London Archives - Page 11 of 149

18Sep

By Holly SewellNo Comments

London

Romans: A Novel – Almeida Theatre

Three brothers are born to daughterless parents sometime in the eighteenth century. Each is uniquely traumatised by his upbringing: the beatings of boarding school, the horrors of war, the witnessing of his father’s suicide by a gunshot to the roof of the mouth. And yet each must go on with life. Romans: A Novel is a story of three men, spanning 150 years, trying to answer the question of what it means to be a man - in other words, what it means to live. Alice Birch’s study of masculinity is focused, among other things, on the importance of the written word in deciding who gets to have a voice. Its structure is informed by the development of the novel: we begin with Jack Roman narrating his own life alone onstage, wandering into the fog and meeting his long-lost uncle, presumed dead fro...

18Sep

By Kira DanielsNo Comments

London

Reunion – Kiln Theatre

This is a tough one. A storm-weathered family convenes on “an island off the west coast of Ireland,” and all hell—less so breaks than steadily chips loose. En route from the Galway International Arts Festival, this production of Mark O’Rowe’s Reunion much like its island setting, holds a captive audience. Its dialogue is natural and intriguing, and O’Rowe resists the kitchen sink dramatist’s persistent impulse to make his characters as mean as possible. A perfectly gender-split cast of five and five places surprising emphasis on its female characters’ internality, relegating its men to timorous punchlines at best (in the case of Stephen Brennan’s adorably addlepated Felix) and tremendous encumbrances at worst (in the case of Ian-Lloyd Anderson’s incredibly effectively irritating Aonghus...

16Sep

By Charles PipeNo Comments

London

Dagmarr’s Dimanche – Crazy Coqs

Hidden away beneath the streets of Picadilly, glitzy Art Deco venue Crazy Coqs provides the perfect venue for an anachronistic cabaret show performed by a vampire: Dagmarr’s Dimanche. Singer Hersh Dagmarr has absolute command of the stage. His voice is powerful and emotive, and he effortlessly draws the audience into the stories contained within the lyrics. With songs arranged by pianist Karen Newby, the eclectic setlist playfully jumps around from Édith Piaf to Kylie Minogue, via Cole Porter, Madonna, Sondheim, and the Pet Shop Boys. Dagmarr continually plays with the audience’s expectations, teasing one song and then performing another. A Kylie Minogue medley featuring riffs from ‘Willkommen’ and ‘Mack the Knife’ caught the audience especially off-guard, in the best possible way. My p...

16Sep

By Paul AckroydNo Comments

London

Shotgunned – Riverside Studios

Written and directed by Matt Anderson, Shotgunned gained some very good reviews at the Edinburgh Fringe and has now transferred to the Riverside Studios. It is an engaging 60 minutes of theatre. Cleverly written and excellently performed, it tells the story of a young couple, Roz and Dylan, charting their relationship from their first meeting at a party, through its highs and lows. The distinguishing feature of this production is that the story in not told linearly but in a series of short, some very short, vignettes in a seemingly almost random order. The fascination for the audience is piecing together from these fragments how the relationship has developed. This format presents particular challenges for the actors, who have to switch mood almost instantly during the s...

15Sep

By Zandra OdetundeNo Comments

London

Black Power Desk – Brixton House

Theatre has rarely felt this alive, urgent, and unapologetically Black. Black Power Desk, an original musical directed by Gbolahan Obisesan, is a searing, soulful exploration of sisterhood, grief, and resistance, set against the backdrop of the covert operations of New Scotland Yard’s infamous “Black Power Desk” in 1970s London. Loosely inspired by the Mangrove Nine, the play follows two sisters, Celia (Rochelle Rose) and Dina (Veronica Carabai), as they navigate love, politics, and survival in a Britain defined by racial tension and state surveillance. The result? An electrifying blend of theatre, live music, and political storytelling that refuses to soften its edges. The entire ensemble delivers powerhouse performances, seamlessly balancing individual brilliance with collective ch...

12Sep

By Zain RussellNo Comments

London

Every Brilliant Thing – SohoPlace

Every Brilliant Thing is a one-person play that features different actors across its 14-week run. I had the chance to watch Ambika Mod take on this ambitious challenge, guiding us through the life of her character, beginning at the age of seven, when she is first confronted with her mother’s attempted suicide. This is a profoundly moving story that highlights the small joys around us and the little things that can make life worth living. From Club Penguin to the joy of sharing a book with someone and seeing them love it too, the play reminds us of the beauty in seemingly ordinary moments. Although technically a one-woman show, this production cleverly incorporates a great deal of planned audience participation. Each performance sees audience members randomly chosen to read out lines,...

Dr Freud Will See You Now, Mrs Hitler – Upstairs at the Gatehouse

11Sep

By Charles PipeNo Comments

London

Dr Freud Will See You Now, Mrs Hitler – Upstairs at the Gatehouse

Dr Freud Will See You Now, Mrs Hitler is a dark comedy play by prestigious writing duo Laurence Marks and Maurice Gran. The story takes place in an alternate history, exploring what might have happened had a young Adolf Hitler met trailblazing psychoanalyst Sigmund Freud. With her child suffering from bedwetting and nightmares, Klara Hitler (Nesba Crenshaw, who also plays Martha Freud) takes him to Vienna for a consultation with Dr Freud (Jonathan Tafler). Years later, in the early 1900s, Adolf Hitler (Sam Mac) is still plagued by nightmares and once again seeks out Dr Freud in Vienna. The two men develop a strange relationship, acting at once as patient/doctor, artist/patron, employee/employer, and – in typical Freudian fashion – son/father-figure. Owing to the lack of clearly de...

Every Brilliant Thing (with Sue Perkins) – Sohoplace

11Sep

By Alan Stuart MalinNo Comments

London

Every Brilliant Thing (with Sue Perkins) – Sohoplace

‘Every Brilliant Thing’ is a play that makes you feel alive in the deepest sense. Staged in the round at the stunning @sohoplace Theatre, it invites the audience to sit close enough to feel part of the story, the circular setting removing any distance between performer and spectator, turning the theatre into a shared living room where every glance and every laugh travels instantly across the space. This intimacy is more than a design choice, it allows the production to draw everyone into its gentle exploration of joy, grief, and the tiny moments that give life meaning. From the very first words, you sense that what unfolds will not be a typical night at the theatre but a collective experience of listening, feeling, and remembering together. With Sue Perkins at the centre, the evening be...

Lorna Rose Treen: 24 Hour Diner People – Soho Theatre

10Sep

By Eleanor HallNo Comments

London

Lorna Rose Treen: 24 Hour Diner People – Soho Theatre

Fresh from a run at Edinburgh Fringe at Pleasance, Lorna Rose Treen is an agile one-woman show, consistently humorous and wonderfully well-rounded. Belly laughs are a guarantee at this Diner! Opening with an original song, akin to a Studio Ghibli tune, Treen takes us on a masterclass in audience interaction, perfectly integrated within the show and the narrative. Even where playing with the audience was at its riskiest (with one audience member being asked to read lines for several scenes) Treen did not drop the ball once. The spirit of madness is infused into this show, from a poem underscored by ratatouille soundtrack, to the ridiculously long-limbed trucker, to the pre-show mock menu offering a taste of what’s to come. Each character inhabiting the diner is joined up to the ne...

10Sep

By Charles PipeNo Comments

London

How To Date – Jack Studio Theatre

How to Date follows the lives of two young women – roommates Clarissa and Emily - as they navigate tumultuous life in London. Emily (Stephanie McNeil) is the more naïve of the two. Having moved to London from Cheltenham, she is coasting by one her father’s money while pursuing a career as an actor. Clarissa (Helin Ekin) is more cynical, having come from a less privileged background and grown up in London itself. She tries to present as impassive and cool, but it’s clear that she’s not as stoic as she’d like to let on. Despite Emily and Clarissa’s differences, the actors’ strong performances and the sharp script (written by Stephanie McNeil) really sell the friendship between the two young women. The actors have great chemistry, the back-and-forth banter is funny and relatable, and i...