Sunday, December 22

Author: Tom Scott

Sessions – Zoo Playground
Scotland

Sessions – Zoo Playground

What should we do with violent young men? Lock them up and ‘throw away the key’? Or try to rehabilitate them? ‘Sessions’ is the story of 17-year-old George, a violent offender, who is fortunate to avoid a prison sentence. Instead he is given community service and ordered to attend weekly sessions with a social worker. This timely play comes amidst a longstanding concern about violence amongst disaffected youth. The show starts with the sound of news bulletins about youth crime, austerity cuts including a reduction in youth services, and the links between those spending cuts and crime.   Our incarceration rate is higher than that of most other European countries. The new Labour Government is releasing offenders early because of a shortage of prison places. What’s the solu...
Me For You – Pleasance Courtyard (The Green)
Scotland

Me For You – Pleasance Courtyard (The Green)

‘Me for You’ is a fascinating play about two women who are in love. It has a sparkling, very funny script and is beautifully performed. The climate emergency provides an intriguing backdrop to this contemporary drama. Holly has been seeing Jake for quite some time. Now they want to have a child together. But Jake comes to regret the day he introduces Holly to his friend and workmate, Alex. The two women quickly fall in love. For a while Holly continues to sleep with Jake but, as she’s also having an affair with Alex, she stops taking the pill. Holly finally tells Jake the truth. Understandably he’s very upset. And Holly’s assurance that “It’s you, not me” and that she still cares about him, doesn’t really help Jake to feel any better. Two people had loved each other. But the r...
Eleanor – the Space @ Niddry Street
Scotland

Eleanor – the Space @ Niddry Street

Eleanor, the youngest daughter of Karl Marx, was a socialist and feminist activist. But this play concentrates mainly on her relationships with her lover and friends. All of the characters in this well written drama by Agnes Perry-Robinson were real people, intellectuals who lived in late nineteen century England. The play is based on research. But Perry-Robinsion has used her imagination to recreate some of the interactions between Eleanor and her friends. We see laughter-filled soirées full of stimulating conversations, charades and acting. The group shares a love of Shakespeare and even play the mechanicals performing ‘Pyramus and Thisbe’ from ‘A Midsummer Night’s Dream’. It’s all great fun - at first. Eleanor (nicknamed ‘Tussy’) has a particularly close friendship with ...
Wyld Woman: The Legend of Shy Girl – Assembly Rooms
Scotland

Wyld Woman: The Legend of Shy Girl – Assembly Rooms

A twenty something New Yorker is painfully shy. On first seeing us, she struggles to get a word out. She holds a set of crib cards to help her through what is clearly an ordeal. The shyness affects her physicality, too. Although she’s standing, she curls up as if she’s trying to make herself as small and insignificant as possible, hoping that no-one will notice her. Gradually shy girl relaxes. She welcomes us to her apartment and calls us ‘Legends’. She aspires to be one, too. Legends are people who are not shy, thus cool. Shy girl doesn’t have any real friends, but lots of imaginary ones. It turns out that we in the audience are her imaginary friends, too. And she’s using us to rehearse for the arrival of some real Legends who she’s invited to dinner. This is a hugely enterta...
A Fire Ignites – The Space @ Surgeons’ Hall
Scotland

A Fire Ignites – The Space @ Surgeons’ Hall

The ‘fire ignites’ following the death of Mahsa Amini in Iran in 2022. She had been arrested by the Morality Police for wearing her hijab “improperly” and subsequently died in custody. The Iranian authorities claimed she’s had a heart attack, but fellow detainees said she was severely beaten. Widespread protests broke out which were violently suppressed with more than 500 killed and tens of thousands arrested. Some protesters were executed. Tara Tedjarati, who is Canadian-Iranian, has written, performs and directs this engaging one woman play. She’s also the lyricist and producer. The fire also ignites literally when 16-year-old Parisa sets her hijab on fire, and shouts ‘Death to the Dictator’. Like so many women in Iran she objects to being compelled to cover her head in public. &nb...
Sell Me: I Am from North Korea – Pleasance Courtyard (Below)
Scotland

Sell Me: I Am from North Korea – Pleasance Courtyard (Below)

Jisun is poor. She sells apples at a market in North Korea. Sometimes she even kills squirrels to eat. But she needs more money. Her mother is dying and can’t afford medication to ease her pain. So, on her 15th birthday Jisun decides to sell herself. A broker says he will help her escape to China. She’ll be sold to a man and will have to look after him. Her duties will include washing his dirty underwear, cutting his toe nails and “making babies with him”. That’s the explosive starting point to this remarkable play, written and performed by Sora Baek. And if you think it sounds implausible, you should know that Baek’s grandparents and her father, then aged 4, were refugees from North to South Korea. Baek has also been inspired by true stories of women defectors from the most authoritari...
‘Born in the USA (Leaving Vietnam’ – C Arts (studio), Edinburgh
Scotland

‘Born in the USA (Leaving Vietnam’ – C Arts (studio), Edinburgh

This engrossing one man show tells the story of Jimmy Vandenburgh, a decorated marine who finds it difficult to come to terms with life after his military service in Vietnam War, and is swayed for a while by Trump. Like many veterans, Jimmy still bears the mental scars of the War. “I died once in Vietnam, and once every day since then,” he tells us. Although it’s nearly fifty years since the USA had to admit defeat and pull out of Vietnam, America itself - like Jimmy - is still scarred by that conflict in which nearly 60,000 Americans died - a huge total, though dwarfed by more than a million Vietnamese deaths (half of them civilians). During the 1960s and 1970s, while the Vietnam War raged, America was more divided than perhaps at any time since the Civil War. But the USA is just...
Lie Low – Traverse Theatre
Scotland

Lie Low – Traverse Theatre

‘Lie Low’ is a theatrical jewel. This is theatre at its best, a production which deals with serious issues but still manages to be hugely entertaining and genuinely funny. If you possibly can, go and see this amazing show. You won’t be disappointed. ‘Lie Low’ is brilliantly written by Irish playwright, Ciara Elizabeth Smyth. The script won the Best Theatre Script award in 2023 from the Writers Guild of Ireland. It’s energetic, funny, profound, imaginative, inventive and deeply moving. Smyth’s script is superbly directed by Oisín Kearney. The production is perfectly paced and keeps the audience on the edge of its seats throughout the 70 minutes of the show. Charlotte McCurry plays Faye, a woman in her thirties who has been suffering from nightmares and insomnia following a violent ...
And…And…And – Traverse Theatre, Edinburgh
Scotland

And…And…And – Traverse Theatre, Edinburgh

Isla Cowan’s beautifully written new play is a gem. It focusses on the relationship between two young women in their last year at school whose lives are overshadowed by the climate emergency. The play opens on a beach where the two seventeen year olds are collecting litter (including a lot of plastic items). Their characters are brought to life by Caroline McKeown (Cassie) and Tiana Milne-Wilson (Claire). Those two very talented actors are totally convincing as the best friends. They have a very relaxed natural rapport but as the play develops and they seem to be growing apart, their emotionally charged scenes are perfecting pitched, and engrossing. Two wonderful performances. Cassie and Claire are both concerned by the climate crisis, but it is Cassie who is the activist. She wants ...
Group Portrait In A Summer Landscape – Royal Lyceum Theatre, Edinburgh
Scotland

Group Portrait In A Summer Landscape – Royal Lyceum Theatre, Edinburgh

It is a brave playwright who describes his play as “Scottish Chekhov”, but Peter Arnott’s magnificent new play does not disappoint. It’s an exhilarating tour-de-force which deals with huge issues while zooming in on the complex human relationships of a group of privileged and talented people. It’s hugely entertaining, thought-provoking, and witty, but not always an easy watch. The first night audience was often shrieking with laughter, but sometimes stunned into shocked silence. It’s set in the summer of 2014 in the heady days leading up to the Scottish Independence Referendum. But although that’s discussed, it’s not a play about Independence. Nor is it about the climate emergency, although that issue features, too. And it’s not really about God though the Deity is important to some ...