Wednesday, December 17

Author: Scot Cunningham

Bouncers – Octagon Theatre
North West

Bouncers – Octagon Theatre

Since its debut at the 1977 Edinburgh Festival, Bouncers has enjoyed countless revivals and tours. To a first-time viewer, though, this iteration of the classic, northern nightclub comedy suggests that last orders were called a long while ago. An interchangeable quartet of mostly-like-minded bouncers work the doors of Mr Cinders: their interactions and observations are interspersed with the activities of different sets of partygoers, from celebrating girls to pseudo-alpha males. Under the direction of Jane Thornton, the piece promptly establishes exactly who its target audience is, as the doormen proudly declare that, in their pocket of the 1980s, “nothing is woke”. The uttering of this tiresome phrase lays the foundation for the humour that is to follow: fat jokes, gay jokes, women ...
Je Suis Charlie – 53Two, Manchester
North West

Je Suis Charlie – 53Two, Manchester

It only takes a glimpse of 9/11-themed musical Come from Away or Carly Wijs’ Us/Them to appreciate that theatre and terrorism is an atypical yet resonating combination, when handled tactfully. Rough Boy Mcr attempts to do the same with Je Suis Charlie, but this verbose one-acter fails to lift any sort of new, thought-provoking interpretations from its source material. A Grindr hook-up takes an unforeseen turn shortly after the timid and youthful-looking Mike turns up to satirical cartoonist Charlie’s home; the two roles are dutifully played by Ben Bradfield and Ben Rigby respectively. Putting aside its several distracting plot holes, the serious conflict in Je Suis Charlie is interrupted by frequent, formulaic comedy that rarely sits right in the context- though Rigby’s gags and quip...
42nd Street – Opera House, Manchester
North West

42nd Street – Opera House, Manchester

Timeless, famed, genre-defining: all befitting words to describe this classic backstage musical considering its screen debut ninety years ago, later followed by an 80s stage adaptation. Arriving in New York City, wide-eyed, budding performer Peggy (Nicole-Lily Baisden) has her heart set on stage stardom- and the right set of circumstances soon land her a spot in a new musical’s chorus line. As opening night approaches, an accident involving the leading lady then gives Peggy the unexpected chance to make it big. A paper-thin storyline matters little when outstanding tap numbers are in such plentiful supply. Exuberant and unremitting, the ensemble commands attention with their well-honed coordination. Dance sequences in We’re in the Money as well as the titular song make them unforgett...
Kathy and Stella Solve a Murder! – HOME Manchester
North West

Kathy and Stella Solve a Murder! – HOME Manchester

Debuting at the 2022 Edinburgh Fringe, this East Yorkshire-based murder mystery (a Hull-dunnit if you will) has been expanded ahead of a second run. It’s knives out in a new, Northern musical that promises slaughter and laughter - at its final destination of Manchester. Childhood besties and idlers Kathy (Bronté Barbé) and Stella (Rebekah Hinds) share a joint passion for grisly true crime through a podcast that’s about as popular as they are. However, when their favourite author is brutally murdered, the chance to take on a case of their own- and turn ‘Kathy and Stella’s Murder Podcast’ into a sensation- proves too thrilling to pass up. Kathy and Stella gets off to a flying start, with Jon Brittain’s sweary script evoking lots of belly laughter from the audience. We’re introduced to ...
Everybody’s Talking About Jamie – The Lowry
North West

Everybody’s Talking About Jamie – The Lowry

Since 2017, Everybody’s Talking About Jamie has opened up minds and hearts with an extended West End run, feature film adaptation and now a second UK tour. Inspired by the documentary Jamie: Drag Queen at 16, this feel-good musical tells the story of a secondary school leaver who decides to live out his fantasy of being a performer by attending prom in a dress. The legend of Jamie New (Ivano Turco) is spangled with playful physical comedy, sassy put-downs and hysterical punchlines, all courtesy of Tom MacRae’s snappy book and lyrics. Music by Dan Gillespie Sells provides a seriously catchy soundtrack of pop bops and moving solos for Jamie’s relevant- and turbulent- journey to self-expression. ‘And You Don’t Even Know It’ is a tone-setting party anthem of an opening number that sees o...
Ahoy! Ballad of the Time Kraken – Salford Arts Theatre
North West

Ahoy! Ballad of the Time Kraken – Salford Arts Theatre

A confusion of school disco music, playground lyrics, art room props, nativity choreography and dress-up box costumes make this poorly performed, barely-plotted absurdity of a musical unfit for performance in front of a paying audience in its current state. You wouldn't swab the poop deck with this two-and-a-half-hour shamble. ‘Ahoy! Ballad of the Time Kraken’ continues at Salford Arts Centre until 29th July with tickets available from https://manchester.ssboxoffice.com/events/ahoy-ballad-of-the-time-kraken/ Reviewer: Scot Cunningham Reviewed: 28th July 2023 North West End UK Rating: ★
Cruise – HOME Mcr
North West

Cruise – HOME Mcr

After two crowd-pleasing West End runs, this vibrant, gritty HIV-based drama journeys outside London for its first time. Through a tell-all phone call to Switchboard answered by the young and inexperienced Jack, Michael recounts his supposed final years in London following a HIV diagnosis that gave him 4 years left to live. Jack Holden imbues the piece with wholehearted zest as he bounces, climbs and dances around Nik Corrall’s versatile industrial set. Capably taking on all roles- that’s some thirty characters, though a few may be surplus to requirement- Holden never wavers, captivating the audience with his energy alone. This is by no means a one-show, though: on-stage music producer John Patrick Elliott supplies an intense electronic score, the beats, tunes and synth of which t...
The Crisp Review: LIVE – King’s Arms
North West

The Crisp Review: LIVE – King’s Arms

Having tickled audiences’ palates at last year’s Fringe, Adam Evans takes to the stage once more with a presentation packed to the rafters with all things crisp-related. If the title doesn’t give his game away, Adam unapologetically spells it out: he reviews every variety of the potato snack imaginable with the aim of encouraging suppliers to send him free bags. A high-and low-light reel of his videos offers a hilarious insight into the review process. Adam gives honest verdicts on crisps’ names, texture, flavour, and value, regaling everyone in the room with observant critiques. In person, his nonchalance and cynicism allow him to deliver one satirical quip after another, but put-downs (almost entirely aimed at himself) tagged onto the end of them regularly get the biggest laughs...
Transparency – 53two, Manchester
North West

Transparency – 53two, Manchester

Jaden Adams invites the world into a snippet of a transgender male’s life: expect an emotive solo performance packed with passion and playfulness. A prying parent forces Jack to come out about his transness sooner than he wished. In this multi-faceted account, he reveals the ups and downs that followed. Though aspects of the narrative may sound bygone, the northern working-class setting- where views on trans rights still lack progression in many households- should be taken into consideration. Adams is an endearing storyteller who tackles sensitive topics with deft. His zealous acting skills show great potential as he switches between roles, garnering plenty of laughs as Jack’s niggling nan. Everybody roots for Adams’ character from the start as he addresses hurdles from being ...
Wasteman – King’s Arms, Salford
North West

Wasteman – King’s Arms, Salford

In a sequin-studded change in his career path, Joe Leather whimsically recounts how he traded hi-vis for high heels in this endearing one-hour play. Despite dabbling in drag in former times, regrettable events have led him to boxing up his dreams. However, a new opportunity tempts our refuse-collecting queen to rediscover their passion for performing. Leather embraces his ‘imaginary’ audience and entertains us with engrossing words, song and dance while jumping between a past and present narrative. His stage presence is cheeky and charming, and he capably juggles additional minor roles with expressive mannerisms and accents. While there are plenty of funnies laced throughout the script, a quantity over quality situation in terms of humour is sometimes apparent: where too many ...