Paul Ackroyd, Author at North West End UK

26Apr

By Paul AckroydNo Comments

London

Ben and Imo – Orange Tree Theatre

This is a superb production in all respects. It tells the story of the collaboration between two dominant characters in the world of music in the early 1950s. Benjamin Britten (Ben) at that time the foremost living British composer and Imogen Holst (Imo), the daughter of the renowned composer Gustav Holst. The play started life as a radio play in 2013 and then was adapted by Mark Ravenhill for the RSC premiering at the Swan Theatre in March 2024. It has now transferred to the small, intimate theatre in the round at the Orange Tree in Richmond. Britten has been given the task of composing, in only 9 months, a new opera to be performed at the Coronation Gala of Queen Elizabeth the Second in 1952. He has chosen for his subject the rather unpromising tale of th...

The Importance of Being Oscar – Jermyn Street Theatre

3Apr

By Paul AckroydNo Comments

London

The Importance of Being Oscar – Jermyn Street Theatre

There has never been anyone quite like Oscar Wilde. Famed as an author, playwright and poet in late Victorian England and then vilified for his homosexuality, his works remain as popular today,125 years after his death, as ever. Original Theatre and the Reading Rep Theatre have revived this dramatised biography, which was originally written and performed in 1960 by Micheál Mac Liammóir. Alistair Whately's one man show is a narrative of Wilde's life, illustrated with quotations from his best-known works: The Picture of Dorian Gray, The Importance of Being Ernest, as well as some of his best-known poems and letters. The first half focuses on his rise from his early life in Ireland to his fame in London for his poems and theatrical works. The second half is darker with his prosecu...

21Mar

By Paul AckroydNo Comments

London

Retrograde – Apollo Theatre

Sidney Poitier was one of the greats of Hollywood, whose influence went well beyond the world of film. The tributes to him at the time of his death in 2022, reproduced in the programme, demonstrate this. On transfer from the Kiln Theatre, this play deals with events early in Poitier's life, when he was on the verge of a major breakthrough into the world of film. He came to the attention of McCarthy's Un-American Activities Committee and was put under extreme pressure to sign a document implicating some of his friends as communists and repudiating his sincerely held views on the civil rights movement. This play is thus essentially about the conflict which he personally faced at this crucial juncture in his professional life but also reflects on the malign influence of the political thought-...

12Mar

By Paul AckroydNo Comments

London

Birds of Passage – Drayton Arms Theatre

This is a new play with contemporary resonance. It takes place on the fictional Greek island of Zandros, where Emma, Bill and Sandra have been booked in to a beautiful hotel overlooking the sea. They notice a strange-looking concrete building in their sightline, which did not feature in any of the holiday company brochure pictures. It turns out to be a reception/detention centre for refugees who arrive by sea, and it's not long before they come face-to-face with the exacerbated refugee crisis, which upsets their holiday plans and changes their lives. Initially, the play is slow to get going with the characters appearing to be rather one-dimensional, and the dialogue rather stilted. However, as the plot develops it becomes more engaging, with the characters having to react to the develop...

7Mar

By Paul AckroydNo Comments

London

A Special Relationship – Tabard Theatre

Although described as a transatlantic comedy this new play by Tim Marriott and Jeff Stolzer is not about politics; there is only one joke about Trump! Rather, it explores what it is in language, habits and culture which separate the US and the UK. The setting is the Sussex Garden of Monty, an British colonel, played by Tim Marriott, whose daughter is marrying the son of Pete, an American plumber, played by Brian Dykstra. Initially, the comedy is based upon the differences in linguistic usage between the two countries cupboard/closet, bathroom/ toilet etc. All familiar ground but amusingly delivered. More significant are the attitudes between the uptight British middle-class soldier and the much more laid-back American working man. Although Monty at first seems in control, insisting ...

28Feb

By Paul AckroydNo Comments

London

The Score – Theatre Royal Haymarket

Oliver Cotton's new play, The Score, is based on the visit of Johann Sebastian Bach to Frederick the Great at his palace in Potsdam in 1747. During that visit Frederick challenged Bach to improvise a fugue based upon a tune he had written. That led to the creation of Bach’s famous anthology 'The Musical Offering'. Cotton has used his script to explore religious and philosophical themes based upon the supposed conflict between the devout peace-loving musician and the militaristic atheistic political leader. The play is both engaging and humorous and raises important issues. Brian Cox as Bach is the dominant character throughout the play. Cox's gravitas and underlying sympathy make him a great choice to play this role, which he does superbly. He is also supported by an excellent cast. Jam...

20Feb

By Paul AckroydNo Comments

London

Gang Bang – Seven Dials Playhouse

This comedy written by Hughie Shepherd-Cross is based on the premise that in 1945 when Sicilians were pouring onto boats to America, one minor Mafia member by the name of Don Lambrini accidentally boarded an all-inclusive Thomas Cook cruise to England, landing in Blackpool. There he set up a derivative version of a Mafia gang, attempting to control such activities as ice cream selling, donkey riding and lemonade. This improbable scenario sets up the opportunity for a wacky, fast paced performance with lots of gags about the North of England. The three actors dressed initially as classic movie style gangsters played a range of parts with farcical names such as Fray Bentos, Al Dente and Jim Reaper. They changed costumes quickly as required. There was no scenery and the only furniture ...

10Feb

By Paul AckroydNo Comments

London

The Years – Harold Pinter Theatre

This is a very engrossing and imaginative dramatisation of Annie Emaux's partly autobiographical book. It charts the progress of a woman's life chronologically from 1941 to 2006. The woman is unnamed, as are all the men and women that she comes into contact with. The play uses five actresses of different ages to sequentially play the different periods of her life as she experiences childhood, adolescence, early sexual encounters, including a rather horrific abortion, and then moves through marriage, motherhood and divorce. The changing social mores, political events, technological changes and the evolving consumer society of those 80 years are the accompaniment to the changes in her own life. The Years was formerly presented at the Almeida Theatre to great critical acclaim. The stagi...

17Jan

By Paul AckroydNo Comments

London

The Lonely Londoners – Kiln Theatre

This is unusual and creative adaptation of Samuel Selvon's 1956 book, which was one of the first.to focus on the lives of poor working class black people settling in England following the enactment of the British Nationality Act 1948. Set in the 1950s it provides vignettes of the life of a small group of black Londoners as they try to adjust to the cold and the blatant racism of the time, finding inevitably that London's streets are not paved with gold which they had been promised back in their home countries. This production, which has transferred to the Kiln theatre after a very successful run at the Jermyn Street theatre is a mixture of theatre and movement. The eight strong cast worked very well as an ensemble with members of the cast not directly involved in the current...

All’s Well That Ends Well – Sam Wanamaker Playhouse

22Nov

By Paul AckroydNo Comments

London

All’s Well That Ends Well – Sam Wanamaker Playhouse

All's Well is a tricky play for both performers and audience as the plot is rather implausible, and the characters can be interpreted in numerous different ways. It has never been one of Shakespeare's most popular plays and is performed relatively infrequently. Director Chelsea Walker and the cast are to be congratulated on a lively and comprehensible new production in the Sam Wanamaker's beautiful candle lit theatre. The director chose to present the play on entirely bare stage with no stage furniture or scenery and minimal props. The costumes were modern and simple but appropriate with colour coordination to indicate the location of the scenes. It was accompanied by beautiful musical interludes under the direction of Louise Duggan, with Angela Hicks as the soprano whose voice provided...