London

It is 1985, and above a bookshop in King’s Cross, a small team of volunteers huddle around phones, scribbling notes, fumbling for pens, and trying to keep the lines open. For Lou, Joan, Nana and Jackie, it’s another evening at Gay Switchboard. But as the phones ring, their work becomes far more than routine, it’s a lifeline for a community under siege. Molly Byrne’s The Switchboard Project brings to life the often-forgotten stories of lesbian volunteers who played an essential role in building queer solidarity during the AIDS crisis. Drawing inspiration from real calls and interviews, Byrne has created a piece that is both dramatically rich and emotionally resonant, shining a light on the resilience and humour that powered these women through impossible circumstances. The writing is ...

The gods must be crazy. Thor, Odin, Freya, and the rest are mad as hell. The cause? Loki. This new musical depicts the god of mischief according to tradition — which is to say, as unpredictably as possible. With a surprising and scintillatingly clever script by writer, composer, and lyricist Eden Tredwell, British Youth Music Theatre has a runaway hit on their hands, as much as the Norse pantheon has a runaway deity on theirs. Director Grace Taylor ably weaves a great variety of performances into a compelling and refreshingly easy-to-digest plot, despite an overwhelmingly large cast of young performers. Every actor has their chance to shine, and this production does, in fact, sparkle. Photography: Leanne Dixon The winning combination of Steven Moore’s choreography and Cory Ship...