London Archives - North West End UK

3Feb

By Kira DanielsNo Comments

London

Gelin – Canal Cafe Theatre

Güle güle gidin. Gelin is as easy going a comedy as they come. Adapted from Ibrahim Şinasi’s Şair Evlenmesi, Estelle Warner’s contemporary spin on a Turkish classic is as comforting as a cup of çay. Both English and Turkish in its writing and its casting, this play is also hybrid in its historicity. Reimagined from the 1860 original, it takes modern London as its setting and English as its primary language yet remains rooted in Turkish tradition even as it extends tendrils into thorny modern subjects such as giving SHEIN-branded gifts or pairing pickles with Nutella. The Canal Café Theatre is charmingly intimate, but this story is a little too thin to fill out a full flavour profile. As afraid to take up space as its reluctantly centralised heroine Aylin (Gunes Soysal), the play ...

3Feb

By Gemma PrinceNo Comments

London

American Psycho – Almeida Theatre

Premiering last Friday, American Psycho, Artistic Director Rupert Goold’s hotly anticipated revival, has returned to the Almeida Theatre and has already sold out its run. After witnessing this incredible musical in the flesh, it’s easy to see why. Based on the original 1991 novel of the same name by Bret Easton Ellis, which inspired the 2000 cult film starring Christian Bale, the dark satirical comedy follows Patrick Bateman, a young investment banker working in New York City’s Wall Street, who, dissatisfied with his seemingly perfect life of wealth and flawless appearances, descends into a dark double life as a serial killer. Es Devlin’s set design is simple yet effective, a blacked-out stage with a few set pieces brought in and out via a stage lift and by the ensemble, perhaps refl...

3Feb

By Louise PennNo Comments

London

Loyalties – Questors Theatre

John Galsworthy’s play of society norms and expectations is now over 100 years old, yet Loyalties retains a contemporary relevance. The Questors production is the first to reach the English stage for two decades, with its ensemble including company members both old and new. Charles Winsor (Ant Foran) is a country gentleman, with a house full of guests following race day at Newmarket. When Ferdinand de Levis (Euan Charles), a wealthy Jew, accuses a highly decorated former soldier, Ronald Dancy (Alex Perez), of stealing a sum of money from his room, ranks close and loyalties come into play. In Loyalties it is quickly clear that the question of justice and truth is secondary to the code of ‘esprit de corps’: in essence that those of a similar class and grouping stick together because being...

30Jan

By Stewart Who?No Comments

London

Ballad Lines – Southwark Playhouse

It's hard not to be inspired and astounded at the confidence, devotion and commitment that Finn Anderson and Tania Azevedo have shown in getting Ballad Lines onto the stage. It's been about a decade in the making, with Anderson delivering the music and lyrics while collaborating with Azevedo on the book. From workshops in Chicago and tentative stagings at the Edinburgh Festival Fringe (2018), this show has evolved and finally landed, due to a lot of hard work and determination. Ballad Lines was first produced by KT Producing and Macrobert Arts Centre as A Mother's Song and was originally commissioned by the Royal Conservatoire of Scotland and American Music Theatre Project. It should also be noted that Azevedo and Anderson aren't a pair of chancers who've winged it and landed on their f...

30Jan

By Klervi GavetNo Comments

London

The Tempest – Globe Theatre

"I know this play very well. I don't recognise this version..." So says Antonia at the end of this production — and that line pretty much sums up my experience too. This new production of The Tempest, produced by Shakespeare's Globe and directed by Tim Crouch, takes a deliberately experimental, Brechtian-leaning approach to Shakespeare's text. Performed in the Sam Wanamaker Playhouse, the play is fragmented: lines are redistributed across characters, some spoken from within the audience, others added in contemporary English. The intention is clear and well articulated — to question power: who gets to speak these words, who gets to be on stage, what shifts when authority or identity change, and how theatre constructs illusion. On paper, it's an intellectually strong idea. The Tempe...

Jo The Little Women Musical – Theatre Royal Drury Lane

27Jan

By Maani WayNo Comments

London

Jo The Little Women Musical – Theatre Royal Drury Lane

A story known for its bold, vibrant and defined characters, Louisa May Alcott’s beloved “Little Women” are brought to life once more in this new musical adaptation. With music by Dan Redfeld and book and lyrics by Christina Harding and John Gabriel Koladziej, bringing this staged concert to life with its innovative and magical material will be a comfortable task. The orchestra are flawless, and the astonishing arrangements add to the magic of this story. The score elevates the story and encapsulates the underlying themes. Ensemble vocalists are used at times, providing power and elevation to the number. Each sister’s musical parts have been written to reflect their personality and there are beautiful arrangements between the four girls, particularly in the opening number “The Pickwick P...

27Jan

By Paul AckroydNo Comments

London

Masterclass – Brockley Jack Theatre

In a primary school classroom an eminent but ageing actor, Roger Sutherland, is preparing to give an acting masterclass. Unfortunately, only one potential student arrives; a rather brash young Australian Garry Brock and he has forgotten to bring the cash necessary for the class fee. Thus, Tim Connery sets up the scenario for a hilarious and memorable clash between two schools of acting: Sutherland's old school, "learn the words and don’t fall over the furniture" and Brock' s method acting approach of "be who you are". Anyone with any involvement in theatre will recognise the reality between the worlds which are being portrayed here, but it is immediately comprehensible to a wider audience. Connery's script is brilliant. It is extremely funny, full of wonderful one-...

27Jan

By Ralph JeffreysNo Comments

London

Darkie Armo Girl – Finborough Theatre

Darkie Armo Girl is a dizzying one woman show that, despite being filled with incredible details, fails to translate the writer’s experiences into a compelling show. The play is a piece of confessional theatre. Writer and performer Karine Bedrossian takes us through her life experiences which are chaotic and many. We hear of numerous difficult childhood experiences and unsettling summer holidays. She takes us through careers as a receptionist, a singer, a dancer, a model, a bartender and a stripper. There are tales of drug abuse, sexual assault, rehab, and Jerry Springer. Told to you by a friend at the pub, any one of these vignettes would be an incredible story. Put together on a stage, they become a morass. There is far too much here and the result is that the stories bleed int...

Guess How Much I Love You? – Royal Court Theatre

24Jan

By Carole GordonNo Comments

London

Guess How Much I Love You? – Royal Court Theatre

As a young couple wait in a hospital room for the results of a 20-week pregnancy scan, they chat happily, the possibility of a wonderful future stretching in front of them. Baby names are discussed and discarded, dreams of happy family holidays shared. This picture-book future comes crashing down as the results of the scan send their world into torment. They have to make a decision that clashes with their upbringing and societal pressures. The decision feels like a no-win situation, only arising because of advances in medical science that check regularly on the development of the pregnancy in a way that wasn't possible years ago. But they do choose, then have to live with the impact of what they have decided. Luke Norris's drama follows the couple from their initial joy to the depths of...

ROTUS: Receptionist of the United States – Park Theatre

22Jan

By Eleanor HallNo Comments

London

ROTUS: Receptionist of the United States – Park Theatre

What is the role of the ROTUS? Keeper of cue cards to remember the music tastes and coffee orders of Washington's VIPs? Or is it a surreptitious post for sleuthing? For Chastity Quirke, this front-facing job descends from one into the other... After a sold-out run at Fringe, Leigh Douglas’ one woman show starts off with a whirlwind. Her obnoxious protagonist is doing a whip round of the White House, showing off in front of her Kappa Gamma Zeta sorority girls and militantly reaffirming the importance of American ‘Hotness'. The it-girl-giggling soon sharpens into a satire on the marked crop circles of cronyism. We watch Chastity dabble in manipulation, then wholeheartedly embed herself into the surrounding political fabric. From the show's commencement, Chastity's smart but dolefu...