Kira Daniels, Author at North West End UK

20Jan

By Kira DanielsNo Comments

London

Look Behind You – Theatre at the Tabard

The 25th anniversary performance of Strut & Fret’s Look Behind You features a completely updated book both classic in its recognizable theatrical tropes and urgent in its relevance to the present moment in arts and commerce. Daniel Wain’s love letter to “the bitchiest, barmiest, bravest business of them all,” encompasses the wide range of characters and character flaws that make a theatre tick. Set during the run of Christmas pantomime, Dick Whittington, at the aptly if unsubtly named, “Britannia” this play minces no words. Subtlety is wholly eschewed and in its absence something urgent, theatrical, and true, prevails. No matter how dazzling the script, and believe me it is dazzling, this is the kind of show in which one sour note might poison the whole symphony. Fortunately, each a...

Indestructible – Omnibus Theatre

Okay or not okay? Michael Jackson, Pablo Picasso, Kanye West… Who do we hold accountable? And how? Who even actually has this power that we’re supposed to be speaking truth to anyway? This ballsy production not only asks but demands answers to these questions. Written and directed by Proteus’s Artistic Director, Mary Swan, Indestructible is an unflinching examination of nauseatingly complex, and just plain nauseating, interplay between gender and power in the contemporary art world. Richly situated in a digital world built by the production team and multi-disciplinary artist Paula Varjack contextualizing all of the plays' imagined characters in an all too familiarly problematic alternate reality, this show offers audiences a non-traditionally immersive theatrical experience. The plot fo...

Swan Lake – Richmond Theatre

The brand new (2023 founded) Mergaliev Classical Ballet brings to Richmond’s now 125-year-old theatre a tame and traditional rendition of the tragic classic best suited for young audiences. Swan Lake is one of the dance world’s most famous ballets and for good reason. Tchaikovsky’s score is compelling and engaging and the story is simple and accessible. It follows Prince Siegfried (Azamat Askarov), a young man upon whom tragedy suddenly strikes. Urged to choose a bride he spurns the seductive court and ambles into the woods alone. Followed into the woods by the ominous and treacherous sorcerer Rothbart (Jackson Stewart), whose menacing musical motif is no less satisfying for its ubiquity, Siegfried is shocked to discover that the swans he hoped to spear are in fact beautiful maidens tem...