Samantha Collett, Author at North West End UK

17Nov

By Samantha CollettNo Comments

London

Lost Origin – Hoxton Docks

Cards on the table: I am a huge fan of immersive theatre. So, when I saw immersive pioneers Factory 42 had teamed up with Almeida Theatre and Sky to create ‘Lost Origin’, I was sold. The mission? In groups of six, participants turn undercover investigators as part of Wing 7 to crack an illegal dark web marketplace. The location of the experience in Hoxton Docks sets the scene. It’s a rundown building on the fringes of East London’s trendy nightlife. Greeted by special ops, you and your group are briefed on the mission and then taken off by Marsha, a crack coder with a slightly unstable personality. The experience fuses technology, performance and incredible set design in a 60-minute journey which sees you immerse yourself in solving the mystery. The different room themes are am...

Call me Madam – Upstairs at the Gatehouse

15Sep

By Samantha CollettNo Comments

London

Call me Madam – Upstairs at the Gatehouse

When all a country has to offer is babies and cheese, it’s little wonder they need help. Enter the good old USA with their helpful loans and Bob’s your side of chicken. Except, that’s not quite how things pan out. ‘Call me Madam’ is set in 1950, in the years following World War II, when Truman was rolling out the Marshall Plan to help finance the economic recovery of devasted European countries. If you’re thinking this is political, don’t, it’s purely a backdrop for what is essentially a double love story. At a time when women were expected to make home, Sally Adams (Rosemary Ashe), is bound for the Grand Duchy of Lichtenburg in her newly appointed role as ambassador. Her creds: Parties and socialising. Next, enter Cosmo Constantine (Richard Gibson), a man who cannot be bought, a man...

Tell me on a Sunday – Frinton Summer Theatre

18Aug

By Samantha CollettNo Comments

South East

Tell me on a Sunday – Frinton Summer Theatre

Tell me on a Sunday may be the smallest musical Andrew Lloyd Webber has ever written, but as a one-woman musical, it packs enough punch to keep the audience enthralled. The key to this success, in a Frinton Summer Theatre first, is the casting of Shona White and the accompanying live six-piece band. White, whose credits include Mamma Mia, West Side Story and Wicked, is clearly used to a big stage; she has a big voice and a big presence – precisely what you need to carry off a one-woman show. Tell me on a Sunday is the story of an ordinary English girl journeying to, and across America, looking for love. Her romantic misadventures are hapless and humorous and feel very Bridget Jones. This was originally written in the 1970s, a time when the male gaze and women defining themselves thro...

25Jul

By Samantha CollettNo Comments

London

Kaleidoscope – Alexandra Palace

Going to a festival during a pandemic may seem a strange choice. But if life is to get back to ‘normal’ then attending an event outside is part of the journey – plus you have to show proof you’ve been double jabbed. The difference with Kaleidoscope is in the setting of Alexandra Park. The gently sloping grounds cradling the main stage (Hilltop) mean you can watch from afar taking in the views of London as an accompaniment to the main act on stage. The awesome sound system means you don’t have to be right up front to hear the action, you can dance on your picnic blanket to your heart’s delight. And if you don’t like the main stage, there’s the bandstand or the terrace or the fringe theatre offering alternative entertainment. Short of options you are not. And talking of options, the...

30Apr

By Samantha CollettNo Comments

REVIEWS

Money – Southwark Playhouse

Money. It makes the world go round. We all need it to live. But where does it come from, and does its source really matter? That’s the question at the heart of ‘Money’ by Isla van Tricht, a digital co-production with Southwark Playhouse. The Nyoni Youth and Community Project does great charitable work to help local people, but the pandemic has decimated its finances. Enter the Anders Corporation who have offered a large donation. Not only will it help the struggling charity and so many worthwhile causes, it will enable the charity to thrive – helping more and more people. But is it worth it? What cost does this money have? What are the implications of accepting such a large donation? How do the Anders Corporation make their money and is it ethical? The questions are real...

10Apr

By Samantha CollettNo Comments

West Midlands

Rooms – Birmingham Hippodrome

I don’t think there are enough jaw-droppingly awesome words in my vocabulary to say how absolutely astonishing this production is. If you see one show this year Rooms should be it. Imagine if you will, sitting in a train carriage and glimpsing into a series of lit rooms on a dark night. You can see the goings-on, the occupants, the lives – but only for a brief tantalising moment. Now imagine stepping into that room; literally being in that room, such is the power of the close cinematography. Rambert’s 17 brilliant dancers will literally transform your life into their lives as their stories unfold over 36 scenes and involving 100 characters. Captivating and beautiful, funny and dark, their stories will surprise you, engulf you and become a part of you. Shot as if you are in the ro...