Sunday, December 22

Author: Greg Holstead

L’Addition: Here & Now Showcase – Summerhall
Scotland

L’Addition: Here & Now Showcase – Summerhall

Two performers Bert and Nasi, dressed smartly in white shirts and grey trousers, one a customer the other a waiter, the roles interchangeable. Who is serving and who is being served, and how do the roles become assigned when seemingly no one is in charge? Bertrand Lesca and Nasi Voutsas are no strangers to the Fringe, often covering serious real-world topics like Brexit in 2016 (Eurohouse) or the Syrian conflict in 2017 (Palmyra). This year is a more absurd but no less existential proposition. The pair spend a good ten minutes explaining to the audience what they are about to witness; the waiter is going to pour a glass of wine but is not going to stop, in fact the wine is going to pour everywhere to the point where tablecloth, glass and utensils require to bundled up and thrown sta...
DIVA: Live From Hell – Underbelly, Cowgate
Scotland

DIVA: Live From Hell – Underbelly, Cowgate

Luke Bayer. Remember the name. If you combine the tongue-flicking rubber faced brilliance of a young Jim Carey, the bottom-burp comedic appeal of Rick Mayall, and the sharpness of super-smart baby Stewie of Family Guy, well…. You might just about have the voice, but nowhere near the energy of the nuclear-powered, AI-chipped, water-slurping machine that is Luke Bayer. Probably best known for his work in the original West End cast of Everybody’s Talking About Jamie, or for appearing on X Factor in 2007, making it through to Dannie Minogue’s judges houses, but at 15 too young to go any further. Now is his time. And this IS the show. What a voice. Or should I say four voices to be exact. Here’s your character list; Desmond Channing (voice see above) The DIVA himself. Writ...
The Fifth Step – The Lyceum, Edinburgh
Scotland

The Fifth Step – The Lyceum, Edinburgh

World Premier The fifth step of the AA 12 step recovery program states, Admit to God, to ourselves, and to another human being, the exact nature of our wrongs. This exercise begins to provide emotional, mental and spiritual relief. By sharing wrong with a trusted confidant, guilt and shame start to melt away. At least, that’s the theory. The Fifth Step, a play by David Ireland, received its World premier tonight. A dark comedy, directed by Finn den Hertog, stars a brilliantly watchable Jack Lowden as Luka, a recovering alcoholic searching for a sponsor in the Alcoholics Anonymous program. He meets James, a recovered alcoholic, played with assurance and sensitivity by Sean Gilder, an older man who, initially at least, seems ideal to guide him through the twelve steps. ...
Sunshine On Leith – Assembly Rooms
Scotland

Sunshine On Leith – Assembly Rooms

A firm Edinburgh favourite, for locals and tourists alike, musical, Sunshine on Leith, set to the original songs of The Proclaimers, always does very well at Fringe time. Last years’ production by the same company, Captivate Theatre, was one of my Fringe highlights. So, I was looking forward to this one, accompanied this time by my musical loving daughter. Following a pair of discharged soldiers, Ally and Davy, as they return home, across Pilrig Street and via Central bar to their beloved Leith, it is a simple romantic tale which initially at least, leans more towards comedy than drama and lets the music do most of the talking. Early highlights, I’m On My way, it's over and done with, and Let’s get Married set the tone, and have the packed crowd chanting along to these uplifting son...
An Evening Without Kate Bush – Assembly Checkpoint
Scotland

An Evening Without Kate Bush – Assembly Checkpoint

Set within an L-Shaped church hall, with a cloistered balcony high above, this is a quirky performance space for an equally eccentric performer. My second Bush forage of the Fringe, looking for the authentic, here I find Sarah-Louise Young, someone who is getting closer. Youngs voice is good, the mimicry is close. But it is not the voice that takes you places no other voice ever did, climbing really high then sweeping down really low. The show starts well. Young enters unseen in a blackout, dressed in black with big black hair and draped in a black muslin shroud like a funeral attendee. When she turns on a mini red torch on her shoulder, it creates a nice ghostly lighting effect, which is also emphasised with some clever back lighting. She mimes trying to escape from below the bl...
Cat Power Sings Dylan ’66 – Edinburgh Playhouse
Scotland

Cat Power Sings Dylan ’66 – Edinburgh Playhouse

Running some fifteen minutes late, Chan Marshall, AKA Cat Power takes to the stage hobbling with a recently broken toe. It’s not a good start, but nothing compared to the distinctly lacklustre 45 minutes that follow, which are to say the least a huge disappointment, to me personally and on the evidence I saw, the majority of the almost full Edinburgh Playhouse crowd. People leaving, muttering, thank god that’s over, is never a good sign! Far from owning the stage, the American performer, with a distinctly quiet acoustic guitar and harmonica support, and an almost inaudible Hammond organ accompaniment makes heavy weather of Visions of Johanna, Desolation Row and Mr Tamborine Man. Powers rather convoluted and, frankly, untuneful interpretations of these classics, with constant referen...
Weather Girl – Summerhall
Scotland

Weather Girl – Summerhall

World Premier Julia McDermot. Remember the name. Sometimes everything just fits. The actor, the script, the venue, the tech, the resonance of the story. This magic realist climate change monologue perfectly sums up the mood of our planet as it sleepwalks towards disaster. Julie McDermott appears, bubbly and smiling, like a human clone popped from a blister pac marked ‘perfect’. Pencil thin, blond haired and button nosed bundle of positivity, squeezed into an electric pink tube skirt, like a walking neon glow stick. She is the Weather Girl for a Californian TV station and totters to the microphones, spotlights and blue screens like a seasoned pro. She reports on a house that is burning as a result of yet another Californian wild fire, with a perky professionalism, “I can’t hold thi...
Playfight – Roundabout @ Summerhall
Scotland

Playfight – Roundabout @ Summerhall

Their meeting place, an ancient Oak tree, all our echoed inner pain, three girls, Zainab the earth, Keira the animal and Lucy, like a cloud with legs. So writes Julia Grogan in the Playfight script notes, which I could hardly just walk past after watching this fire cracker. Summerhall’s crucible of dreams, the Roundhouse, is a perfect In the round venue for a play about the complexities of girlhood, which twists and turns following three fifteen-year-old school friends who spark off each other in multiple directions. Keira is the adventurous one and has just lost her virginity, on the tennis courts, doggy style, with an eighteen year old. Zainab is coming to terms with the idea that she might prefer girls, and Lucy floats along, struggling to balance her love of the church with her ...
A History of Paper – Traverse Theatre
Scotland

A History of Paper – Traverse Theatre

World Premier Set in a different time, on the eve of the millennium, before the dawn of the paperless office, Oliver Emanuel’s, A History of Paper, started life as a radio drama. Then in 2016, song writer and composer Gareth Williams contacted the playwright to suggest that it might make a ‘good musical’. Tragically, Emanuel passed away from brain cancer in December 2023,  aged just 43, so sadly never got to see the finished product. Which is a real shame, because it is a sweet thing. Emma Mullen, and Christopher Jordan-Marshall play journalist and would-be writer as an unnamed couple who sing their relationship into existence. Whilst he is a hoarder of paper memories, she couldn’t care less. He has a boxful of tickets and lists and menus and plane tickets, and a half finish...
Piskie – Summerhall, Edinburgh
Scotland

Piskie – Summerhall, Edinburgh

One of my favourite posters of this years’ Fringe, and a one word title that hints at something….interesting. Couple this with one of my fav performance spaces, a little hidden gem of a venue, a beautifully proportioned theatre, just ten seats wide with a central aisle, focused but friendly, raking back into the darkness, a surprisingly long way…. And at the business end a very nice performance area, about an acre of black cloth enfolds it and damps voices down to a pleasant whisper, but with plenty of tech if you need amplification. Basically, a black box in which magic can happen. Lights duly killed, lecturer Ouida Bert (Lucy Roslyn) employs the torch under the chin (it always works!) to relate a spooky tale of two male friends, a policeman and a barrister, lost on the moor who ta...