FEATURES Archives - North West End UK

The wicked White Witch rules over Leeds Playhouse’s festive extravaganza

20Nov

By Paul ClarkeNo Comments

Interviews

The wicked White Witch rules over Leeds Playhouse’s festive extravaganza

The extravagant festive shows at Leeds Playhouse have become the stuff of legend and this year they are bringing back The Lion, The Witch and the Wardrobe. They last staged C.S. Lewis’ classic children’s book to packed houses back in 2017, as four young evacuees venture through a mysterious portal in a wardrobe finding themselves at the heart of a war in the permanently wintery land of Narnia. Katy Stephens has taken on starring Shakespearian roles with the RSC, the National Theatre and at London’s Globe Theatre, but has headed north to play the villainous White Witch, who rules Narnia with an icy iron fist. Our features Editor Paul Clarke caught up with Katy between rehearsals to talk about the challenges of playing such an iconic villain, and why live theatre is still the best nigh...

Joanna Carrick, writer, and director of The Ungodly at Southwark Playhouse Borough

24Oct

By Caroline WorswickNo Comments

Interviews

Joanna Carrick, writer, and director of The Ungodly at Southwark Playhouse Borough

As we move towards winter with its dark nights; Halloween, or to give it its Celtic name, Samhain; is our first festival to celebrate ‘as the dead walk the earth’ according to ancient myths. Witches have become a part of this festival, undoubtedly due to the witch trials, and the many ‘witch’ deaths. The Ungodly delves into the mid-17th century era of the witch trials, focusing upon Witchfinder General, Matthew Hopkins’ stepsister Susan Edwards. North West End UK’s Deputy Editor, Caroline Worswick, discussed the witch trials with the play’s writer and director Joanna Carrick. The Ungodly begins its story in 1645, set in the village of Mistley, on the Stour Estuary. Can you explain how the Witch Trials were introduced into 17th-century England? It was a t...

Interview with Stella Powell-Jones, Director of Eurydice at Jermyn Street Theatre

5Oct

By Caroline WorswickNo Comments

Interviews

Interview with Stella Powell-Jones, Director of Eurydice at Jermyn Street Theatre

North West End UK’s Deputy Editor, Caroline Worswick, discussed Jermyn Street Theatre’s exciting new production of Eurydice with director Stella Powell-Jones. A play written by Sarah Ruhl, it draws its inspiration from the Greek mythical tale of the beautiful Eurydice and the musically talented Orpheus, whose doomed relationship has been re-told by many ancient storytellers, including Ovid and Plato. Eurydice was written in 2003 by Sarah Ruhl, why do you feel that now is good time to re-imagine the play? On one hand, Eurydice is about something pretty eternal: love and earth. How do we deal with death? Does love survive death? What would we do if we got a second chance? Sarah wrote the play while mourning her own beloved Father. My own Dad died unexpectedly when I was young...

Lindsay Rodden talks about her new play Jennie Lee for Mikron Theatre

9Sep

By Paul ClarkeNo Comments

Interviews

Lindsay Rodden talks about her new play Jennie Lee for Mikron Theatre

Thousands of people have changed their lives through the Open University thanks to the vision of radical Labour MP Jennie Lee. Her life story is now Huddersfield based Mikron Theatre’s latest production, written by Lindsay Rodden, with original songs and integrated audio description charting the extraordinary life of a pioneering Scottish politician. She was also the first Minister for the Arts, but many people will never have heard of her work that enabled so many to better themselves through the Open University, which only came into being through her sheer doggedness. Lee was also married to NHS founder Nye Bevan, but her achievements make so her so much more than a footnote in someone else’s past. In the classic Mikron tradition four actors/musicians will tour Jennie Lee...

Jane McDonald: “With All My Love Tour is the one i’m most proud of”….And it’s not even started yet.

11Jun

By NewsdeskNo Comments

Interviews

Jane McDonald: “With All My Love Tour is the one i’m most proud of”….And it’s not even started yet.

The title “National Treasure” is one readily bandied about these days, but warm-hearted and witty Yorkshire lass Jane McDonald has to be one of the truest examples out there. Jane’s story is a great example of a girl done good; first captured 25 years ago on BBC docusoap The Cruise, Jane became an overnight sensation – and has spent the years since forging a hugely successful career as a singer and TV personality. Her solo shows have captivated audiences up and down the country, and now she’s back preparing to hit the road once more with an all-new tour With All My Love this autumn. The new tour, Jane’s biggest to date, starts with two nights at Blackpool’s iconic Opera House, stops off at The London Palladium and will close with what promises to be an extra special tour finale at...

Relive the playlist of your life as Craig Revel Horwood brings NOW That’s What I Call a Musical to Liverpool

8Jun

By NewsdeskNo Comments

Interviews

Relive the playlist of your life as Craig Revel Horwood brings NOW That’s What I Call a Musical to Liverpool

Get ready to relive the playlist of your life at the brand new NOW That’s What I Call A Musical. Celebrating 40 years of the iconic and chart-topping compilations brand NOW That’s What I Call Music, which has sold an estimated 200 million copies worldwide, this fun-filled production is bursting with hits from Whitney Houston, Wham! Blondie, Tears For Fears, Spandau Ballet and many more. Written by award-winning comedian Pippa Evans, and directed and choreographed by Strictly Come Dancing legend Craig Revel Horwood, the heart-warming and funny story takes audiences on an uplifting journey down memory lane Here, director and choreographer Craig Revel Horwood reveals all about the show... What sort of night are audiences in for when they come to see NOW That's What I Call A Music...

Designer Hayley Grindle is determined to make The Bard accessible

10Mar

By Paul ClarkeNo Comments

Interviews

Designer Hayley Grindle is determined to make The Bard accessible

Hayley Grindle is one of our brightest and busiest designers but her two current projects couldn’t be more different. She’s been working with tech wizards imitating the dog on their bold reimagining of the Frankenstein legend and is back at Leeds Playhouse conjuring up the madness of Macbeth directed by her long-time collaborator Amy Leach. Hayley and Amy have already created acclaimed reworkings of Romeo & Juliet and Hamlet. This time the duo reunite for a second go at one of Shakespeare’s darkest political dramas. Our Features Editor Paul Clarke caught up with Hayley to talk about the challenges of designing for two very different companies, and how design can draw audiences into even the densest texts. So, what was your inspiration for Frankenstein given it’s a story tha...

imitating the dog’s Andrew Quick talks about their new version of Frankenstein

31Jan

By Paul ClarkeNo Comments

Interviews

imitating the dog’s Andrew Quick talks about their new version of Frankenstein

imitating the dog is a company who have developed an international reputation for high-tech reinventions of classic movies and texts, so it’s not surprising they’ve taking on Mary Shelley’s Gothic classic Frankenstein. This time Co-Artistic Directors Pete Brooks, Andrew Quick and Simon Wainwright are bringing their trademark multimedia experience to rethink this timeless novel as a psychological thriller that asks the eternal question – what is it to be human? In this version a couple are forced to confront their own fears about impending parenthood in a version of the Frankenstein myth that erupts into life as everyday objects are transformed into glaciers, a ship at sea, a dissecting room and a house on fire. imitating the dog’s two-hand...

Pilot Theatre’s Esther Richardson talks about their new stage production of A Song for Ella Grey

22Jan

By NewsdeskNo Comments

Interviews

Pilot Theatre’s Esther Richardson talks about their new stage production of A Song for Ella Grey

Pilot Theatre have become of the UK’s leading companies making challenging work for younger audiences, and after their success with classic teen yarn Noughts & Crosses their latest production is an adaptation of David Almond’s A Song For Ella Grey This adaptation by Zoe Copper is a contemporary retelling of the Orpheus myth focusing on Claire and her best friend Ella Grey, who are just ordinary kids with everyday hopes and fears. They and their friends fall in and out of love, but one day a musician called Orpheus appears on the beach. He entrances them all, and particularly Ella, but where has Orpheus come from and what path will Ella take as she comes of age? The cast will feature actress, writer and to her 729.1k followers Tik Tok performer Grace Long as Ella Grey, Beth Crame ...

Bradford Opera Festival stage The Barber of Seville…but with a distinctive local twist

14Nov

By Paul ClarkeNo Comments

Interviews

Bradford Opera Festival stage The Barber of Seville…but with a distinctive local twist

The opening event of the newly created Bradford Opera Festival is the world premiere of a Yorkshire dialect version of The Barber of Seville. To make this happen the festival team have been working with legendary Yorkshire poet Ian McMillan and conductor Ben Crick, who has long had a dream to stage a version of Rossini’s classic tale of class, lust and betrayal performed in the local vernacular. Alex Chisholm who has been a stalwart of the Bradford artistic scene for many years is directing, and she told our Features Editor Paul Clarke why this festival will help democratise a misunderstood art form for local audiences. Of all the great operas, why did you choose The Barber of Seville? This really came from Ben, and he has had this dream for the last 20 years, so it's not just ...