Monday, October 14

Author: Samantha Collett

The Lehman Trilogy – Gillian Lynne Theatre
London

The Lehman Trilogy – Gillian Lynne Theatre

Many people only know of the Lehman Brothers name on account of their failure. The Great Financial Crash of 2008 sent economic shockwaves through the world. Why then, one may ask, would anyone want to watch a three hour play about banking? The answer: it is possibly the most epic outstanding production you will ever see, and it is about so much more than banking. The stage is a rotating glass box. The backdrop is a digital screen. There are three actors. One pianist. Several cardboard boxes. On paper it shouldn’t work, but it is the magnificence of every key element and the outstanding direction by Sam Mendes which elevates this production to something you rarely witness in the West End. The story starts with Henry Lehman (Leighton Pugh), a Jew, making his way across the sea from Bav...
The Truth About Harry Beck – Cubic Theatre
London

The Truth About Harry Beck – Cubic Theatre

The iconic London Tube Map is known the world over. But what about the man who invented it? Very little is known about Harry Beck, until now. Enter Andy Burden, writer and director, who’s made it his mission to shine a light on this quiet genius who changed the way we see and understand London. It’s funny when you think about it, the Tube map is such a taken for granted thing. Stations are leisurely dotted along coloured lines, circles show how you can change routes, and in one complete and easily digestible format, you can get where you want to go. It’s a remarkable feat of compression and visual ingenuity to distil the London Underground’s 250 miles of track and 272 stations across 11 lines into one handy map. But that’s what Harry Beck did. Photo: Mark Douet Sadly, when he d...
Annie Get Your Gun – Frinton Summer Theatre
South East

Annie Get Your Gun – Frinton Summer Theatre

As a reviewer of many years, I have to confess ‘Annie Get Your Gun’ feels like one of those underrated big shows I’d never heard of, but thank goodness I had the opportunity to watch it at the Greensward Tent, because it is a stellar production with West End credentials. If like me, you don’t feel familiar with the show name, it’s likely you’ll know some of the songs from the score: ‘There’s no business like showbusiness’ or ‘Anything you can do, I can do better’. And I’m sure by now you’ll be humming the tune! The plot is briefly as follows: Buffalo Bill (Nigel Barber) runs Wild West Shows where Frank Butler (Stephen John Davis) is his star shooter. They come upon Annie Oakley (Alex Constantinidi) a ragtag thing of a young woman, who can shoot even better than Frank. Cue a standoff,...
Noises Off – Frinton Summer Theatre
South East

Noises Off – Frinton Summer Theatre

I do love a show-within-a-show, especially when its madcap, farcical and funny - which is how I would describe Noises Off. The story is as follows: a touring theatre company are putting on a show called ‘Nothing On’, Noises Off (the show you are watching) is then the play about the play they are trying to put on and all the drama, mishaps and miscellany that go into a production. Split into three acts, the first act is the show, the second act is the backstage/ behind the scenes view of the first act, and the third act is the calamitous finale at Stockton-on-Tees. It is utter genius. Having missed Noises Off when it was showing in London, I was delighted to be able to see it at Frinton Summer Theatre – and it doesn’t disappoint. The trick (or rather magic) with any comedy, is t...
Fanny’s Burning! – Frinton Summer Theatre
South East

Fanny’s Burning! – Frinton Summer Theatre

Fanny Cradock was before my time, but that doesn’t mean I haven’t heard the name. I know she’s synonymous with cooking, I think most younger people would say the same. The ballgown wearing was a new one (love it! ordered one!), but more importantly – and what this World Premiere of Anton Burge’s new play displays: she was a female pioneer. Opening onto Fanny’s (Brenda Longman) cooking studio, you at once feel like you’re part of a television audience. Fanny’s assistant, Carol (Phoebe-Loveday Raymond) who was apparently silent during the real filming, is given a voice. We are also introduced to Johnnie (Sam Cox) who from the outset, is clearly the love of Fanny’s life and the backbone to her indomitable spirit. As recipes unfold, so does the story of Fanny’s life. Through the cut away...
Constellations & The Sociable Plover – Frinton Summer Theatre
South East

Constellations & The Sociable Plover – Frinton Summer Theatre

Double billings at Frinton Summer Theatre are rare, so it is a real treat to watch two plays in one evening. Forget about ‘shrinkflation’, this really is a case of getting two for the price of one – such is the quality and innovation of these plays which would usually be more at home in a London fringe theatre. ‘The Sociable Plover’ by Tim Whitnall is a dark - very dark – comedy drama, with a twist. The action is centred in a bird hide. Roy Tunt (Christopher Howell) is a keen birdwatcher (twitcher) on a mission to sight the Sociable Plover, the last on his list before ornithological fame awaits him in the record books. Dave John (Jon Scott Clark) is a besuited thug who looks like he means trouble – and he has the attitude to boot. In an awkward, and often funny exchange, the pair’s char...
The Winslow Boy – Frinton Summer Theatre
South East

The Winslow Boy – Frinton Summer Theatre

Is winning at any cost really worth it? This is the central question posed in Terence Rattigan’s ‘The Winslow Boy’. The year is 1908 and thirteen-year-old Ronnie Winslow (Bertie Ketterer) has been accused of petty theft. It is alleged he stole a five-shilling postal order and is then expelled from Osborne Naval College. However, Ronnie insists his innocence. His father, Arthur Winslow (Clive Brill) stands by him and vows to fight to clear his son’s name by instructing the best and most expensive barrister. The battle ‘to have right done’ commences – but the fall out has far reaching consequences. At this point one may expect some court room drama, but this is a firmly family-drama based affair with the esteemed barrister Sir Robert Morton (Will Harrison-Wallace) visiting the home and...
Horne’s Descent – Old Red Lion Theatre
London

Horne’s Descent – Old Red Lion Theatre

In the intimate surroundings of the Old Red Lion Theatre, you feel as if you have been invited to a dinner party from the last century. With 1920s décor, and a set that resembles a real-life drawing room, this is an immersive fly on the wall experience. Albie (Magnus Gordon) sets the scene for the coming soiree with his cut glass accent and aristocratic ways. We meet his childhood friend Peter Horne (Alexander Hackett) who has recently become a priest, and who Albie wishes to avail himself of his godly duties by marrying him to his latest fling, Mary (Bethany Slater), the niece of Etta (Cici Clarke). Of course, a party is never a good party without trouble, and the scene is set for a night of debacle and debauchery when we learn of Etta’s interest in the occult. Add in the PTSD of th...
Songs for a New World – Upstairs at the Gatehouse
London

Songs for a New World – Upstairs at the Gatehouse

When you watch a musical production, it usually follows a known formula with a beginning, middle and an end. Not so with ‘Songs for a New World’ for this is what’s known as a song-cycle. That means rather than having one fully formed narrative, the show is an anthology; a collection of short stories that hang together with common themes. For me, I think the best way to describe this production is as an immersive musical show. You honestly feel as though you’ve stepped into the making of a musical and are part and parcel of the actual show, such is the intimacy of this performance. The venue aids this feeling enormously, and to be seated just inches away from the action is a real thrill. Unlike most shows, the band are not hidden away, they are clearly visible, on display and are inte...
Wishmas – Bauble Factory, London
London

Wishmas – Bauble Factory, London

I love the spirit of Christmas. I may not have kids and be in my forties, but I love the festive cheer the season brings. It was for this reason I was so excited to be going to ‘Wishmas’. Billed as an all-age fantastical immersive Christmas experience, I was all over it. Sadly, Wishmas was not my Christmas wish. From the very start, I felt awkward: I did not have a child. This is the sort of experience where you are expected to have a child, the younger the better, because otherwise you not only feel like an imposter, but also the parents will look at you strangely. If they don’t, you will feel like they do. This is because all of the activities - and that’s a term I use loosely - have been based on the skills a three-year old would have. From spinning a giant spongy cog to placin...