London Archives - Page 25 of 148

5May

By Michelle KnightNo Comments

London

Romeo & Juliet – Shakespeare’s Globe

The Shakespeare Globe presents as part of the summer season. A new lively production of Romeo and Juliet, a play of young love and tragedy. This is one of Shakespeare’s controversial plays “which the age of a character is overtly stated, Juliet is just thirteen”. Romeo’s age is never mentioned but the sense is he is not much older than his Juliet played by Lola Shalam. It offers Shakespeare style, set within the wild west times of the 19th Century, yes cowboys. Don’t be fooled It has its scenes of tragedy, violence and misfortunate heartache. Set in Verona it revolves around a story of feuding families, the Montagues and the Capulet’s of which Romeo is a Montague and Juliet a Capulate. The two meet for the first time at a ‘coming out’ banquet for Juliet. Romeo with his friends Ben...

Mermaids Have No Tears — Barons Court Theatre

5May

By Zak RosenNo Comments

London

Mermaids Have No Tears — Barons Court Theatre

It can be hard not to fall into despair when contemplating all the different apocalypses we face today — climate change, oligarchic billionaires, social media brain rot, rising authoritarianism, talking to your father about your gender. But Mermaids Have No Tears, written by Ellis Stump and directed by Julia Sopher, manages to take in the overwhelming chaos of life in this moment and explores it with hope, humility, and a whole lot of humour, all through the lens of the fascinating subculture of Mermaiding. Set during the 2024 and 2025 New York Mermaid Conventions and the intervening year, the play follows the intricate and mildly unhinged antics of three twenty-somethings. Fyn (played by Everleigh Brenner) is the environmental activist child of an oil tycoon trying to figure out ho...

Scenes from a Repatriation – Royal Court Theatre

2May

By Zain RussellNo Comments

London

Scenes from a Repatriation – Royal Court Theatre

Scenes from a Repatriation is a bold and thought-provoking play that centres around a 1,000-year-old statue of Guan Yin, which was taken from China and is now housed in the British Museum. This production offers a rich philosophical exploration of the questions surrounding ownership of cultural artefacts—who has the right to possess them, and what meanings they hold for individuals across time and place. From the outset, the play is an intense, quite disturbing and an unconventional experience. It unfolds through a series of dynamic, often surreal scenes, each presenting a different perspective on the statue’s significance. The statue of Guan Yin becomes more than a historical object; it is a spiritual icon, a political flashpoint, and a symbol of commodification in a world where cultur...

I See Me & Meryl Streep – The Other Palace

30Apr

By Michelle KnightNo Comments

London

I See Me & Meryl Streep – The Other Palace

This show has had a successful run in Australia and is all about ‘Me’ Meryl performed by actor and comedienne Alexandra Keddie. This sixty-minute tour of her ‘obsession not really’ with Meryl Streep, showcases Keddie’s skill of impersonation. knowledge and comedic portrayal of Streep’s iconic moments from the movies. Films such as the ‘The Deer Hunter’ ‘Devil Wears Prada’ ‘Sophie’s Choice’ and many more. Diane a skit on Diane Keaton Keddie’s ‘sister’ supports her performance with music and sisterly banter. This sixteen-year-old girl for her drama teacher wanted to shine and outperform her fellow classmates with her acting skills and knowledge of Meryl Streep’s meteoric rise to fame and fortunes. Keddie ‘namesake Meryl’ is a young girl finding her way in the world, vulnerable with her ow...

26Apr

By Paul AckroydNo Comments

London

Ben and Imo – Orange Tree Theatre

This is a superb production in all respects. It tells the story of the collaboration between two dominant characters in the world of music in the early 1950s. Benjamin Britten (Ben) at that time the foremost living British composer and Imogen Holst (Imo), the daughter of the renowned composer Gustav Holst. The play started life as a radio play in 2013 and then was adapted by Mark Ravenhill for the RSC premiering at the Swan Theatre in March 2024. It has now transferred to the small, intimate theatre in the round at the Orange Tree in Richmond. Britten has been given the task of composing, in only 9 months, a new opera to be performed at the Coronation Gala of Queen Elizabeth the Second in 1952. He has chosen for his subject the rather unpromising tale of th...

21Apr

By Ben PearsonNo Comments

London

Boxed In – The Old Red Lion

Mental health is a topic very close to my heart, so I was intrigued to watch Boxed In. This debut play written, directed and performed by Rebecca Weston Wright follows a young woman, A, who is trapped inside a featureless prison-like room and forced to confront her demons. These demons are given voice in the form of a small wooden box, which acts as the inner monologue of self-loathing that often accompanies and depression. There are moments of genuine and moving insight in Boxed In. Wright offers a thoughtful and vulnerable commentary on the relentless internal battles faced by those struggling with mental health whilst sprinkling in enough observational humour to stop the experience becoming utterly miserable. A’s impression of a boss demanding she perfectly perform an endless series ...

A Practical Guide On How To Save The World When No One F***ing Else Is – Tara Theatre

21Apr

By Anisha PucadyilNo Comments

London

A Practical Guide On How To Save The World When No One F***ing Else Is – Tara Theatre

Tara Theatre’s vision to provide rehearsal space and financial support for 18-25-year-olds to script and develop new theatre is commendable. Over a 4-month programme, the young company works with industry professionals to develop their skills and build their professional networks. The culmination of this mentorship has resulted in the play, ‘A Practical Guide on How to Save the World when no one f***ing else is’. The vision of artistic director, Natasha Kathi-Chandra is to ‘uncover the urgent and current realities of those around you’. Over five weeks, the young team directed by Gavin Joseph rehearsed with provocations around the theme of 'Climate change'. Each actor formed characters through devising exercises, and conversation prompts. Between sessions, playwright Nicole Latchana wrote s...

17Apr

By Ralph JeffreysNo Comments

London

Ghosts – Lyric Hammersmith

Ibsen’s Ghosts is a serious challenge for anyone to update and adapt. This production falls unfortunately short of meeting that challenge, despite some bright moments. We follow a rich family of mother, Helena, and her difficult son, Oz, as they prepare for the grand opening of a children’s hospital using the money of Carl, Helena’s recently deceased husband. All this is complicated by the presence of Andersen, a lawyer helping to launch the hospital and an old flame of Helena, and Reggie and Jacob, who have worked for Helena and her family for a long time. Soon, all of the buried skeletons come out of the closet, and there is manipulation, suicide threats, and incest. Sadly, where Ibsen’s original is a masterpiece of writing, Gary Owen’s update is not of the same ilk. His adaptation...

15Apr

By Ralph JeffreysNo Comments

London

Heisenberg – Arcola Theatre

A brilliant production, Heisenberg is a reimagining of Simon Stephen’s excellent play about relationships and their inherent uncertainty. Portrayed for the first time as a relationship between two women, we follow seventy-five-year-old Alex and the much younger Georgie in a story of an unlikely relationship that all begins when Georgie unexpectedly plants a kiss on Alex’s neck in the middle of a train station. The quality of Simon Stephen’s writing is superb. His characterisation is full of knotty complexity and his dialogue is expert at pulling out all of the tensions between Alex and Georgie. For example, Stephens plays with the form of the characters’ conversations to show us who is in control, who is driving, who is comfortable, and who is not. Thus, it is Georgie who does most of t...

12Apr

By Alan Stuart MalinNo Comments

London

Supersonic Man – Southwark Playhouse

Southwark Playhouse Borough hosted the world premiere of ‘Supersonic Man’ this week, a new musical written and directed by Chris Burgess, which sets out to blend science fiction spectacle with emotional resonance and love within the LGBTQI+ community. It is inspired by the remarkable real-life journey of Peter Scott-Morgan, as seen in Channel 4’s ‘Peter – The Human Cyborg’, and follows Adam, a Brighton-based influencer, who faces a devastating diagnosis and chooses to defy it, not by surrendering, but by exploring an experimental path, exploring transhumanism to reclaim control and live a full life. The production offers up a bold premise, full of potential for both drama and imagination, but unfortunately, it doesn’t quite live up to the ambition of its concept and remains somewhat und...