London Archives - North West End UK

19Mar

By Charlotte MansfieldNo Comments

London

Panacea – Riverside Studios

Professor Gus Jamieson (Will Batty) is a man with Autism Spectrum Disorder and an idea for how to save humanity. His cure for infectious diseases will prevent another pandemic, provided he can get approval for the initial stages of lab trials. Written as a collaboration between microbiologist Andrew Singer and theatre-maker Christina James, this one act play explores how science and ethics interact to have real-world consequences. Opening with a Greek chorus that leaves us in no doubt how the play is going to go, we follow Gus as he navigates work, romance and his ASD in his desire to eradicate disease. Egged on by an enthusiastic student (Nina Fidderman), Gus becomes caught between the more cautious advice of those closest to him and his confidence in his own scientific abilities. ...

The Choir of Man – New Wimbledon Theatre

19Mar

By Michelle KnightNo Comments

London

The Choir of Man – New Wimbledon Theatre

The ‘Jungle’ Choir of Man is on its UK tour, and it started with a blast, setting Wimbledon theatre alight with enthusiasm, superb vocal arrangement and energy. This show born out of the Edinburgh fringe made its home at the Arts Theatre London. Now it’s coming to Towns across the country. Set in a pub, audience members are welcomed to the stage for pre-show drinks from the bar and here the message is clear, this is all about ‘community’. Centered around a group of nine men each with their own characteristics and inner conflicts, they take you on an immersive journey of their lives through song. Narrated beautifully by the character ‘Poet’ Oluwalonimi (Nimi) Owoyemi, he introduces the characters, and very occasionally it was difficult to hear him, possibly due to the sound at the beginning...

13Mar

By Alan Stuart MalinNo Comments

London

Ancient Grease – The Vaults, London

Few venues could host something as gleefully ridiculous as ‘Ancient Grease’, but The Vaults proves the perfect playground. By taking the familiar DNA of the much-beloved musical Grease and hurling it backwards in time to Mount Olympus, the production, written by Lady Aria Grey, creates a riotous, camp, and unapologetically adult parody that revels in theatrical mischief. The result is a night of theatre that feels mischievous, raunchy, and irresistibly fun. Set at the fictional Olympus Academy, the story “loosely” echoes the structure of the original Grease narrative, but with gods, goddesses and mythical chaos replacing high school antics. Zeus (Peter Camilleri) and Hera (Philippa Leadbetter) find their relationship under the watchful manipulation of the Fates whilst other Olympian...

13Mar

By Kira DanielsNo Comments

London

Iron Fantasy – Soho Theatre

Do you feel strong? Harder? Better? Faster? Stronger? She Goat’s Iron Fantasy is putting in the work to achieve all of the above. Shamira Turner and Eugénie Pastor are a formidable two-woman operation dolled up and scrubbed in to peel back every layer of each other’s armour both literal and metaphorical. A seventy-five-minute romp through song, dance, farmer carrying, tire slinging and fight choreographing, Iron Fantasy is fun and funny. The performers have a beautiful chemistry and obvious ease with each other that enables them to connect with the audience as well but despite the inherent vulnerability of staging the show’s autobiographical themes their bond insulates them from much of the audience’s scrutiny. A testament to the power of female friendship and the strength gained...

11Mar

By Alan Stuart MalinNo Comments

London

Sugar Daddy – Underbelly Boulevard Soho

Some comedy shows aim simply to entertain. ‘Sugar Daddy’, written and solo-performed by comedian Sam Morrison, does something far rarer, it makes an audience laugh until their cheeks ache, and then quietly reminds them how fragile and beautiful love and life can be, it delivers a comedy punchline and at the same time, leaves an emotional wound. Performed at Underbelly Boulevard Soho, Morrison’s one-man show begins with the easy rhythm of stand-up. He has high energy levels, bounds around the stage with a burst of nervous enthusiasm, the kind that feels wonderfully unpolished and instantly human. You can tell early on that he is deeply connected to his story and wants to tell it. That slightly anxious energy becomes part of the charm of this piece. Morrison does not hide behind the safet...

11Mar

By Kira DanielsNo Comments

London

Salt – Riverside Studios

A bitter song for a bloody story, Contemporary Ritual Theatre brings a strange and slippery offering to Riverside Studios, weaving dance, song, and dialogue in a summoning circle of rope and sweat that ensnares its audience and holds them in a merciless grip well beyond the threshold of pleasure. The play’s brutal stranglehold on its audience is a testament to its enigmatic and often energetic performing corps comprised of veteran actor Emily Outred as the Widow Pruttock, Contemporary Ritual Theatre regular Mylo McDonald as her son Man Billy, and relative newcomer Bess Roche as Sheldis, the strangely seductive interloper in their squalid little life whose lascivious ways threaten to upend the little order they are able to impose in their chaotic sea ruled community. Composer and mus...

It Walks Around the House at Night– Southwark Playhouse Borough

10Mar

By Charles PipeNo Comments

London

It Walks Around the House at Night– Southwark Playhouse Borough

When struggling working-class actor Joe (George Naylor) accepts a seductively well-paid job offer from an alluring and wealthy man, he is thrust into an increasingly nightmarish situation that has him questioning his sanity. It Walks Around the House at Night blends elements of psychological thriller, Gothic horror, and dark comedy into an atmospheric and entertaining thrill ride. Naylor gives a fantastic performance as Joe, supported by a very strong script from playwright Tim Foley. With a sardonic yet affable charm, Joe immediately wins the audience over, and as a result they are invested and gripped when he is placed into peril. Sometimes Joe’s characterisation is a little inconsistent – one moment he is naïve and credulous, the next he has near-psychic levels of insight – but...

Dead Poets Live: Emily Dickinson – Coronet Theatre

8Mar

By Louise PennNo Comments

London

Dead Poets Live: Emily Dickinson – Coronet Theatre

Dead Poets Live aims to bring poetry to the stage, “creating theatre out of poems and poets”. Over the last ten years, poets from the past from Yeats and Byron to Robert Frost and Stevie Smith have been resurrected in the person of actors such as Rupert Everett, Glenda Jackson, Denise Gough and Monica Dolan. Patsy Ferran is centre stage tonight as one of America’s greatest poets, Emily Dickinson, a 19th century writer who flirted with modernism before it had a name and engaged fully with the world while remaining reclusive and withdrawn physically from it. Her poems are noted for their odd metre and punctuation – chiefly dashes – while offering playful and perceptive views of melancholia, religion and nature. Although other stagings of Dead Poets Live have been presented in full ...

8Mar

By Stewart Who?No Comments

London

tell me straight / aggy – Park Theatre

Despite an avoidance of capital letters, ‘tell me straight’ follows sold-out runs at The King’s Head and Chiswick Playhouse. Paul Bradshaw’s play explores sexuality and dating in a semi- autobiographical coming of age drama. Writer and co-producer Paul Bradshaw stars as the character known only as ‘Him’. Flashing back to childhood and progressing to the present day, it’s a comedic journey of sexual adventures, but mostly charts a chaotic fetish for straight men. Fresh from playing Alexander the Great in a Netflix historical drama, Buck Braithwaite abandons smouldering soldier homoerotica and plays a roll call of men who have little idea what to do with their sword, never mind their helmet. He pulls it off with considerable skill. In fact, the nuances of sexual confusion that Braithwaite...

5Mar

By Dave SmithNo Comments

London

Our Town – Rose Theatre

Michael Sheen is the Artistic Director of Welsh National Theatre, and this is their inaugural production, co-produced by Rose Theatre themselves. Sheen has put his money where his mouth is, funding WNT himself. They begin with an American classic, Thornton Wilder’s Our Town. While this may not sound innately Welsh - the tale of a quintessential American town - it is said that Dylan Thomas was familiar with both Wilder and his play when he wrote Under Milk Wood. So, we take ourselves to Grover’s Corners, a small town with a Welsh accent somewhere, well let’s just say somewhere. The Stage Manager guides the audience through the story, introduces us to a number of the inhabitants and we jump back and forward in time to follow their trials and tribulations. Sheen himself plays the Sta...