Sunday, December 22

Author: Paul Downham

The Madness of George III – National Theatre
London

The Madness of George III – National Theatre

Alan Bennett’s The Madness of George III, directed by Adam Penford, tells the story of one of the first periods of George III’s illness which plagued the later years of his life and eventually led to the Regency of his son George IV. Wryly amusing and horrifying for its exposition of tortuous Georgian treatments of mental illness, this is a wonderful play which juxtaposes the appearances of royalty and the regular lives hidden beneath. The play has a very grand opening which emphasises the importance of show for the Royal Family from the start. An assassination attempt is made on George III’s (Mark Gatiss) life and the Court points out how lucky the failed murderer is as England has asylums for her to go to whereas in France she would be executed, the veiled point being that for man...
From Page to Stage is a Leap
Blogs

From Page to Stage is a Leap

Today I received an email from a publisher saying that while the theatres are dark it’s an ideal time to start giving reading playscripts a go, as it creates the same experience you’re missing while you’re not able to see a play. Now, a publisher’s primary responsibility is to sell books, so I understand where they’re coming from in making the best of the situation to create a market for books which probably don’t sell that well to people who don’t work within theatre, but I do think it’s very important to point out that reading a playscript absolutely does not create the same experience we’re missing out on while our theatres sit empty during this crisis. Obviously, I’m not saying that you shouldn’t read playscripts. Reading scripts can be a fulfilling and rewarding experience, ...
Lockdown Interview – Willy Russell
Interviews

Lockdown Interview – Willy Russell

On 11th May as part of Bloomsbury Academic and Stage-ed, I had the pleasure of being involved in a Q&A session with writer, composer, and lyricist Willy Russell, best known for Blood Brothers, Educating Rita, and Our Day Out, to name but a few of his celebrated works. I have a confession to make: on a personal level, Russell had a huge influence on me both as a writer and actor. Our Day Out was the first musical I was cast in and Blood Brothers was the first musical I watched. So, to be part of this was something really special for me. Russell spoke openly and honestly as to how Blood Brothers came about and how he wrote and composed the songs for the show, and in a session that was scheduled to last one hour, ever the gentleman, he gave us ninety minutes. With the soundtrack for...
The Mountaintop – Royal Exchange Theatre
North West

The Mountaintop – Royal Exchange Theatre

As we continue with closed theatre doors, the Royal Exchange Theatre has stepped forward with a reading of an Olivier Award winning play that was written by Katori Hall. Directed in 2016 at the Young Vic, by the current Co-Artistic Director of the Royal Exchange Theatre, Roy Alexander Weise; this play has been reprised with its original cast, to perform a reading to communicate the plays important message, to assist in igniting community spirit. In partnership with Desara Productions and introduced by Katori Hall; the two artists perform the play from their homes. For those who have been watching plays at home for the last few weeks, it is a familiar sight to see actors framed by the computer screen.  In this case there is a background of a motel room to give the mind some e...
Adventures with the Painted People – Pitlochry Festival Theatre/BBC Radio 3
Scotland

Adventures with the Painted People – Pitlochry Festival Theatre/BBC Radio 3

Leading Scottish playwright David Greig’s first play since 2013 was going to be the centrepiece of the new season at Pitlochry Festival Theatre until Covid-19 forced them to close their doors. But the virus has forced theatres to become much more agile so Adventures with the Painted People has been rejigged to be part of their online Shades of the Tay offer, and not surprisingly given Greig’s reputation BBC Radio 3 snapped it up for their Arts in Quarantine series It’s the same story set in 86AD as disgraced Roman officer and wannabe poet Lucius is captured by the fierce Picts lead by Caledonian witch with a heart Eithne, who is keen to use her captive to negotiate a peace with the disciplined legionnaires who are massacring their wild menfolk. By a quirk of theatrical luck Ei...
English Touring Opera prepare for the return of live performances this Autumn
NEWS

English Touring Opera prepare for the return of live performances this Autumn

English Touring Opera are working to produce a live season of lyric theatre this Autumn, touring in October and November. This programme is being designed to observe social distancing guidelines, in the interest of the safety of our artists and audience. For this reason, English Touring Opera have had to put aside for the moment the ambitious season of three twentieth century British operas (The Turn of the Screw, The Knot Garden and Greek) which the company was scheduled to produce this Autumn. Instead it hopes to create a series of lyric monodramas, made of 20th century operas and song cycles composed for solo singer and accompanist by composers such as Dominick Argento, Benjamin Britten, Francis Poulenc, Dmitri Shostakovich, and Michael Tippett. The company hopes to be able to bring ...
The new production of Martin McDonagh’s THE PILLOWMAN is delayed
NEWS

The new production of Martin McDonagh’s THE PILLOWMAN is delayed

The Pillowman, written by the multi Olivier, BAFTA and Academy Award-winning playwright and screen-writer Martin McDonagh, which was due to make it West End premiere this Summer, is to be delayed. The Pillowman was due to begin performances at the Duke of York’s Theatre on Friday 24th July, for a 12-week season. Due to the current global situation, the production is now postponed, and new season details and all further information will be announced at a later date. Ticket holders do not need to do anything, the point of purchase will be in touch with ticket holders soon. McDonagh and director Matthew Dunster said: “Whilst we are naturally disappointed that The Pillowman can’t go ahead this Summer, we are fully committed to realising this new production in the near future. We h...
Elizabeth Newman finds new ways of making work
Interviews

Elizabeth Newman finds new ways of making work

In the second part of an interview with Pitlochry Festival Theatre Artistic Director Elizabeth Newman our Features Editor Paul Clarke hears about the innovative work her team are doing to stay connected to their audience and community. Like most artistic directors Elizabeth Newman was focused on staging her next season at Pitlochry Festival Theatre and then COVID-19 struck forcing her to abandon most of that work as the theatre closed its doors. That meant Newman and her team at the Perthshire venue had to quickly pivot away from the traditional way of making theatre into a very different way of connecting with their audience at the self-styled ‘theatre in the woods’. “As we entered lockdown we launched some really key initiatives,” recalls Elizabeth.  “The first was PFT ...
Weekly Watch – Up ‘ere Productions
North West

Weekly Watch – Up ‘ere Productions

Up ‘ere Productions are currently holding a Weekly Watch on Zoom to keep theatre alive during the COVID-19 crisis. This week’s offering was two new short plays, Chekhov’s Gun by Anghus Houvouras and Where the Time Went by Jim Spencer Broadbent, both directed by Jordi Williams and linked by themes of mental health issues and the overwhelming feeling of reaching the end of your tether. Performed in the actor’s own homes with no set and the bare minimum in terms of props and costume, the Company deserve credit for pulling this off with what can only have been very difficult rehearsal conditions and the need to devise a whole new way of working. The first play, Chekhov’s Gun, opens with two young men, Stuart (Matthew Heywood) and Jonathan (Alan Lewis) bumping into each other outside of t...
Elizabeth Newman is keeping theatre alive in the hills
Interviews

Elizabeth Newman is keeping theatre alive in the hills

In the first of a two-part interview with Pitlochry Festival Theatre’s Elizabeth Newman our Features Editor Paul Clarke asks her about the challenges of being an artistic director in the midst of a worldwide pandemic. After eight successful years as Bolton Octagon’s Artistic Director, Elizabeth Newman moved across the border to lead the team at Pitlochry Festival Theatre, but just as she was preparing to launch a new season of productions COVID-19 struck. Elizabeth and her team at the Perthshire venue are in lockdown after scrapping that season of work. They’ve been using that time to create online work in the maelstrom of a totally unprecedented challenge for the theatre world that managed to keep the lights on even as the Luftwaffe were dropping bombs on London. There's not ...