinburgh Fringe hit The Fifth Step transfers to London, making its debut at @sohoplace in a new version with substantial changes. Staying from its Edinburgh run is Jack Lowden with Martin Freeman joining to complete the two-hander. The title refers to the fifth step of the 12-step programme; writing down everything which brings guilt and shame so you can tell them to a trusted friend in order to reduce the chance that these will drive you to drink. There is the usual David Ireland wit and black humour as he explores themes of addiction, masculinity, and in particular, religious faith. Photo: Johan Persson The set is minimal - a blank stage with just a few chairs and a coffee point. Director Finn den Hertog has chosen to strip away all the staging from the E...

19May

By Mark DavorenNo Comments

London

Die Walküre – Royal Ballet & Opera

Following 2023’s Das Rheingold, conductor Antonio Pappano and director Barrie Kosky reunite to continue the mythical adventure with Die Walküre (The Valkyrie), the second work of Richard Wagner’s four-opera cycle Der Ring des Nibelungen. On a stormy night, fate brings Siegmund (Stanislas de Barbeyrac) to the door of Sieglinde (Natalya Romaniw), the fearful wife of bully Hunding (Soloman Howard), unleashing a love with the power to end worlds. Meanwhile, in the realm of the gods, an epic battle ensues between their ruler Wotan (Christopher Maltman) and his rebellious daughter, Brünnhilde (Elisabet Strid), after his wife Fricka (Marina Prudenskaya) has laid her own law down to him, and the battle of the Valkyries – Helmwige (Maida Hundeling); Ortlinde (Katie Lowe); Gerhilde (Lee Bisset); ...

19May

By Holly SewellNo Comments

London

Diagnosis – Finborough Theatre

Athena Stevens commands the stage in the world premiere of her new play, Diagnosis, playing at the Finborough Theatre. In a dystopian London police station, a woman with a disability, S/he (Athena Stevens), is questioned about an alleged assault against a stranger. In accordance with new procedural law around ‘vulnerable individuals’, she is taped, watched by an audience through a one-way mirror, and forced to be taken seriously - or that’s the idea. In reality, the endless red tape acts less as a support system than as a distraction from the truth of her story. The set is immediately eerie. There is one window, blinds drawn, through which an ominous red glow seeps into Juliette Demoulin’s dark interrogation room. A camera on a tripod records and projects onstage the entire questioni...

Richard III – New Wimbledon Theatre Studio

16May

By Paul AckroydNo Comments

London

Richard III – New Wimbledon Theatre Studio

Alex Wakelam's new production of Richard III for the Carlton Theatre Group is innovative in the number of ways. As Wakelam explains at length in his directors note in the programme is made various changes to the text, including significantly reducing the number of speaking characters, introducing a scene from Henry VI part 3 and references to the Wars of the Roses. And it worked. The plot was easy to follow, and the dialogue flowed actually using Shakespeare's own language. It is also innovative that it set the entire play around a long dinner table with a cast seated on one side opposite the audience. The period was deliberately ambiguous. Possibly Victorian. The dinner guests were the main characters, kings, queens and courtiers dressed in evening wear, while in the background with th...

15May

By Sadie PearsonNo Comments

London

1536 – Almeida Theatre

A period drama which couldn’t be more pertinent, 1536 by Ava Pickett is a triumph of feminist rage against a system which is perpetually rigged against women. The trail of Anne Boylen seen through the eyes of three anonymous women - stripping patriarchal attitudes down to bare bones, this electrifying drama exposes – with a warning claxon – the dangerously well-trodden path toward female subjugation. It is not a play to be missed. ‘History is told by victors. And for most of history, men have been the victors’ states Suzannah Lipscomb in the programme’s foreword. This is a play which inverts that narrative. In a small village near Essex, Anna (Siena Kelly). Jane (Liv Hill) and Mariella (Tanya Reynolds) gather in their seclusion of their childhood meeting place, hungry for London’s gossi...

A Small Enclosed Room with Alfie Murphy – Soho Theatre

15May

By Ralph JeffreysNo Comments

London

A Small Enclosed Room with Alfie Murphy – Soho Theatre

A Small Enclosed Room With Alfie Murphy is a unique and funny show that sometimes struggles to deliver on its strong themes and ideas. We begin as a one-man style show. Alfie confides in us about his life, telling us about his band ‘The Camden Stoners’ and the struggles he has with his more sociable, but rather shallow bandmate Jai. From the moment our other performer, Anna Constable, puts her head through the curtain (as Alfie’s ghostwriter dressed as a ghost), the show moves at lightning speed. Alfie falls out hard with Jai, travels to India to lose become a guru, and suddenly finds himself thrown into a particularly aggressive talk show interview before the fourth wall comes crashing down as Constable begins to object to all the costumes and roles, she is forced to put on in order to...

Dear Annie, I Hate You – Riverside Studios

15May

By Savitha VenugopalNo Comments

London

Dear Annie, I Hate You – Riverside Studios

Samantha Ipema takes what is perhaps the most traumatic period of her life and turns it into a dramatic telling full of comedy and poignance. To say that this play offers a peek into its creator’s brain is not hyperbole, it is a mere fact. We do get to see her brain. But more on that later. The play is directed by James Meteyard and Ipema plays herself as she tells her life story from the day she met her adoptive brother, Mica. Their childhood shenanigans, school, friends, teenage, and her love for soccer. And that’s where Annie comes into her life. Annie is the personification of the aneurysm that doctors find in Sam’s brain. She is unpredictable, explosive, and is played with chaotic energy by Eleanor House. She is Sam’s unwelcome plus-one at spring break, in school, at parties. Th...

The Comedy About Spies – Noel Coward Theatre

15May

By Michelle KnightNo Comments

London

The Comedy About Spies – Noel Coward Theatre

What a play, the two Henry’s, Lewis and Shieldshave ‘cracked the funny bone’ with this one. What is there not to like about Englishmen MI6, Russian KGB and American CIA agents getting it not quite right! If you enjoyed The PLAY That Goes Wrong, well this play is one for the bucket list. The Mischief Company present The Comedy About Spies, with espionage, lots of sneaking about undercover and a dash of James Bond, wonderful. The cast’s opening gambit sets the scene in 1960’London, on a mission ‘Project Midnight’ to track down documents to avert an international disaster. With an ensemble of dialogue to make you cringe and laugh out loud the agents named by letters of the alphabet start a confusing conversation: “this mission is for you no not you U” “Why” agent Y walks in “not you Y get ...

10May

By Michelle KnightNo Comments

London

Marie & Rosetta – Rose Theatre Kingston

The story of sister Rosetta Tharpe and Marie Knight is not a well-known one. Rosetta played by Beverley Knight was known as the ‘Godmother of Rock and Roll’ in the 1930’s and 40’s taking Gospel music to a whole new level. Donned with an electric guitar she moved with swing and soul influencing artists like Chuck Berry, Little Richard and well before the uprising of Elvis, Hendrix and other rock roll greats. Rosetta’s drive was to be true to herself with her music creating a fusion of her faith and soulful blues rock. Ntombizodwa Ndlovu debuts as Marie Knight a young woman married to a preacher man with two children who teams up with Rosetta to create a partnership that would prove to be more than just creating music. The women become aligned to each other’s strengths,...

9May

By Zain RussellNo Comments

London

Einkvan – The Coronet Theatre

Einkvan by Jon Fosse was performed at the beautiful Coronet Theatre, a venue that perfectly blends period charm with a capacity for avant-garde staging. The ambience was evocative and well-suited to the abstract, meditative tone of the production. The performance centers around a family in emotional disarray, focusing on a son who refuses to speak or respond to his parents. Despite their desperate attempts to connect—pleading with him to talk, reminiscing about shared memories, or offering simple gestures like having a beer—he remains distant and unresponsive. His silence is both the emotional core and the great mystery of the piece. Visually, Einkvan is stunning. The entire performance unfolds behind a semi-translucent veil, rendering the actors as ghostly figures moving in slow...