Peter Ruddick, Author at North West End UK

The History Boys – Altrincham Garrick Playhouse

17Sep

By Peter RuddickNo Comments

North West

The History Boys – Altrincham Garrick Playhouse

It’s hard to believe two decades have passed since the late, great Richard Griffiths first made his motorbike gear-clad entrance onto the National Theatre’s Lyttleton stage as beloved, but problematic, schoolmaster Hector. In that time, two casts of Altrincham Garrick Playhouse History Boys have sat the Oxford and Cambridge entrance exam. Now, to mark the play’s 20-year anniversary, a third is having a go. The appeal of Alan Bennett’s classroom classic is as enduring as the man himself. A true national treasure. This solid production is a good example why. In a northern 1980s sixth form, a set of schoolboys are celebrating passing their A Level exams. The eight have returned, at least in the mind of English and General Studies tutor Hector (Ivor Farley), to resume their pursui...

3Jul

By Peter RuddickNo Comments

North West

Boyography – Social Refuge, Manchester

The marketing and pre-show announcements for Boyography promise a unique story about queer love and fluid sexuality in a “post-gay world”. The reality is a lot more commonplace. It starts promisingly. When two boys bump into each other in a school corridor something unspoken and powerful is sparked. The locker room encounter between Oliver (Isaac Radmore) and Jake (George Bellamy) feels inevitable, but Oliver’s reaction is a lot more surprising. Experience would tell an audience that the cocksure and laddish one in a relationship like this would be closeted and outwardly homophobic. Far from it. Oliver has a girlfriend, but he also happily sleeps with boys. It is just sex. After all, “bodies are bodies”. Sadly, the intensely modern idea of young men without doubt who reject la...

Windrush Warriors – International Anthony Burgess Foundation

26Jun

By Peter RuddickNo Comments

North West

Windrush Warriors – International Anthony Burgess Foundation

When the Windrush scandal began to emerge, the plight of the victims struck a chord because an injustice was being served on people who had already faced discrimination, despite giving so much to the country. Windrush Warriors focuses, not on the scandal itself, but on the real lives of those victims. It is touching, occasionally emotional and very funny. Just like the beautiful Windrush generation themselves. Sister Johnson (Jennifer Marvaree-Robinson) arrives at the local community centre in distress, worried she may face deportation. She finds a, largely, sympathetic audience in her fellow pensioner pals from the West Indies and the quartet decide to organise a fightback. What follows are a set of Vicar of Dibley parish council meeting-like conversations as the self-titled Win...

25May

By Peter RuddickNo Comments

North West

Disney’s Aladdin – Palace Theatre

Released at the peak of the Disney renaissance, Aladdin stormed the box office in 1992 and has remained one of the most well-loved animated movies of all time. Its success and enduring appeal is due in no small part to its award-winning music. The late, very great lyricist Howard Ashman was the man behind the original pitch. He worked with composer Alan Menken on the project until Ashman’s untimely death with AIDS. Tim Rice then picked up the lyrical baton and the final soundtrack is a work of genius. Given that, it was perhaps a surprise it took so long for the film to transfer to the stage. The Broadway production has now been running for a decade. This, though, is the first time the show has played in the North West. It is well worth the wait. This is a riot of joyous sound and...

Black Is The Color Of My Voice – HOME Mcr

29Apr

By Peter RuddickNo Comments

North West

Black Is The Color Of My Voice – HOME Mcr

Apphia Campbell’s play, inspired by the life of Nina Simone, has won critical acclaim and sold-out venues around the world. It is not hard to see why. Black Is The Color Of My Voice is about as accomplished a one-person show as you are ever likely to see. Confined to one sparsely decorated room, jazz singer Eugenia vows to ditch the booze and the cigarettes as she tries to connect with the spirit of her late father. Campbell’s character clutches a framed picture of ‘daddy’ as she reflects on her life, loves and losses. Artefacts and articles of clothing pulled from a suitcase trigger memories. Memories that are beautifully and believably portrayed to a spellbound audience. Memories punctuated by stunning interpretations of Nina Simone classics. Within the first few beats of the fi...

29Jan

By Peter RuddickNo Comments

North West

Enough – King’s Arms, Salford

When Enough was first performed at the Greater Manchester Fringe last summer it was depressingly prescient. A play about misogyny, corruption and racism in the police less than six months after a review into the culture and standards of behaviour at the Met was published. As part of a Best of Fringe season, Enough is one of a handful of last year’s highlights being revived at the King’s Arms in Salford. The play won a Best Drama award in the summer, and it is not hard to see why. The subject matter may be, marginally, less topical but is no less important. In fact, the ‘enough is enough’ message is, arguably, even more powerful now. The attention of the headlines circus may have moved on but the issues this play raises have not been resolved. As is often the case, it is down to po...

14Dec

By Peter RuddickNo Comments

North West

Little Women – HOME, Manchester

Christmas is not an easy time for theatre programmers. The demand is there, from young and old, but so is the competition. Eschewing the traditional panto, the full-scale musical and the seasonal farce, HOME has instead opted to revive Anne-Marie Casey’s adaptation of the classic novel Little Women. It is a very smart decision. First performed last summer, this production is like a stage version of the very best Sunday afternoon TV drama. It is totally and utterly charming from the very first second. Louisa May Alcott’s semi-autobiographical novel has truly stood the test of time and been adapted countless times and ways since the 1860s. This version is a relatively faithful, if stripped back, affair which smartly refreshes the storytelling. At the height of the American Civil ...

3Dec

By Peter RuddickNo Comments

North West

Edward Scissorhands – The Lowry

There are very few certainties in life, or theatre. One is surely that a night with a New Adventures dance production is always magical. The latest revival of Edward Scissorhands definitely confirms the rule, even if this is far from stellar Matthew Bourne. Tim Burton’s classic movie was first reinvented as a ballet in 2005. As one would expect with this creative team, the show feels as fresh and spectacular as it must have been nearly two decades ago. The iconic score was made for movement and Danny Elfman’s composition marries beautifully with the newer music and arrangements created by Terry Davies. Enchanting is really the only word for it. Fans of the cult flick can be reassured. This is a faithful retelling of the story of the unfinished humanoid with scissors for hands. How...

30Oct

By Peter RuddickNo Comments

North West

Spam Valley – 53two

There is something intensely personal about Spam Valley. Perhaps unsurprising given it is described as an ‘autobiographical monologue’ of Kevin P. Gilday’s journey from working-class Glasgow to a middle-class career on the stage. But what makes the show extra special is how universal and relevant it is. Blending poetry and spoken word this is part stand up, part sermon. A hilarious, heartbreaking and extraordinary analysis of class. Under the 53two arches sits a solitary plastic chair, a microphone on a stand and a clothes rail of jackets: from the classic Umbro zip up to the badged blazer beloved by the arterati. One person monologues like this rely on the audience feeling secure in the hands of the performer. Gilday emerges and delivers his brilliant poem The Old Men In Weth...

18Oct

By Peter RuddickNo Comments

North West

Noises Off – The Lowry

There have been a few fairly sniffy reviews of Noises Off recently. Both of this touring version of last year's 40th anniversary production and of the Michael Frayn classic more generally. The argument seems to go that the 1982 farce is showing its age and the same joke - a play within a play going all wrong - can be seen elsewhere. It is an interesting quirk of theatrical criticism that comedies are occasionally treated in this way. Dramas, on the other hand, become 'period pieces', described as 'kickstarting a trend'. What should matter, of course, is whether a play works in its own right. Yes, Noises Off is a product of its time, yes it has been lovingly ripped off in recent years but yes, in the right hands, it is still riotously funny. The cast on the Lowry Lyric sta...