Tuesday, January 13

London

Our Cosmic Dust – Park Theatre
London

Our Cosmic Dust – Park Theatre

Written and directed by Michinari Ozawa and translated by Susan Momoko Hingley, the critically acclaimed Our Cosmic Dust tells the story of Shotaro, a young boy who believes his recently deceased father has become a star. Originally a Japanese play performed in Tokyo, Our Cosmic Dust kicks off its UK  premier at the Park Theatre in London. The story is an enchanting blend of puppetry, animation and acting, exploring the concept of death and what happens after we die. The play begins with Shotaro running away from his mother, Yoko (Millie Hikasa), in her desperate attempt to find him, she meets some colourful characters along the way. Hikasa does a great job of playing a grieving mother struggling to cope with her recent loss as she feels her quiet son slipping away from her. Pho...
Miss Myrtle’s Garden – Bush Theatre
London

Miss Myrtle’s Garden – Bush Theatre

Miss Myrtle’s Garden is a powerful and moving production that delicately explores the emotional terrain of memory, love, and loss. Centered around Miss Myrtle and the people closest to her, the story subtly but poignantly addresses themes of dementia and Alzheimer’s. Without ever explicitly naming the illness, the play allows the audience to experience the disorientation, warmth, and heartbreak that come with it. Diveen Henry gives a remarkable performance as Miss Myrtle. Her portrayal is layered and deeply human—she shifts effortlessly from moments of sharp wit to bouts of confusion and vulnerability. Her relationship with her late husband Melrose is the emotional core of the play. Mensah Bediako brings grace and gentle charm to the role of Melrose, and his onstage chemistry with H...
A Midsummer Night’s Dream – Bridge Theatre
London

A Midsummer Night’s Dream – Bridge Theatre

If A Midsummer Night’s Dream should leave you feeling as though you’ve wandered through a strange, enchanted world, unsure what was real and what was play, then this immersive production succeeds beautifully. Bold, funny, sometimes outrageous, but always intelligent, it brings Shakespeare’s classic comedy to life with an energy that is both thoroughly modern and deeply respectful of the text’s spirit. Bunny Christie’s design is a triumph, a playful yet atmospheric space in which the audience moves freely as the world of the play shifts around them. The staging, with its moving platforms and layered set-pieces, constantly reshapes your perspective. I was fortunate to experience it from within the pits, which brought an exhilarating intimacy to the action. That said, if you...
So What’s the Plan – The Other Palace
London

So What’s the Plan – The Other Palace

So What’s the Plan is a three-hander performed mostly through song, following three friends in their twenties, trying to build a life in London. It touches on their friendship, the struggle to pay rent, juggling jobs, navigating flat shares and chasing their dreams - all delivered with humour, warmth, and honesty. Written by Harry Gascoigne, and starring himself alongside Lucy Brindle and Sophie Precious Muringu, the show is a fun, engaging watch. It’s especially relatable for anyone in their 20s trying to make it in a big, overwhelming city—and particularly for those hustling in creative industries. The show is told primarily through song, with engaging musical numbers that capture the emotional landscape of early adulthood and artistic ambition. While the songs don’t break new arti...
Street – Barons Court Theatre
London

Street – Barons Court Theatre

STREET, brought to the Barons Court Theatre by ‘Mos Sans Productions’, follows Miriam and Foster. Both are homeless, neglected and ignored by anyone but each other, and have little to no hope that anything will change. Writer and director Liviu Monsted uses these two compelling characters to explore the realities of living on the street. It’s a strong, moving and effective script, that only gets stronger when Miriam and Foster are joined by Fay and Christian. These newcomers hold up a mirror to those who romanticise homelessness and the ‘freedom’ it brings. Christian, in particular, is convinced that Foster and Miriam are lucky. Lucky that they don’t have a job, lucky that they are ignored by so much of society. It’s a wonderful depiction of the ignorance and privilege of those who view a ...
Little Women – Richmond Theatre
London

Little Women – Richmond Theatre

Louisa May Alcott’s beloved ‘Little Women’ is back, telling the celebrated and heartwarming story of four sisters, their mother and their friends as they navigate the twists and turns of life and what it has to offer.  The stage is set as a quaint living room, adorned with a twinkling Christmas tree and centrepiece piano. This set is unobtrusive yet provides a whimsical feel, adding to the theme of the sisters’ hopes and dreams in the first Act of the show. Fitting props and staging create two main scenes – in the first Act, the March’s home and surrounding areas and in the second Act, the addition of bookcases show time has passed and sets the scene for Jo working at the boarding house. Lighting is used beautifully throughout the play, particularly when paired with the fake snow f...
In Praise of Love – Orange Tree Theatre
London

In Praise of Love – Orange Tree Theatre

There’s something truly magnetic about a play that holds you at the edge of your seat, slowly pulling you deeper into its world with every passing moment. In Praise of Love does just that, creating a charged atmosphere where tension builds quietly, but persistently, in the midst of seemingly everyday exchanges. A beautiful balance of humour and heartbreak, this play keeps you engaged from start to finish, delivering its emotional punches with grace. Set in 1970s England, In Praise of Love follows Lydia, an Estonian refugee, and her husband Sebastian, a sharp-tongued literary critic, as they each try to protect the other with carefully kept secrets. Written by Terence Rattigan, the play brings to life four sharply drawn characters, each carrying their own secrets, loyalties, and regrets....
Permission – Tara Theatre
London

Permission – Tara Theatre

Permission is protest theatre with teeth. It’s urgent, intimate, and unexpectedly funny. Set between a Heathrow immigration line and a rooftop in Karachi, it’s a story that pulses with the politics of belonging, but never forgets the bruises left behind in private. The play tackles respectability, resistance, and the slippery myth of freedom, especially when your body, your story, and your silence have been weaponised. Hanna, played with quiet ache and steel by Anisa Butt, is a Pakistani-born student trying to stake out her own version of liberation in London, far from the weight of family and the hum of Karachi’s rooftop revolution was astounding in her role. Rea Malhotra Mukhtyar delivers something magnetic — playing both Hanna’s childhood best friend Minza, and later, Anush...
Bog Body – Arches Lane Theatre
London

Bog Body – Arches Lane Theatre

Love is more than language, Petra tells you, more than just words. She convinces you that it transcends the confines of time, form, and existence even. You see, she has fallen in love with a man who died 2,000 years ago. The bog body in the title refers to Lindow Man, the preserved human cadaver from the Iron Age recovered from the peat bogs of Lindow Moss, and Petra is preparing to marry him. In the 30 minutes before she is to tie the knot, dressed in white, she talks about her love and of her twin sister’s death. From off stage, the disembodied voices of her dead sister and the psychologist help her along in introspection. Is the idea of falling in love with a person long gone ridiculous and mad, or entirely normal? If you listen to Petra, you will be convinced of the latter. Losin...
Failure Project – Soho Theatre
London

Failure Project – Soho Theatre

Yolanda Mercy’s Failure Project is a sharp, cathartic and touching story of a woman who just can’t seem to catch a break - professionally, personally or creatively. It’s a sobering reflection of the theatre industry for emerging and mid-career writers, and the realities that face anyone trying to forge a career in the arts. The story follows a 33-year-old playwright, Ade, who is commissioned by a London theatre to write a script about her time on a scholarship at a posh private school. Over six months, her story is distorted beyond recognition by a production team that sidelines her as soon as the script is done. She is dismissed as an actor, interrupted and ignored. Still, the commission stands. To the outside world, Ade is a success. Mercy digs into failure in every facet of Ade’s...