Wendy McEwan, Author at North West End UK

28Oct

By Wendy McEwanNo Comments

Scotland

Battery Park – Traverse Theatre

Andy McGregor’s show, about a short-lived Indie band in the early nineties, includes an album’s worth of original songs, so it’s a lot like seeing a play and a gig at the same time. In the present day, Older Tommy (Chris Alexander) is approached by student Lucy (Chloe-Ann Taylor), who multi-roles as Tommy’s girlfriend, Angie, back in the nineties. Lucy is writing a dissertation on indie music, and she wants to know why Battery Park crashed and burned just before they made it big. In the nineties, Tommy’s (Stuart Edgar) brother Ed (Tommy McGowan) has just been fired from his dead-end job, and his pal Biffy’s (Charlie West) band has split up because one of the members got grounded for failing higher maths. They happen to hear Tommy playing a song on his guitar, and agree to form a band...

3Oct

By Wendy McEwanNo Comments

Scotland

One of Two – Traverse Theatre

Jack Hunter tells the story of his Scottish childhood, with pre-recorded content from his tenacious twin sister, Bec. Jack and Bec both have cerebral palsy, and Bec, in particular, has really had to fight to make her way in life. Jack is a multi-talented performer: an actor, a writer, and a poet. His humour is playful and acerbic, but there is also a deep anger and a determination to change things. Cerebral palsy affects every person differently. Jack walks with a limp and can’t tie his shoelaces; Bec is a full-time wheelchair user. At high school, they were forced to seek refuge from the other kids in the Base, a dingy “bunker” full of dilapidated furniture decorated with “ancient phallic hieroglyphs”. The playground was not a safe place for them. A teacher rages at Bec for...

Grown Up Orphan Annie – Gilded Balloon, Patter Hoose

27Aug

By Wendy McEwanNo Comments

Scotland

Grown Up Orphan Annie – Gilded Balloon, Patter Hoose

Little Orphan Annie (Katherine Bourne-Taylor) has grown up into a lovable, but insecure, girl-woman with a serious Ovaltine habit. Her happy ending with Daddy Warbucks was a sham: he took all her money, he controls the rights to all her hit songs, and he even stole her dog. Life has been cruel to Annie, but she bustles on with her characteristic optimism infused with desperation. We like her, but she is hard work. This is a one-woman show, but Annie longs for connection and Bourne-Taylor interacts with the audience, and the tech guy, throughout. She asks us if she can go to our “hang” after the show, enlists an audience member to help her onstage, and calls us all her “Fannies”. (I am now the proud owner of a sticker that says “#1 Fannie”.) We catch up with Annie after the ...

Beats on Pointe: Masters of Choreography – Assembly George Square

23Aug

By Wendy McEwanNo Comments

Scotland

Beats on Pointe: Masters of Choreography – Assembly George Square

In this extravaganza of fabulousness, the outrageously skilled members of the Australian dance company, Masters of Choreography, seamlessly combine a boundless range of dance and performance disciplines including hip hop, ballet, commercial, breakdancing, and more. Sometimes they synchronise with each other’s moves in different styles, with the ballerinas adapting newer dance styles to perform en pointe. A particularly exciting moment involves a break dancer spinning on his head while, behind him, three ballerinas pirouette in unison. The athleticism of the performers is astounding, with gymnastic backflips, leaps, and lifts galore. The ballet team enters a dance showdown with the hip-hop team, and the hip-hop group seems to win, though I’m not sure why. Even seemingly casual movements ...

Little Women: The Musical – Paradise at Augustines

19Aug

By Wendy McEwanNo Comments

Scotland

Little Women: The Musical – Paradise at Augustines

Little Women was the first novel I ever read, and this story holds a special place in my heart. This delightful production of the musical brought back all the joy and sorrow that I shared with these characters, all those years ago. For a fraction of the price of the big venues, this show has everything you could possibly want. The vocal performances, acting and staging are stellar, and the performers are right there in front of you. Hannah Childs dazzles as everyone’s favourite March sister, Jo. Her hyperactive enthusiasm is intoxicating, and she owns the stage, leaping and swirling around like a tiny tornado of purpose. Her performance of Jo’s signature song, Astonishing, blew me away, and received rapturous applause. Jo’s tender scene with her dying sister Beth (Charlotte Smi...

18Aug

By Wendy McEwanNo Comments

Scotland

Puppets – Paradise in the Vault

Two estranged brothers, Conny (Freddie Mitchell) and Lonny (Alex Davies), are thrown together in the basement of Lonny’s pub. We watch as they get to know each other again, fighting, sharing, and grieving together as only siblings can. One minute, the brothers fly at each other in a rage, hurling words like weapons. This alternates with expressions of tenderness and compassion. The dynamic between the two actors is a marvel to behold, and I wonder if they are brothers, or at least lifelong friends in real life. They listen and react to each other beautifully. This is a masterclass in actor chemistry, and I strongly recommend that every actor goes to see this production. The script, by writer/director Barney Watts, is breath taking. Every word has power, and the ...

11Jun

By Wendy McEwanNo Comments

Scotland

Carmen – Edinburgh Festival Theatre

Bizet’s 1875 opera Carmen, based on the novel by Prosper Mérimée, tells the story of an obsessive love affair between soldier Don José (Alik Kumar) and flirtatious factory worker Carmen (Justina Gringytė). The musical scenes are punctuated by spoken dialogue between Jose and a detective known as the Investigator (Carmen Pierracini) and begins with José confessing to the murder of Carmen. I liked Pieraccini’s strength and stillness, watching quietly as the story unfolds, examining evidence and providing a moral compass for the work. In this production, the libretto has been translated into English by Christopher Cowell. Opera can be a particularly challenging genre for a translator, but Cowell’s version flows beautifully. I enjoyed hearing the opera in English, and felt more connected to...

3Jun

By Wendy McEwanNo Comments

Scotland

Richard III – Shakespeare at Traquair

This outdoor spectacle is staged in promenade, with scenes taking place at locations around the beautiful gardens of Traquair House in the Scottish Borders. Shakespeare at Traquair has been an annual tradition since 1995, and this year, director Leah Moorhouse has chosen Richard III, the play which contains many of Shakespeare’s best insults. For me, the highlight of the show was Rhiannon King’s badass Queen Margaret. Her animalistic movements converge with her swaggering delivery to invoke a force of nature. I am not a believer in otherworldly powers, but if she cursed me, I would be properly scared. I also loved Faye Turpie-Laird’s performance as the aristocratically camp Catesby. She is compelling to watch, even when she is standing still on the periphery of the stage. ...

Pass Out: Utter Filth – Traverse Theatre

19Apr

By Wendy McEwanNo Comments

Scotland

Pass Out: Utter Filth – Traverse Theatre

For their HND showcase, the emerging performers from PASS at Edinburgh College devised and performed two pieces of theatre, both inspired by the provocative theme of “Utter Filth”. In the first performance, “Utter Filth” is a nightclub. The kind of place young people go to when they want to test their boundaries, with illicit substances aplenty. There are some nice group scenes, with collective movement and chit chat between the clubbers. We are introduced to “Josh” (Joshua Thomson), a likeably awkward young man. He is introduced to a group of friends by a mutual pal (Dan Webb) and there is some amusing dialogue between the two as Dan asks Josh to tone down his geekiness with these, clearly judgemental, new friends. The group discuss what to do on their big night out.&...

We Were Promised Honey! – Traverse Theatre

13Apr

By Wendy McEwanNo Comments

Scotland

We Were Promised Honey! – Traverse Theatre

In We Were Promised Honey! members of the audience become travellers on a prophetic tour of our own futures. We are not merely observers. We are participants within the world of the story. In 2018 Richard Russell, an airport baggage handler, stole an empty passenger plane and flew it for over an hour. He had learnt to fly by playing video games. Unfortunately, Russell had never practiced landing. Russel conducted some astonishing aerial manoeuvres, experiencing and sharing moments of pure joy – but hearing his story, our delight is tempered by our awareness of how the story must end. Writer and performer, Sam Ward, tells stories about the future lives of the people in the audience. Stories that will unfold over the next few centuries. (He is optimistic a...