Greg Holstead, Author at North West End UK

Dr Bonk’s Macarbaret – The Banshee Labyrinth, Edinburgh

31Oct

By Greg HolsteadNo Comments

Scotland

Dr Bonk’s Macarbaret – The Banshee Labyrinth, Edinburgh

As Part of the Edinburgh Horror Festival, at The Banshee Labyrinth just off Edinburgh’s ghostly Royal Mile Dr Bonk’s Macarbaret promises an evening of drag, burlesque, music, comedy and medical mayhem. Dr. Bonk, imagine a more creepy and cookie version of Mr Bean if you will, unspeaking and with a white leather beak-like gimp mask. Prompted by a script read from the back of the room, the reason for this being…unclear? The demographics in the 50-seater underground chamber are interesting, 90% female and average age of twenty-something. The bird-faced Bonk is an odd-looking character who prods and pokes various audience members with his stethoscope and at one point removes the earwax from one rather uneasy looking young lady to create an instant candle. Which drew some nervous lau...

The Haunted Haus: Adamas Family Values – The Banshee Labyrinth, Edinburgh

30Oct

By Greg HolsteadNo Comments

Scotland

The Haunted Haus: Adamas Family Values – The Banshee Labyrinth, Edinburgh

As Part of the Edinburgh Horror Festival, at The Banshee Labyrinth just off Edinburgh’s ghostly Royal Mile, April Adamas international drag legend (it says here!) and friends are certainly on the ‘Rocky’ side of Horror as they strut and lip-synch their way at (time)warp speed towards the witching hour. Chaotic, amateur, energetic, edgy. In a performance that started twenty minutes late and with performers outnumbering audience at the start this got off to a bad start, but certainly was a grower, to the point an hour later the 40-seater venue was full to bursting point and rocking big style. The infeasible lithe April and friends certainly put on a show, dramatic and well-choreographed, gymnastic and high octane and with April’s ascetic wit (like a latter-day Lily Savage) just abo...

Devil In The Belfry – The Banshee Labyrinth, Edinburgh

30Oct

By Greg HolsteadNo Comments

Scotland

Devil In The Belfry – The Banshee Labyrinth, Edinburgh

Part of the Edinburgh Horror Festival, at The Banshee Labyrinth just off Edinburgh’s ghostly Royal Mile, Edgar Allan Poe’s short tale is vividly reincarnated by the brilliant David Robb in partnership with the assured touch of director Flavia D’Avila. All seems well in the town of Vondervotteimittiss (wonder-what-time-it-is), somewhere in the mountains of Holland (?), where the clock is king and the cabbage is queen, until a fiddle playing stranger comes a calling. With rubber face and equally lithe body, Robb with just a handful of props shows just what can be achieved with very little indeed but with quite a bit of help from an entranced audience, who, with varying levels of enthusiasm, take on the role of central character Handel Fledermaus. Handel, whose parents were unfor...

Tarmac Lullaby – The Banshee Labyrinth, Edinburgh

30Oct

By Greg HolsteadNo Comments

Scotland

Tarmac Lullaby – The Banshee Labyrinth, Edinburgh

Part of the five-day long Edinburgh Horror Festival, at The Banshee Labyrinth just off Edinburgh’s ghostly Royal Mile. A suitably dark and stormy night saw me head out for a Labyrinthine hat trick of horror. First up, written by Daniel Orejon for his theatre company Crested Fools, this one-woman show looses its way a little by being way too wordy for its own good. Often the simplest stories told well work out the best. A flow chart showing all of the characters featured in the stories and their relationships would have been handy. A chance meeting in a car park brings together two old schoolteacher friends, and soon they are recounting stories from the past, but these are not cosy school stories, these are tales of blood-weeping daughters, abusive relationships, a foul-mouthed mo...

22Oct

By Greg HolsteadNo Comments

Scotland

Woman Walking – Traverse Theatre

This two women play by Sylvia Dow ends its three week tour of twelve Scotland venues at the hot and stuffily subterranean Traverse 2. Ironic perhaps, given that the setting is (supposedly) a breezy mist covered mountain top. As solo hill walker Cath, played by Pauline Lockhart, in hiking boots and sporting an infeasible large rucksack stops for a chocolate break, she finds she is not alone. And yet there is no surprise, no shock as she chats with the tweed-clad and grey-streaked Nan Shepherd, played by Fletcher Mathers. At the heart of the problems with this production is the lack of drama, of shock, of revelation. The narrative is linear and pedestrian and with a minimal set you might just as well be overhearing two post menopausal woman moaning about life in a Tesco car park. &n...

Jasdeep Singh Degun and the Scottish Ensemble – The Queens Hall, Edinburgh

8Oct

By Greg HolsteadNo Comments

Scotland

Jasdeep Singh Degun and the Scottish Ensemble – The Queens Hall, Edinburgh

At The Queens Hall tonight Jasdeep Singh Degun sits cross-legged smiling and calm, cradling his sitar, on a raised Dias in the middle of the stage, and at his shoulder equally laid-back, Harkiret Singh Bahra, his regular accompanist on the Tabla, a pair of hand drums from the Indian subcontinent. In a semi-circle around the pair the Scottish Ensemble quintet are assembled, the violins of Jonathan Morton and Donald Grant, the viola of Jane Atkins, Naomi Pavri on Cello and Diane Clark on Double Bass. The striking difference is that Degun and Bahra do not have iPads in front of them streaming the music. As Degan explains in the excellent programme notes, ‘In Indian Classical music, we don’t get caught up in notation,… instead you should learn and embody the music in its entirity’. In an...

13Sep

By Greg HolsteadNo Comments

Scotland

The King and I – Edinburgh Playhouse

A show originally performed in 1956, It would be easy to write this off as old, irrelevant, dull, an anachronism, a three-hour yawn fest? How wrong you would be! It is the very opposite on all counts and has to be one of the most opulent and lavish and thoroughly entertaining touring productions I have ever seen at The Edinburgh Playhouse. Not only that, it also has themes which are extremely relevant and pertinent to our times. At its centre, the role of women, particularly in Asian society and the tensions between East and West, which are probably even more extreme and concerning now than they ever were when this was written. Anna Leonowens, played brilliantly by Annalene Beechey, is the headstrong school mistress travelling to Bangkok in Siam (now Thailand) to teach the King’s (Brian...

24Aug

By Greg HolsteadNo Comments

Scotland

Jake Bugg – Edinburgh Playhouse

Bringing my Edinburgh Fringe reviewing to an end for another year (with review number 63!), an absolute belter, five-star performance by Nottingham lad, singer-songwriter and supreme musician, Jake Bugg, at the Edinburgh Playhouse. An artist that I have known of and heard snippets of over the last ten years, this concert came as a very pleasant surprise, and reminded me that I actually do know loads of his songs, albeit not the names of them! Luckily, I was sitting next to fellow reviewer and big Bugg fan, Eilidh Tuckett from Artmag, who was able to lean over and tell me the names of the songs as they came thick and fast. Thanks Eilidh! From the very Oasis sounding, Kingpin, from Bugg’s second album to the much softer and more lyrical Hold Tight, his favourite from his fifth album, y...

The Music of Charlie Parker and Dizzy Gillespie – The Jazz Bar

23Aug

By Greg HolsteadNo Comments

Scotland

The Music of Charlie Parker and Dizzy Gillespie – The Jazz Bar

The Colin Steele quintet, featuring the brilliant saxophone of Martin Kershaw, cooked it up a storm at The Jazz Bar tonight. A young lady in the front row (who couldn’t have been more than 11 years-old!) was back for the second night in a row. And why not, when you have musicianship of this quality on your doorstep. The superlatives list would be long for the saxophone playing of Martin Kershaw who was the stand-out on stage, a truly world-class performer. Beautifully supported by Colin Steele on trumpet, Pete Johnstone on keys, Brian Shiels on Bass and Max Popp on the skins. It was great to see the level of respect and love for their fellow players and the space they all received to show off their individual skills on the various instruments, all of which was heartily applaud...

The 7 Fingers: Duel Reality – Underbelly Circus Hub

23Aug

By Greg HolsteadNo Comments

Scotland

The 7 Fingers: Duel Reality – Underbelly Circus Hub

Now, here is an oddity, a show I have seen twice, once on preview night at the start of the Fringe, and again tonight, and I can immediately see improvements! The first thing to say, is that this show is best viewed from the central seating area (where I was tonight), if you can. Duel reality starts with a beautifully choreographed fight scene between the two ‘sides’ of the ten-strong troupe, pitting the blues against the reds. To add to the audience experience you are given a wrist band of blue or red as you enter the circus tent and ‘requested’ to support your team. There is whooping, clapping, screaming from the audience – this idea sounds like it is working well! Raising the stakes of the team struggle, we soon come to realise that Blue is Capulet and Red is Montague and the ...