Thursday, December 18

Author: Mark Davoren

Albert Herring – The Lowry
North West

Albert Herring – The Lowry

English National Opera’s first official foray North sees director and designer Antony McDonald delightfully serve up Britten’s 1947 witty comic opera Albert Herring exposing the whimsy and hypocrisy at the heart of post-war British society. Lady Billows (Emma Bell) and her committee’s – aide Florence Pike (Carolyn Dobbin), headteacher Miss Wordsworth (Aoife Miskelly), vicar, Mr Gedge (Eddie Woods), Mayor, Mr Upfold (Mark Le Brocq), and Superintendent Budd (Andri Björn Róbertsson) of the local constabulary – attempts to identify a May Queen for the village come unstuck as they realise all the local girls are lacking the necessary virtuosity. The only option is the shy and reserved Albert Herring (Caspar Singh) who works at his mother’s (Leah-Marian Jones) greengrocers, where he is regula...
La Sonnambula – The Metropolitan Opera, New York
REVIEWS

La Sonnambula – The Metropolitan Opera, New York

Opera tenor Rolando Villazón’s directorial debut at The Met hits the high notes with Bellini’s infrequently staged opera about a young woman who sleepwalks, in this co-production with the Royal Ballet and Opera that was delayed from the pandemic-struck 2020-21 season. Photo: Marty Sohl The orphan Amina (Nadine Sierra) is about to marry Elvino (Xabier Anduaga), a wealthy landowner. Lisa (Sydney Mancasola), the innkeeper, is jealous as she also loves Elvino. A visiting stranger, Count Rodolfo (Alexander Vinogradov), arrives in the village. That night, Amina is discovered outside asleep which is explained by her secret condition of somnambulism (sleepwalking) but she is wearing the Count’s coat. Elvino, consumed by jealousy, breaks off the engagement, believing Amina has been unfaithful...
The Perfect Murder – Rainhill Village Hall
North West

The Perfect Murder – Rainhill Village Hall

Director Rosetta Parker is guilty as charged for delivering the perfect murder drama with this production of Hugh Janes’ adaptation of a Jeffrey Archer short story. Set in England, the play centres around the murder of a young woman, and as the drama unfolds, it becomes clear that John (Peter Cliffe) is somehow involved in it and he confesses as such to his wife, Elizabeth (Tracey Duffy), who is determined to keep him out of prison. The police are soon on the case in the form of DI Simmons (Gerald Walker) and Sgt Davies (Rob Williams) and as they – and us – are bombarded with clues and the occasional sleight of hand, it is Paul (Dave Asbridge) who ends up getting charged. But did he commit it though? At No.4 Court of the Old Bailey the Judge (Liz Munro) has to decide with the c...
The Maids – Unity Theatre
North West

The Maids – Unity Theatre

Inspired by the late Graeme Phillips, finessed by director Elinor Randle, and produced by Peter Ward, That Theatre Group CIC’s production of Jean Genet’s The Maids, translated by David Rudkin, is a masterly tour de force and a fitting tribute to a man who did so much for theatre in Liverpool. With their mistress (Jane Hogarth) away, two male maids, Solange (Samuel Perez Duran) and Claire (Cameron McKendrick) plunge into their darkest fantasies, in a twisted game, simmering with sexual tension, unravelling questions of modern slavery, gender identity, and power. The result is an absurd world where boundaries between reality and performance dissolve. Genet’s play was written in 1946 and, drawing upon a real-life murder case, critiqued the social and sexual hierarchies of the time t...
Marina Abramović: Balkan Erotic Epic – Aviva Studios
North West

Marina Abramović: Balkan Erotic Epic – Aviva Studios

Artist and director Marina Abramović presents her most ambitious work yet with this stunning four-hour immersive experience that draws upon her Slavic roots and culture to explore the eroticism, spirituality and traditions of her homeland. A brass band leads us up into the hall where we witness a funeral lament for Josip Broz Tito, former Communist leader of Yugoslavia, before a further twelve visceral scenes are revealed around us, with audiences free to choose their own path. Photo: Marco Anell Magic Potions questions what is myth and what is history whilst Fucking the Ground/Fertility Rites and Scaring the Gods to Stop the Rain both explore ancient ritual performances designed to pre-empt crop failure. Ancestor’s Dance presents a typical winter scene where performers in trad...
Britannia Waves The Rules – Hope Street Theatre
North West

Britannia Waves The Rules – Hope Street Theatre

Gareth Farr’s 2011 Bruntwood Prize winning play is a brutal and gritty account of a young man’s journey from the cold, wet beaches of Blackpool to the dry, burning deserts of Afghanistan and it takes no prisoners along the way. It’s a tough but important story to listen to and a sad reflection on society that its message still resonates so strongly some fifteen years on. It's grim up north and nowhere more so than Blackpool which only has rose-tinted memories of bygone days to fall back on for its older residents, whereas for young Carl Jackson (Jim Kelly) it is a place to run away from, whether that be from family members or mock-Mancs. It really has nothing to offer – even the girl next door doesn’t want to know. Only the army offers a way out and a trip around the world after ...
Tosca – Royal Ballet and Opera
London

Tosca – Royal Ballet and Opera

Director Oliver Mears triumphs with this modern-day interpretation of Puccini’s full-blooded three-act drama of politics and power with its many allusions to global current affairs to the fore. In a war-torn Rome, Floria Tosca (Anna Netreba) and Mario Cavaradossi (Freddie De Tommaso) live for each other and for their art. But when Cavaradossi helps an escaped prisoner, Cesare Angelotti (Ossian Huskinson), the lovers make a deadly enemy in the form of Baron Scarpia (Gerald Finley), Chief of Police. At the mercy of Scarpia’s twisted desires, Tosca is forced into making a horrific bargain: sleeping with the man she hates to save the man she loves. Can she find a way out? Mears’ focus is very much on the darker elements at the heart of the piece, in particular the contrast in class b...
Romeo & Juliet – Everyman Theatre
North West

Romeo & Juliet – Everyman Theatre

I’m a long-time fan of director Ellie Hurt – all the way back to The B Collective days – and was looking forward eagerly to her return to Liverpool Everyman with her contemporary take on Shakespeare, but I left with a heavy heart after this production which whilst showing glimpses of her talent, felt undermined by other factors which were perhaps beyond her control. With the cast performing minor ensemble roles in the opening brawl scene, primary roles soon come to the fore as Capulet (Joe Alessi) counsels nephew Tybalt (Milo McCarthy) whilst drawing upon the wisdom of Nurse (Ebony Feare) to communicate with daughter Juliet (Alicia Forde), whilst Benvolio (Kelise Gordon-Harrison) and Mercutio (Elliot Broadfoot) seek out their lovesick cousin Romeo (Zoe West), with the Friar (Eithne Brow...
The Story of Jessie Gavin – Callister Gardens, Oxton, Birkenhead
North West

The Story of Jessie Gavin – Callister Gardens, Oxton, Birkenhead

Writer and director Pauline Fleming’s tale of Oxton’s very own Gentleman Jack in this original production from Depth Training CIC hints at the intrigue and suspense behind an array of secret relationships during the restrictive Victorian era but doesn’t really get beneath the surface of its two primary characters enough for my liking and their passionate, rule-defying romance. Jessie Gavin (Gabriella Tavini), an artist from the Wirral, escapes the expectations of her upbringing to pursue the freedom of artistic circles in London and Paris. When she falls in love with pioneering architect Eileen Gray (Alicia Brockenbrow), they create a life filled with creativity, defiance, and desire. But with the world at war, can their relationship survive societal conflicts and pressures. Comi...
Don Giovanni – Lowther Pavilion Theatre
North West

Don Giovanni – Lowther Pavilion Theatre

Whilst it’s not customary to review the same production, a couple of key cast changes, a new venue, and the omission of the supporting orchestra meant that director Sarah Helsby-Hughes would have to overcome some challenges with Flat Pack Music’s ingenious re-setting of one of Mozart’s most complete operas to La Dolce Vita of 1960’s Italy: she was not to disappoint. Don Giovanni (Richard Walshe) has seduced over two thousand women, all catalogued by servant Leporello (David Bicarregui), and he is looking to add another name with his attempted rape of Donna Anna (Carrie-Ann Williams) that results in him killing her father, the Commendatore (George Elson), and which her fiancé Don Ottavio (Joseph Buckmaster) swears to revenge. Donna Elvira (Helsby-Hughes), an earlier conquest, has come...