Peter Ruddick, Author at North West End UK

13Oct

By Peter RuddickNo Comments

North West

JB Shorts – 53Two

There are very few certainties in life. Hardly any in theatre. One constant, however, is that JB Shorts always delivers interesting ideas, great writing and talented acting. For anyone unfamiliar, the showcase of short plays was born in the Joshua Brooks pub more than a decade ago as a way of giving TV writers the space to try out new work. The show has gone from strength to strength in its new home at 53Two and this selection of shorts is no different. Energy bills, the political response to the pandemic, ableism, so-called cancel culture and discrimination. The issues being tackled are overwhelmingly influenced by the extraordinary times we are living through. However, at the heart of each play, are surprisingly well-drawn characters given the brevity of the texts. Zoe Iqbal &am...

A Spoonful of Julie – The King’s Arms, Salford

24Jul

By Peter RuddickNo Comments

North West

A Spoonful of Julie – The King’s Arms, Salford

Some shows need no explanation. The title does all the work. A Spoonful of Julie delivers exactly what it says on the tin. Morsels of goodness from the life and career of one of the greatest actors and singers of all time: Dame Julie Andrews. Opera singer Nicola Mills is the brave soul stepping into Andrews’ shoes. She’s accompanied on her whistle-stop tour of classics by musical director George Strickland on keyboard. Andrews’ repertoire is littered with collaborations with extraordinary lyricists and composers. From the Sherman Brothers and Lerner & Loewe to Sandy Wilson and Rodgers & Hammerstein. Yet their music was taken to another level courtesy of the voice of the young woman from Surrey. Mills can certainly belt out the operatic highs but her performance lacks some of ...

13Jul

By Peter RuddickNo Comments

North West

In The Plus – Lock 91, Manchester

Imagine a world obsessed with cabbage. Arguably defined by cabbage. Poets and oil painters are inspired by the vegetable as they create their great works. The problem is you don’t care for cabbage. It might sound bizarre. But swap cabbage for sex and suddenly it’s an incredibly accessible way of explaining how some people experience their asexuality. The idea is one of the highlights of James Reilly’s deeply personal one-man show In The Plus. Reilly’s ambition is clear. Celebrate one of the identities and orientations represented by the plus in LGBTQ+. He absolutely achieves that and will surely educate his audience at the same time. However, there’s also potential here for something greater and more powerful. Potential that isn’t quite met. The show opens with an audio montage of...

Do you remember the first rhyme? – Gullivers Lounge

11Jul

By Peter RuddickNo Comments

North West

Do you remember the first rhyme? – Gullivers Lounge

There’s no shortage of fringe shows exploring how and when people find their creative outlet. At first glance, Lisa O’Hare’s one-woman show on her mid-life epiphany (it’s not a crisis), and her re-discovery of poetry, might feel like it’s covering well-trodden ground. That doesn’t make it any less valid, though. An empathetic and enigmatic performer can help an audience enjoy anew a familiar story. That’s exactly what’s achieved in Do you remember the first rhyme?. Part monologue, part poetry performance, O’Hare transitions effortlessly between prose and verse. The show might take a little while to get going but as soon as the first self-penned rhyme is performed the audience relax in the knowledge they’re in the hands of a fabulous performer of spoken word. In some ways, the show...

1Jun

By Peter RuddickNo Comments

North West

One Man, Two Guvnors – Octagon Theatre

After a critically acclaimed National Theatre premiere, a UK tour, an award-winning West End transfer and a Broadway run which kickstarted James Corden’s stratospheric stateside success, there can’t have been many people left who hadn’t seen the original production of One Man, Two Guvnors. And then the pandemic struck. Another 200,000 tuned in to the NT Live performance. One of the theatrical highlights of lockdown. It’s a brave programmer then who opts to revive Richard Bean’s adaptation of Goldoni’s commedia dell'arte classic The Servant of Two Masters. It’s a gamble that’s largely paid off. For anyone unaware, 1700s Venice has been replaced by 1963 Brighton. That aside, Bean’s adaptation is surprisingly faithful. Both to the plot and themes of upper-class stupidity, gender equa...

5Mar

By Peter RuddickNo Comments

North West

Orton: Fallen Angel – Epstein Theatre

A bill finally decriminalising homosexuality in England and Wales received Royal Ascent in late July 1967. Less than three weeks later gay playwright Joe Orton was murdered by his partner Kenneth Halliwell. Within days the life of closeted Beatles manager Brian Epstein would also be tragically cut short. How apt then that a play exploring Orton’s horrific killing has found a home at Liverpool’s Epstein Theatre. Wes Williams' Orton: Fallen Angel looks back at the life and death of the Leicester-born author and his lover and asks the audience to imagine how Orton’s untimely demise could have come to pass. One gets a sense of the tone of the evening straight away. A near empty stage apart from four chairs, a couple of books and a leather jacket foreshadows the unapologetically stark dir...

Peter Pan – Altrincham Garrick Playhouse

11Dec

By Peter RuddickNo Comments

North West

Peter Pan – Altrincham Garrick Playhouse

The Altrincham Garrick Playhouse pantomime is more than an annual festive tradition. It’s a treasured part of the local community. After a year away, thanks to one thing and another, it’s so gratifying to see packed houses of families once again enjoying an ambitious and joyful show. There are very few surprises here. The Darling children are growing up fast, while their distant father is increasingly frustrated with the ‘poppycock’ fairy tales filling their heads. It’s to be Wendy’s last night in the nursery. What Mr and Mrs Darling don’t know of course (the grown-ups always forget) is that the magic is real. Peter Pan’s shadow is hiding in the toy box and our hero wants it back. So begins an awfully big adventure to Neverland and back. Writer Tom Whalley has penned a largely fai...

28Nov

By Peter RuddickNo Comments

North West

The Wiz – Hope Mill Theatre

There are a few big secrets in musical theatre. One of the biggest is that aside from one overwrought and over-covered number there’s not a lot of great music in The Wizard of Oz. It’s not the only retelling of L. Frank Baum’s original story, so why is it considered a classic when The Wiz remains unknown to many? Unknown despite having more songs, better music and a lot more heart? Why have there only ever been three professional UK productions of The Wiz on stage? Why has it never made it to the West End, whilst a lordly revival of the Judy Garland movie was deemed worthy of a primetime TV show? Important questions. I will leave the answers to others except to say there was something incredibly powerful about taking a seat in the Hope Mill Theatre in front of a sparse stage and a...

20Nov

By Peter RuddickNo Comments

North West

DDDivas – Unity Theatre

We all know there are plenty of fully-developed, full-length theatrical productions that feel utterly impenetrable to an audience not ‘in the know’. How wonderful then to report that DDDivas, a short 10-minute selection of new material still in development, is beautifully and heartbreakingly lucid. DDDivas - which also has the working title of Ruby’s Slippers - is described as a fictional telling of real events from the life of neuro-divergent, disabled performer Elaine Collins. The audience finds Elaine’s character Ruby on an empty, unlit stage dancing alone to Cyndi Lauper. Dressed from head to toe in colour and glitter, Ruby is, quite literally, the light in the darkness. It’s obvious from the off though that the pink tights, silver bow and purple arm warmers mask a less happy truth....

A Midsummer Night’s Dream – Hope Mill Theatre

9Oct

By Peter RuddickNo Comments

North West

A Midsummer Night’s Dream – Hope Mill Theatre

What is Shakespeare’s best comedy? Although plenty of people would vote for A Midsummer Night’s Dream it is, in truth, an impossible question to answer. Why? Because the Bard’s plays exist to be performed and any humour in the script is only conveyed to the audience with great direction. With a good director at the helm, Dream is hilarious, fast-paced and emotional. With a poor director in charge, it can feel turgid, long and devoid of comedy. This production has an excellent director in charge. It’s hard to walk out of the theatre thinking anything other than Dream is the best Shakespeare comedy and this must be one of the very, very best telling’s of this timeless tale. All Female Shakespeare does exactly what it says on the tin. Created by Unseemly Women, HER Productions and Girl Gan...