Friday, December 5

London

Hitchhiker’s Guide to the Galaxy – Riverside Studios
London

Hitchhiker’s Guide to the Galaxy – Riverside Studios

Douglas Adams' wildly inventive intergalactic adventure has landed in West London, allowing audiences to escape Earth by hitching a ride on the Heart of Gold spaceship with its infinite improbability drive. Accompanied by all the Hitchhikers' characters, the crew try not to panic as they seek the answer to the eternal question of life, the universe and everything. This beloved sci-fi classic has been given an immersive theatre adaptation by co-creators Arvind Ethan David and Jason Ardizzone-West with a cast of energetic and multi-talented performers. Benjamin Durham's Arthur Dent has the perfect expression of a man who doesn't know what's going on while he searches for his lost love and simultaneously tries to stop his home being bulldozed. Tamara Saffir as Fenchurch is also spot-on castin...
A Fairytale for Christmas – Dominion Theatre
London

A Fairytale for Christmas – Dominion Theatre

‘A Fairytale for Christmas’ returns with all the charm, sparkle, and heart that has made it a staple of the festive season. Blending Irish musicality with classic Christmas nostalgia, this year’s production proves why audiences return year after year. It is a warm, generous show that wears its joy proudly and delivers exactly what its title promises, wrapping tradition, talent, and musical storytelling into a glittering seasonal package. The staging places the entire concert inside McGrath’s, a pop-up Christmas bar tucked away in a corner of Central Park, instantly grounding the show in a sense of homespun nostalgia. Wooden bar stools, twinkling lights, and the gentle clutter of a well-loved local Christmas haunt create an atmosphere that feels lived-in rather than theatrical. This sett...
Jack and the Beanstalk – Lyric Hammersmith
London

Jack and the Beanstalk – Lyric Hammersmith

Written by Sonia Jalalay and directed by Nicholai La Barrie, Lyric Hammersmith’s new production of Jack and the Beanstalk doesn’t totally follow the classic pantomime story. Introducing the story is the Fairy Godfather (a hilarious Jade Hackett), who explains that the people of Hammersmith are in a critical imagination deficit. With an ‘imagination meter’ framing the whole stage, our Fairy Godfather wants us to hit the top level of HEIOMGN: Huge-Epic-Imagination-OMG-Nirvana. The big problem? The ruthless, authoritarian Fleshcreep Academy. John Partridge hams it up — literally, donning a pepperoni-print suit — as the cruel Fleshcreep, instilling rules such as “no singing”, “no dancing” and “no joy” as part of his educational regime. His greatest punishment for children is sending them...
Jobsworth – Park Theatre
London

Jobsworth – Park Theatre

Cast your mind back a few years and it’s easy to recall how the concept of a ‘zero hours contract’ was presented to the public as a gift to those seeking employment. Workers could choose when to work, without the onerous restrictions of a full or part-time contract. Students, single mothers, people with caring responsibilities and even those struggling with mental health problems would be able to dip in and out of work without compromising their other concerns. That was the spin. Like many aspects of late-stage capitalism, it was sold to the nation as freedom and choice. The reality has proved to be a boon to ruthless employers and tax-dodging global corporations. Even the term ‘gig economy’ feels less like a hipster lifestyle choice and more like a fun-sounding euphemism for workplace exp...
Maybe I Should Stop – Drayton Arms
London

Maybe I Should Stop – Drayton Arms

Oscar Brudenall-Jones writes and stars in this one act play about Aaron, a man dealing, or not dealing, with the death of his father from Covid-19. Aaron is on a train journey to Cornwall to scatter his dad's ashes, currently hidden in a tub of chocolates. We are taken along for the ride, both physical and mental as we see Aaron's roller-coaster of emotions reaching breaking point the closer he gets to his destination. The story is told in emotional shifts between manic, up-beat clowning and quiet introspection, the lighting changing colour abruptly to signify the flip between the two states. Aaron tells us his job is an entertainer, and we are treated to jokes, impressions and physical comedy, as his abundance of nervous energy drives him to find any distraction he can to avoid having ...
Porn Play – Royal Court
London

Porn Play – Royal Court

As its unashamedly frank title suggests, Sophia Chetin-Leuner’s Porn Play isn’t afraid to tackle the taboo. At the Jerwood Theatre Upstairs at the Royal Court, Director Josie Rourke has staged a production that’s willing to match the script’s boldness. From the off, Designer Yimei Zhao’s pillowy, plush, almost vulvic set draws the audience into the action at a perhaps uncomfortably close proximity. The whole room is covered in a pale, bouncy carpet; we’re asked to put covers on our shoes before we nestle into the space’s uniquely cosy seating plan. After we’ve settled in, we meet an unnamed seductress (played by a fantastic Lizzy Connolly, taking on a number of other roles) who slinks across the bed-like pit in the centre of the stage, writhing and sticking out her tongue in an arguably...
Jurassic – Soho Theatre Upstairs
London

Jurassic – Soho Theatre Upstairs

Tim Foley’s short sixty-minute play is a satirical spin on the film franchise Jurassic Park. Boxed up and packaged in such way that the actors themselves physically and figuratively fight it out in true dinosaur style. Set within a financially stricken university the Dean calls in Jay an academic in palaeontologist to his office. Jay is faced with being laid off due to academic losses, poor performance, scandal and anything the Dean could put upon him. Examples of failings ‘losses’ Jay appeared on countdown and lost to a ‘little old lady’ his performance Dean explained brought the university into disrepute. Jay hangs out in the student bar and is too familiar with the female students, “you are bringing the university into disrepute” time after time. Unhappy with his fate Jay takes steps to...
The Gardening Club – New Wimbledon Theatre
London

The Gardening Club – New Wimbledon Theatre

It is the 1960s in Georgia, USA. In Savannah, five young women – a journalist, a nurse, a housewife, and two teenaged sisters – form a gardening club. Only, they have no intentions of discussing petunias or pesticides. This in fact will be a cover for drug dealing as they try to get their hands on (and distribute) birth control pills. At the time, these were legally available only to married women: “no pill without a ring”. The Gardening Club is a pop-rock musical written and produced by Carleigh McRitchie and Bella Wright, directed by Tara Noonan. Set in a time when women had precious little by way of body autonomy, this club is a revolutionary idea born out of the need to have some control over their lives. What sounded exciting on paper did not, unfortunately, transfer well on to ...
L’Indiscipline – Theatro Technis
London

L’Indiscipline – Theatro Technis

L’Indiscipline is a mad show full of creativity and promise and an exemplar of what fringe theatre is all about. The play focuses on the Salpetriere hospital and its celebrity doctor Jean-Martin Charcot. We begin in a lecture, ourselves as the audience, as Charcot and his assistant Gilles demonstrate their various patients, turning their mental disorders into a psuedo-scientific circus show. Their star patient however, a ‘hysteric’ called Louise Gliezes, has disappeared. Gradually, clues are fed to us that this disappearance might not be temporary: a blood stain, a stolen car, a missing gun. From here the control of the two doctors unravels as they try and work out what is going on, all while trying to control their patients and maintain a calm image for us, their lecture audience. A...
COVEN – Kiln Theatre
London

COVEN – Kiln Theatre

Inspired by England’s notorious witch trials of the 17th century, Rebecca Brewer’s Coven tells the story of Jenet Device in 1616 Pendle, Lancashire, who at nine years old accuses her family of witchcraft. Over two decades later, she finds herself imprisoned for the same crime amongst wrongfully accused women, forcing her to confront her painful past, her beliefs, as well as her identity. Directed by Miranda Cromwell, Coven could be likened to SIX and Sylvia in some ways, powerful women historically shunned by society, reclaiming their narratives and rewriting their stories in a deeply rooted patriarchal world. Jasmine Swan’s set is dark and intimidating, grey stone covers the stage with formidable jail bars centre stage, a constant reminder that these condemned women are trapped, whi...