Kira Daniels, Author at North West End UK

23Mar

By Kira DanielsNo Comments

London

Mythos: Ragnarök – Alexandra Palace

One, two, three, Thor! How many times can you watch a guy pick another guy up and throw him at the ground before you lose your mind? Photo: David Wilson Photography If you’re watching Mythos: Ragnoarök it’s well before Thor you’ll find yourself hooting, hollering, booing, hissing, cheering, and overall having a hel(l) of a good time. This play is performed by a cast of wrestlers so athletic, enthusiastic, and entertaining it’s impossible not to get caught up in the beautiful chaos they create. Overstimulating in the best possible way, Mythos: Ragnarök is both technically astounding and intellectually stimulating, with an emotional heart that keeps a steady pace for each storytelling beat. Writer and star Ed Gamester has created something truly special. Melanie Watson’s tremendo...

Vincent in Brixton – Orange Tree Theatre

23Mar

By Kira DanielsNo Comments

London

Vincent in Brixton – Orange Tree Theatre

A young lover, a religious zealot, or a tragic genius? Vincent Van Gogh is remembered almost exclusively as one of the above. One of the founding idols in the cult of artistic misery, his legacy is not an uncomplicated one. Vincent in Brixton is, on the other hand, simply marvellous. The play itself, by Nicholas Wright is a precise and thought-provoking incision into an underexplored segment of the artist’s life. Neither obnoxiously philosophical or politically apathetic the experience of watching it unfold is not unlike a night in with good friends, good food, and decent beer. The wonder of this production however is in its masterful direction and extraordinary cast. The Orange Tree Theatre, an already intimate space, is transformed by the utterly brilliant Charlotte Henery into a func...

21Mar

By Kira DanielsNo Comments

London

Summerfolk – National Theatre

Does a vacation sound nice? Would a countryside retreat relax you? Would you be able to take your mind off of work or the news or the fact that the waitress delivering your sandwiches hates your guts? Summerfolk, an adaptation of Maxim Gorky’s 1904 Dachniki, poses all of these questions as gracefully as a studio photographer on family portrait day with a set and costumes by Peter McKintosh very much invoking that particular environment. An array of variously Russianified white chemises and linen suits stand in stark contrast to the woody green of the deconstructed dacha set that only vaguely implies era or country. Adapted by Nina and Moses Raine for a predominantly British company and directed by Robert Hastie for the English audience of the National Theatre this production is all over th...

13Mar

By Kira DanielsNo Comments

London

Iron Fantasy – Soho Theatre

Do you feel strong? Harder? Better? Faster? Stronger? She Goat’s Iron Fantasy is putting in the work to achieve all of the above. Shamira Turner and Eugénie Pastor are a formidable two-woman operation dolled up and scrubbed in to peel back every layer of each other’s armour both literal and metaphorical. A seventy-five-minute romp through song, dance, farmer carrying, tire slinging and fight choreographing, Iron Fantasy is fun and funny. The performers have a beautiful chemistry and obvious ease with each other that enables them to connect with the audience as well but despite the inherent vulnerability of staging the show’s autobiographical themes their bond insulates them from much of the audience’s scrutiny. A testament to the power of female friendship and the strength gained...

11Mar

By Kira DanielsNo Comments

London

Salt – Riverside Studios

A bitter song for a bloody story, Contemporary Ritual Theatre brings a strange and slippery offering to Riverside Studios, weaving dance, song, and dialogue in a summoning circle of rope and sweat that ensnares its audience and holds them in a merciless grip well beyond the threshold of pleasure. The play’s brutal stranglehold on its audience is a testament to its enigmatic and often energetic performing corps comprised of veteran actor Emily Outred as the Widow Pruttock, Contemporary Ritual Theatre regular Mylo McDonald as her son Man Billy, and relative newcomer Bess Roche as Sheldis, the strangely seductive interloper in their squalid little life whose lascivious ways threaten to upend the little order they are able to impose in their chaotic sea ruled community. Composer and mus...

17Feb

By Kira DanielsNo Comments

London

Much Ado About Nothing – Theatre Deli

Sigh no more, ladies, sigh no more. A wet and wild production of Much Ado About Nothing has rolled into town to take you for a ride. Without a shirt on its back or an ounce of pretension in its other dressings, this wantonly accessible production throws the audience right into the thick of it. Shakespeare's most obnoxious lovers are back on their bull. Beatrice (Bobby Hughes) and Benedick (Zak Rosen) are capricious, ridiculous, captivating rivals locked in pursuit of the audiences' laughter with hearts bound to fall no matter how much they kick and scream on the way down. This high octane production, rehearsed and performed in only a handful of hours, is relentlessly energetic and powered exclusively by the forceful charisma of its cast. Without a set, costumes, or pr...

9Feb

By Kira DanielsNo Comments

London

The Virgins – Soho Theatre

Oh my god, twist! And shout. Come on and work it on out. For these virgins, that’s pretty much the entire night’s agenda. Best friends Chloe (Anushka Chakravarti) and Jess (Ella Bruccoleri) are headed out for the night to “pull” for the very first time but find their plans needlessly complicated by the simple fact they have no idea what they actually want. Aided and abetted by the persistently peripheral Phoebe (Molly Hewitt-Richards), cool girl/experienced slut Anya (Zoë Armer), a bottle of Absolut vodka, and two liters of lemonade, they’re ready for anything, in theory. In practice, practice is about all they’re up for. Writer Miriam Battye’s playtext is clever and cringe in equal measure, and Jaz Woodcock-Stewart’s direction is funky and fresh, with particular flavour peppered...

3Feb

By Kira DanielsNo Comments

London

Gelin – Canal Cafe Theatre

Güle güle gidin. Gelin is as easy going a comedy as they come. Adapted from Ibrahim Şinasi’s Şair Evlenmesi, Estelle Warner’s contemporary spin on a Turkish classic is as comforting as a cup of çay. Both English and Turkish in its writing and its casting, this play is also hybrid in its historicity. Reimagined from the 1860 original, it takes modern London as its setting and English as its primary language yet remains rooted in Turkish tradition even as it extends tendrils into thorny modern subjects such as giving SHEIN-branded gifts or pairing pickles with Nutella. The Canal Café Theatre is charmingly intimate, but this story is a little too thin to fill out a full flavour profile. As afraid to take up space as its reluctantly centralised heroine Aylin (Gunes Soysal), the play ...

Measure for Measure – Royal Shakespeare Company

24Sep

By Kira DanielsNo Comments

London

Measure for Measure – Royal Shakespeare Company

Much like its persecuted and prosecuted heroine, this production of Measure for Measure has a lot to prove. Director Emily Burns draws some tight parallels between the scenarios of Shakespeare’s Vienna and the present-day political scene but keeps the play well within the lines of conventional adaptation. That this script lends itself so well to the current moment is more depressing than exciting, and this production does not shy away from, but rather leans into, this discomfort. Distressingly relevant and enduringly painful, this problem play doesn’t offer much in the way of solutions. Photo: Helen Murray Standout performances from Emily Benjamin as Mariana, Douggie McMeekin as Lucio, and Oli Higginson as Claudio only heighten the sense of unease that pervades the play space. Benjam...

23Sep

By Kira DanielsNo Comments

London

Emma – Rose Theatre

Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her. At least, Jane Austen’s Emma did. Ava Pickett’s Emma has got issues. Handsome and clever but decidedly not rich, her father is a crook, her sister is a crackpot, and her own disposition is anything but happy. This Essex-set adaptation of the literary classic opens at Oxford’s May Ball and is throughout infused with the vaguely sickeningly hedonistic energy of that messy melee. Blatantly dismissive of the traditional Regency aesthetic of horse-and-carriage romance, this production instead takes on the look and feel of a Piccadilly Circus rickshaw ca...