Kiefer Williams, Author at North West End UK

21Jun

By Kiefer WilliamsNo Comments

South East

The Crooked Spire – Brighton Fringe

Filmed in 2020 during Covid, based on the novel The Crooked Spire by Chris Nickson and directed by Andrew Miller this 35-minute medieval murder mystery musical (honestly!) is a bit of an oddity to say the least. All the actors are filmed separately in performed sequences and sometimes the editing and isolated performances from the cast is quite jarring. The acting is very patchy throughout and unfortunately the actual musical content and vocal delivery is not that good – was there any need to include music in the first place? I genuinely think it would’ve worked better without the musical element and maybe focus more on monologues rather than have disjointed scenes of actors in isolated duologues. The script by Mary M Hennessy is fairly decent but nothing out of the ordinary T...

20Jun

By Kiefer WilliamsNo Comments

South East

Threesome – Brighton Fringe

Devised and performed by Claudia Saavedra, Eric Silver and Philip Greenoak of Almost Professional, this is a quirky filmed play with its tongue firmly in its cheek. Threesome tells the cautionary tale of two flat mates Alex (Silver) and Eve (Saavedra) who are seeking another flat mate to share their running costs. They soon have a suitable candidate for the spare room so they set about interviewing Evan (Greenoak) with unexpected results. It’s obvious that the three actors are enjoying themselves all the way through and the dialogue in parts is quite witty and sharp, but it does suffer from a pretty slow start and it isn’t really until the third character Evan comes into the frame that things stay to fly. It’s safe to ask that why anyone would want to share a flat with any o...

19Jun

By Kiefer WilliamsNo Comments

South East

Labyrinth – Brighton Fringe

This fierce and vibrant feminist monologue written by Mancho Rodriguez and performed by Marta Carvalho is an interesting and quite ambiguous piece of work. The narrator says at the very outset says that she “has killed a man – killed love” but as this unremitting and intense monologue develops we begin to realise that the woman has found herself in a labyrinth of reality and illusion brought on by her own vulnerability and emotional state. Carvalho gives a passionately physical and overpowering performance throughout and she is well served by Mark C Hewitt’s English translation of the original script by Rodriguez. The monologue itself is set in the theatre of expressionism and may not suit everyone’s taste with its intensity and bleakness; also at a running time of nearly an hour,...

16Jun

By Kiefer WilliamsNo Comments

REVIEWS

Leather – Finborough Theatre

Homo Promos present this staged reading of Peter Scott-Presland’s seminal queer work that caused a lot of controversy in the early nineties. The play’s main theme resolves around gay domestic abuse both physically and mentally. It’s not an easy watch but then that’s the whole point of Scott-Presland’s outstanding piece of theatre; it leaves the audience asking many questions about relationships and offers pertinent discussion on important issues surrounding consent and non-consensual abuse. The original play, which was performed at the Finborough Theatre came up against many obstacles one of which was Thatcher’s horrendously damaging Section 28 which prevented “the promotion of homosexuality as a pretended family relationship” thus demeaning the whole purpose of what the play was try...

Am I A Terrible Person? – Brighton Fringe

8Jun

By Kiefer WilliamsNo Comments

South East

Am I A Terrible Person? – Brighton Fringe

Ant Lightfoot’s autobiographic short film is a poignant, deeply personal and emotive statement about his OCD and the issues that emerge from this condition. It’s a film that explores the many intrusive thoughts and actions that Lightfoot has to deal with in his life and the film is heightened by some startling visuals and unsettling sound bites. It is probably one of the most thoughtful and heartfelt essays on mental health that I have seen and although the film is quite brief, it really does pack a powerful punch. What we see is Lightfoot’s truth and his truth about his condition is wholeheartedly honest and very revealing throughout. The opening sequence when he is asking personal questions to and about himself is almost mesmeric in feel and rhythm and it sets the tone for t...

The Tragedy of Dorian Gray – Brighton Fringe

4Jun

By Kiefer WilliamsNo Comments

South East

The Tragedy of Dorian Gray – Brighton Fringe

Oscar Wilde’s classic tale of moral corruption and destructive selfishness is given a refreshing and highly stylistic make over by writer/director Ross Dinwiddy. Set between the periods of the 1960’s up to the 00’s, Dinwiddy evokes a dark, visceral and almost movie noir feel to this tale of a young man who wants to remain youthful whilst his portrait disintegrates as his corrupt and ego centric personality destroys everyone and everything that lies in his path. Gray finely played here by Maximus Polling, inhibits and dominates the dark world surrounding him and the excellent use of black and white photography really gives the production an almost malevolent feel about it. Dinwiddy’s witty and razor script gives each actor the space to create a rich and dark characteris...

We’ll Dance on the Ash of the Apocalypse – Brighton Fringe

1Jun

By Kiefer WilliamsNo Comments

South East

We’ll Dance on the Ash of the Apocalypse – Brighton Fringe

This one act play written and directed by Melissa-Kelly Franklin is a timely piece constructed around the environment and climate change. It tells the story of a young couple played by Maite Jauregui and Danny Horn who are living through a climate apocalypse and their discovery that the woman is pregnant. They wonder if it’s right to bring their baby into this damaged world. There is an awful lot of soul searching to be had. It’s not a bad play and it really does highlight important issues about our response to the environment but the play is also very earnest, sombre, miserable and at times quite self - conscious. There is no denying Franklin’s passion but it just didn’t work for me. Unfortunately the use of slow- no physical theatre to emphasis the change in the couple’s ...

Touching The Void – Bristol Old Vic at Home

27May

By Kiefer WilliamsNo Comments

REVIEWS

Touching The Void – Bristol Old Vic at Home

After a successful and critically acclaimed West End run, David Greig’s tense play based on Joe Simpson’s bestselling mountaineering memoir is brought to the live streaming platform by Bristol Old Vic. Touching The Void is a play about the human spirit and the need to survive under extreme and dangerous circumstances. The story is set in the perilous Peruvian Andes where climbers Joe (Josh Williams) and Simon (Angus Yellowlees) are facing the treacherous descent of the infamous Siula Grande Mountain. Greig’s lean and powerful script plays out like a nail biting thriller as we see both climbers struggle to survive not just the unforgiving weather conditions but the mountain itself. When one of the climbers slips during their descent, all bets are off as the real tension builds and ...

2May

By Kiefer WilliamsNo Comments

REVIEWS

Rocky Road – stream.theatre

Having been a long admirer of Shaun McKenna’s writing for both theatre and radio I looked forward to seeing his latest thriller from Stream Theatre and I wasn’t disappointed. Filmed at the Jermyn Street Theatre in London, Rocky Road is a dark and quite intense thriller that has revenge as its central theme. Basically McKenna’s play is a powerful two-hander that explores not only revenge but the power of grief and the inability to move forward. Zoe (Kirstin Foster) moves into a new apartment and meets up with the buildings young caretaker Danny (Tyger Drew-Honey) and at first everything seems normal enough except (as we all know in any great thriller) things are not what they seem and soon we come realise the terrible crime that has brought Zoe and Danny to this place. To reveal an...

The Importance of Being Earnest – Lawrence Batley Theatre & The Dukes

20Apr

By Kiefer WilliamsNo Comments

REVIEWS

The Importance of Being Earnest – Lawrence Batley Theatre & The Dukes

Oscar Wilde’s wonderfully adroit and sharply observed comedy involving romantic mischief and the pursuit of love is reimagined and adapted by writer Yasmeen Khan. This digital co-production between the Laurence Batley Theatre Huddersfield and The Dukes Lancaster uses some film and video techniques throughout and the results are both slick and well-paced. Using the basic narrative of the original play, Khan, cleverly transfers the action of the story to modern day. Largely set in the world of the sitcom and social media, we follow the romantic misadventures of struggling actor Jamil/Earnest played by Gurjett Singh, Algy played by Tom Dixon, Gul played by Nikki Patel and Safina played by Zoe Iqbal. I must say that all four actors give tremendously energetic performances throughout a...