FEATURES Archives - Page 12 of 13

Hard hitting urban drama No Milk for the Foxes makes a welcome return online

30Jun

By Paul DownhamNo Comments

Interviews

Hard hitting urban drama No Milk for the Foxes makes a welcome return online

Try as it might theatre all too often gets working class culture badly wrong unless it is created by people who have lived experience of daily struggle and social disadvantage. That’s exactly why the online revival of Beats & Elements’ 2015 production of No Milk for the Foxes is very welcome. Using spoken word, beatboxing and live looping Beats & Elements founders Conrad Murray and Paul Cree explored David Cameron's England from the perspective of their own class. It’s the tale of security guards Marx, a white working-class male from Croydon, and Spaxx, an Anglo-Indian from Mitcham, counting down the hours on a zero hours nightshift. So did Conrad base these two funny and angry men on anyone he knew, or they are composites? “It is when it comes to Spaxx, and it is a...

29Jun

By Paul DownhamNo Comments

FEATURES

Scenesaver – Fringe Theatre Online Hub

In these times of no live theatre performance (apart from digital alternatives), Fringe theatre has been badly affected. With no stage for their performances and summer festivals cancelled, they have had to either become creative online or go and find a job in another sector. I was, therefore, very pleased to hear about a wonderful ‘online fringe theatre hub’ which at the click of a button, opens up the world of fringe theatre without leaving your home. Set up in 2019, Caroline Friedman had an idea to help people who would love to attend live theatre performances, but are unable to do so for a multiple of reasons – cost, accessibility, etc. In creating this online off west end and fringe theatre hub, Friedman has widened the audience reach for these artists, who normal...

14Jun

By Paul DownhamNo Comments

NWE UK Live

Coming Soon

11Jun

By Paul DownhamNo Comments

Blogs

From Page to Stage is a Leap

Today I received an email from a publisher saying that while the theatres are dark it’s an ideal time to start giving reading playscripts a go, as it creates the same experience you’re missing while you’re not able to see a play. Now, a publisher’s primary responsibility is to sell books, so I understand where they’re coming from in making the best of the situation to create a market for books which probably don’t sell that well to people who don’t work within theatre, but I do think it’s very important to point out that reading a playscript absolutely does not create the same experience we’re missing out on while our theatres sit empty during this crisis. Obviously, I’m not saying that you shouldn’t read playscripts. Reading scripts can be a fulfilling and rewarding experience, ...

11Jun

By Paul DownhamNo Comments

Interviews

Lockdown Interview – Willy Russell

On 11th May as part of Bloomsbury Academic and Stage-ed, I had the pleasure of being involved in a Q&A session with writer, composer, and lyricist Willy Russell, best known for Blood Brothers, Educating Rita, and Our Day Out, to name but a few of his celebrated works. I have a confession to make: on a personal level, Russell had a huge influence on me both as a writer and actor. Our Day Out was the first musical I was cast in and Blood Brothers was the first musical I watched. So, to be part of this was something really special for me. Russell spoke openly and honestly as to how Blood Brothers came about and how he wrote and composed the songs for the show, and in a session that was scheduled to last one hour, ever the gentleman, he gave us ninety minutes. With the soundtrack for...

Elizabeth Newman finds new ways of making work

2Jun

By Paul DownhamNo Comments

Interviews

Elizabeth Newman finds new ways of making work

In the second part of an interview with Pitlochry Festival Theatre Artistic Director Elizabeth Newman our Features Editor Paul Clarke hears about the innovative work her team are doing to stay connected to their audience and community. Like most artistic directors Elizabeth Newman was focused on staging her next season at Pitlochry Festival Theatre and then COVID-19 struck forcing her to abandon most of that work as the theatre closed its doors. That meant Newman and her team at the Perthshire venue had to quickly pivot away from the traditional way of making theatre into a very different way of connecting with their audience at the self-styled ‘theatre in the woods’. “As we entered lockdown we launched some really key initiatives,” recalls Elizabeth. “The first was PFT ...

Elizabeth Newman is keeping theatre alive in the hills

31May

By Paul DownhamNo Comments

Interviews

Elizabeth Newman is keeping theatre alive in the hills

In the first of a two-part interview with Pitlochry Festival Theatre’s Elizabeth Newman our Features Editor Paul Clarke asks her about the challenges of being an artistic director in the midst of a worldwide pandemic. After eight successful years as Bolton Octagon’s Artistic Director, Elizabeth Newman moved across the border to lead the team at Pitlochry Festival Theatre, but just as she was preparing to launch a new season of productions COVID-19 struck. Elizabeth and her team at the Perthshire venue are in lockdown after scrapping that season of work. They’ve been using that time to create online work in the maelstrom of a totally unprecedented challenge for the theatre world that managed to keep the lights on even as the Luftwaffe were dropping bombs on London. There's not ...

Investing in our theatres is not a handout

23May

By Paul DownhamNo Comments

Blogs

Investing in our theatres is not a handout

Our Yorkshire Editor Paul Clarke welcomes the theatre world asking for short term government support, not handouts. The news that Leicester Haymarket is the latest venue forced into liquidation, and a stark warning from legendary producer Sonia Friedman writing in the Telegraph that British theatre is on the ‘brink of total collapse’ has forced the industry to unite in calling for short term government support. Thankfully the narrative from the theatres is they’re not asking for a bailout, and instead calling for significant investment in a key part of our nation’s cultural offer that normally generates billions in tax revenues. Friedman points out that more than 1000 of our theatres of varying sizes may permanently close their doors as it may be this time next year before they ca...

Streaming shows is no substitute for the real thing

20May

By Paul DownhamNo Comments

Blogs

Streaming shows is no substitute for the real thing

Our Yorkshire Editor Paul Clarke applauds the streaming of shows but decides it an unsatisfying experience compared to the real thing. As I sat in my home office watching the free steam of M6 Theatre Company’s A Tiger’s Tale it struck me that it was absolutely no substitute for the real thing. It makes total sense that companies have closed their doors rather than incubate the virus and are sharing their greatest hits online. They need to make some much needed cash, or just keep their work in the public consciousness, for when they return to the stage. I support streaming work as a concept, but watching three top class performers on my laptop got me thinking there’s a number of reasons that makes it such an unsatisfying experience, and here’s why: Anticipation There is somet...

Theatres need government support to survive

15May

By Paul DownhamNo Comments

Blogs

Theatres need government support to survive

The news that Nuffield Southampton Theatres has gone into administration could be the harbinger of many more to come as venues and companies grimly hang on as the lockdown decimates their income. After 50 years Nuffield are the second venue to go under after Halifax’s Square Chapel, who shut their doors just as the full scale of the pandemic was becoming clear forcing theatres to close their doors to keep punters and creatives alike safe. Like most theatres Nuffield was faced with the double whammy of having no customers as well having to refund tickets with no significant income to replace it. But the virus closedown has only revealed the struggle our big and small theatres have been having before COVID-19 to keep going, especially if they’re putting on new or challenging work. E...