London Archives - Page 135 of 150

Dear Elizabeth – The Gate @ Theatro Technis

7Sep

By Zoё MeeresNo Comments

London

Dear Elizabeth – The Gate @ Theatro Technis

Dear Elizabeth (written by Sarah Ruhl) is an exploration of the deep yet complicated friendship between American poets Elizabeth Bishop and Robert Lowell. Ruhl’s script is a vast selection of the letters the two wrote to each other over several decades, and each night a fresh pair of unprepared actors arrive to take on the roles of Bishop and Lowell, unaware of what they’ll be performing. This interesting if not risky concept means that each audience will have a somewhat different experience, and while the letters are funny and searingly honest there wasn’t enough there for me to make up for the lack of characterisation. I found it frustrating being offered a window into the lives of two fascinating people but not being able to dig deeper into their personalities and motivations. Tha...

1Sep

By Caroline WorswickNo Comments

London

Salomé – Southwark Playhouse

Salomé written by Oscar Wilde, was originally written in French in Paris 1891, and was later translated into English. For many years, Salomé was banned from British theatres due to a censorship law forbidding the staging of scriptural characters. It wasn’t until after Wilde’s death in 1900, that a private performance took place in London (in 1905), and then later in 1931, the first public performance took place. Critics at the time believed that time had lessened the impact of such a play and were less than enthusiastic. Lazarus Theatre Company have taken up the challenge of staging this play, but in their own style. Their reimagining of classic tales brings a freshness to the telling of the stories and after performing Salomé previously at the Greenwich Theatre,...

Alcina: Grimeborn Opera Festival – Arcola Outside

26Aug

By Gaurav SinghNo Comments

London

Alcina: Grimeborn Opera Festival – Arcola Outside

Now in its 14th year, the Grimeborn Opera Festival returns at the Arcola Theatre’s new outdoor space, Arcola Outside. Almost a year and a half after the act of singing was largely prohibited due to the pandemic, Arcola Artistic Director Mehmet Ergen felt thrilled to host the Grimeborn programme in their new and safe outdoor theatre. In its fourth outing at the festival, London-based Ensemble OrQuesta returns with a contemporary treatment of Handel’s compelling opera of desire, power and rage. Written in the 18th century by the German-British Baroque composer, the opera seria's story was originally taken from Ludovico Ariosto's Orlando furioso. The original story is set in enchantress Alcina’s island where she rules a magnificent palace full of former lovers and muses that she’s lured un...

25Aug

By Paul AckroydNo Comments

London

When Darkness Falls – Park Theatre

If you have a liking for ghost stories, then make your way to the Park Theatre in Finsbury Park. James Milton and Paul Morrissey have written and directed a modern take on the genre, which is intriguing, well-acted and excellently presented. The staging is the disorganised office of John Blondel, a teacher and historian, on the island of Guernsey. For his weekly Vlog on the subject of paranormal events on the Channel Islands he has invited a young man to recount some of the extraordinary tales of the supernatural, for which the islands are apparently renowned. Although an avowed sceptic, as the stories unfold, he becomes increasingly involved in a series of stories which become more than fiction. Apparently based upon true events, the five stories which were told by the visitor, know...

20Aug

By Donna M DayNo Comments

London

Murmur – Camden Fringe

Magpie’s Murmur, written and directed by Susanne Colleary, is a surreal fairy tale audio play, which explores trust and confidence against a backdrop of rich and intricate sound effects and a bizarre and original story of friendship and encounters with strangers. Ren (Orla McSharry) is the expectant mother of Baba who lives in a ramshackle dwelling in the woods. Mag (Isabel Claffey) spots her and points her out to Bee (Sandra O’Malley) who then invades Ren’s home and mind with talk of health and safety, responsibility and welfare, before offering a number of solutions. But this Emperor’s New Clothes style tale teaches Ren that not everything or everyone is as they seem, and the best person to keep her and Baba safe, is probably Ren herself. Haunting singing throughout the piece pairs...

19Aug

By Gaurav SinghNo Comments

London

Tell Me Straight – King’s Head Theatre

Tell Me Straight is a new two-hander play written by Paul Bradshaw about a gay man on a path to self-improvement. Staged as part of the Queer Season at the King’s Head Theatre, the show is produced by Gartland Productions and directed by Imogen Hudson-Clayton. With inimitable performances and quick-witted dialogues, the audience witnesses the many layers to dating in the modern age and how our relationships with our sexuality, identity and self-worth are far more intertwined than what we perceive. The lead character, played by Bradshaw, has set himself a solid 30-day plan to bring order back to his life – no booze, no fast food and most importantly, no more random hookups. His friend Dani (voiced by Stephanie Levi-John), whose disembodied presence is manifested through funny voice...

19Aug

By Eugene GriffinNo Comments

London

Jersey Boys – Trafalgar Theatre

Jersey Boys has always been a huge favourite amongst the group of Jukebox Musicals. It is not difficult to see why: A compelling story to success, the music of the Four Seasons is perfectly structured and paced to allow each member of the Four Seasons to have their full character explored through monologues, which are spoken directly to the audience. Brickman and Elice’s book moves at a thunderous pace with numerous scene changes happening within a single song. As soon as the show opens, you are whisked away with Tommy De Vito’s snappy account of the boys meeting and the formation of the group. Benjamin Yates' performance as Tommy bounces off the stage with energy, wit and humour- a great way to open the show! A recent Mountview graduate, Ben Joyce takes on Frankie Valli with youthfu...

Shut Up, and Drive! – Lion & Unicorn Theatre

18Aug

By Caroline WorswickNo Comments

London

Shut Up, and Drive! – Lion & Unicorn Theatre

Sitting your driving test is a very nerve-wracking experience and as most people today tend to learn to drive, this play will resonate. Robert Jones (Garth Oates) is sitting in the reception of the driving test centre with his driving instructor Kelly Preslie (Jemma Carlton), waiting to take his driving test. He is nervous and his instructor is not helping to calm him down with her inappropriate comments. John, the examiner (Phil Broomhead) breezes in to take him for his test and its all good so far. Rob visibly relaxes and he chats to the examiner, maybe relaxing a little too much. All of a sudden, he does an unscheduled emergency stop, as a man is standing in front of the car pointing a pistol at them and tells them to get out. At this point Rob has...

Spells for a Broken Heart – Hen & Chickens Theatre

18Aug

By Caroline WorswickNo Comments

London

Spells for a Broken Heart – Hen & Chickens Theatre

What is the worse way that someone can break up with you? If you are involved in the dating scene this is a thorny issue and one that is tackled by ‘On the Common Theatre Company’. After graduating from The BRIT School in 2019, the company have been working on writing and devising plays that feel fresh and exciting. This play is their take on modern dating with all its joys and heartbreaks. As we walk into the theatre, we are handed a very cute little booklet that accompanies the show which includes the recipes for spells that help to mend a broken heart. This is a lovely touch and something that is frequently overlooked, that clever marketing can help to keep the image of your play in your audience’s mind, even when they have left the theatre. The play revolv...

18Aug

By Carole GordonNo Comments

London

Village Wooing – Etcetera Theatre

Produced as part of the Camden Fringe Festival, George Bernard Shaw's "Village Wooing" was written in 1933 while he was on a world cruise on the Empress of Britain. This two-hander in the form of three conversations has characters loosely based on people Shaw knew - writer Lytton Strachey and Jisbella Lyth, postmistress in Ayot St Lawrence, Hertfordshire, where he lived for most of his life. Shaw said of his play, "..my efforts to write resulted in nothing at first but a very trivial comedietta which only Edith Evans could make tolerable." He was wrong. This is a mini gem of a play, very much of its time and a period delight. The unnamed characters, known only as "A" and "Z" meet on board a cruise liner, he a widowed writer and aesthete, struggling to find the words for his Marco ...