Sunday, December 22

Author: Greg Holstead

Dracula’s Guest – Banshee Labyrinth, Edinburgh
Scotland

Dracula’s Guest – Banshee Labyrinth, Edinburgh

The rock carved chambers at Banshee Labyrinth are highly appropriate for the annual horror festival but are also arguably among the most testing in Edinburgh for performers, where the combination of (extreme!) background pub noise, very late audience arrivals and tiny cave-like spaces, with minimal tech and set, provide a stern test for their theatrical efforts. However, I’m pleased to report that tonight, Frederick Bang’s sensitively played Jonathan Harker and Magnus Kelly’s towering Dracula manage to pull off an unlikely triumph in the face of such minor issues. Indeed, by the end of the climactic and bloody performance, there seemed to be as many peering in (and cheering!) from the labyrinth corridor beyond as in the room itself! Produced by Martyr, a Glasgow based theatre compan...
The Sculptor – Banshee Labyrinth, Edinburgh
Scotland

The Sculptor – Banshee Labyrinth, Edinburgh

A fascinating introduction to the world of ‘the anatomical Venus’, we are immediately presented in glorious projected technicolour with an 18th-century reclining beauty complete with pearls, ecstatic expression and lift-out intestines. Not So Nice! Theatre company present The Sculptor, written by Charlotte Smith and Directed by Grace Baker. Fashioned from seven anatomically correct layers, life sized and made of wax, but with real hair, the Venus was a ready alternative (to cadavers) for the keen medical students of the day to pull apart: heart, lungs, liver, kidneys, stomach, intestines, ending in a teeny foetus, curled in the womb. Our short play tonight focuses on the fascination of this era, in which the study of nature was also the study of philosophy, and where a dead body cre...
Ed Gamble: Hot Diggity Dog – Festival Theatre, Edinburgh
Scotland

Ed Gamble: Hot Diggity Dog – Festival Theatre, Edinburgh

Perhaps better known for his award-winning podcast Off menu with James Allcaster or for winning season nine of Taskmaster, the man-child that is Ed Gamble was a regular on the Stand-Up circuit long before pod casts even existed, and returns to his roots tonight in a laughter filled show at the Festival Theatre, Edinburgh’s biggest stage. And despite the hurricane inspired winds outside it didn’t deter a packed house from enjoying almost two hours of lively entertainment. Ed is very ably assisted by noteworthy warm-up act, Chloe Petts, who fills the first thirty minutes with easy laughter, starting with her tales of being a ‘child geezer’, at age 13, six foot one tall, at an all-girls school and parents asking at ballet class lessons, why there is a bouncer in the room. She also hila...
Love The Sinner – The Studio, Edinburgh
Scotland

Love The Sinner – The Studio, Edinburgh

Approaching the end of a one month tour of Scotland’s finest smaller theatres, this gem of the spoken word is certainly getting to the well-polished stage. Expertly, co-produced with Vanishing Point, writer and performer Imogen Stirling simply oozes confidence and assuredness as she births every beautifully crafted line. The shame is that they whizz by at such a rate they barely have time to flower into fully formed life. Like snow on the river, white for a moment, then gone forever. Through a series of flawed characters, representing the seven deadly sins, Stirling’s prose expertly coaxes and cajoles us through the drowned streets of the river city. It has rained for days. Our unlikely hero is Sloth, who reluctantly rises from her quilted fort of bedroom stagnation only when it gets to...
A Chorus Line – Festival Theatre, Edinburgh
Scotland

A Chorus Line – Festival Theatre, Edinburgh

A Chorus Line, originally performed in 1975, is one of the most successful musicals on all time. However, it’s reputation for highly technical choreography and of requiring a large cast of superb dancers, with equally big voices, make it one of those shows which the amateur companies tend to give an almighty body swerve, which actually makes it quite a rare beast. This fabulous touring production is a must see for all serious musos, in fact with only four Edinburgh performances it is very much a case of catch it while you can. This classic Broadway hit follows harsh Director Zach (Adam Cooper) as he puts 17 hopefuls through their paces and baring their souls in the hope of being one of the chosen 8 for the chorus of a new musical. Highlighting the brutal reality of what it takes to get ...
Rebus: A Game Called Malice – Festival Theatre, Edinburgh
Scotland

Rebus: A Game Called Malice – Festival Theatre, Edinburgh

Rebus, the mega-popular paperback sleuth created by Ian Rankin in an Edinburgh bedsit back in 1985, is back, but not in print. No, this time he is a walking, talking, breathing creation, brought to vital life by actor Gray O’Brien. Given that this is only the second incarnation of Rebus on stage, following Long Shadows in 2018, which Ranking co-wrote with Rona Munro, A Game Called Mallice is bound to appeal constant readers of the taciturn detective, who all inevitably have their own ideas of how he sounds, looks and moves. As a constant reader myself, I was more than a little intrigued to see if Rankin could pull this off and if O’Brien could fill the very sizeable shoes of Edinburgh’s finest DCI. The setting is an opulent and art filled Heriot Row townhouse Drawing Room, Paul and H...
Heartbreak Hotel – Summerhall, Edinburgh
Scotland

Heartbreak Hotel – Summerhall, Edinburgh

Feeling more like a work in progress than a completed show, but with oodles of charm, this mixes a lecturing approach to the biochemistry of heartbreak with sketches of interactions between female and male of the species, together with elements of singing and grade one synth (oops that’s the wrong chord!). Throw in a spectacular lighting rig transported all the way from NZ no less, and you end up with something that is really entertaining, and educational!, and with a bit more polish could be really good. It’s pretty kooky though! With something of the Degree Show art installation about it, albeit on a grand scale, a bank of multi-coloured wrap-round LED lights enfolds the performance area, the floor of which is a pink deep pile carpet, like the inside of a living cell, which adds ...
Surrender – Summerhall, Edinburgh
Scotland

Surrender – Summerhall, Edinburgh

A much anticipated, new play by Sophie Swithinbank, who had such Fringe success last year with Bacon, transferring to London, via Australia before ending up at New York’s Soho Playhouse. Not bad at all for a talented young playwright A single chair awaits actress, Phoebe Ladenburg as she steps on to the sparse Tech Cube performance space, looking nervous and uncertain, like a twitchy actor at an audition. But this might be the most important performance of her life, she is about to meet her daughter. So, she sits and practices different faces and words of greeting, twisting her face in anger and frustration as the exact phrasing and expression is never quite right. When her daughter does arrive she is almost speechless, her face crumples, it is the first time she has seen her no...
Verdi’s Requiem – Usher Hall, Edinburgh
Scotland

Verdi’s Requiem – Usher Hall, Edinburgh

The Philharmonia Orchestra, conducted by the youthful and energetic Santa-Matias Rouvali, accompanied by the massed ranks of the brilliant Edinburgh Festival Chorus, lit up the Usher Hall tonight with a powerful rendition of Giuseppe Verdi’s Requiem. The argument continues whether this is more of an an opera than an ecclesiastical work, but one thing all can agree on is that it is packed full of drama. The trumpet shall sound, through the places of the dead, and across the land The multiple drum-heralded Dies Irae (one of Verdi’s most recognisable ‘Bangers’) never fails to send a shiver down my spine, and it was a joy to hear it rebounding around the great space that is the Usher Hall, surely the finest classical music venue in Edinburgh. You will rarely see the string section...
300 Paintings – Summerhall
Scotland

300 Paintings – Summerhall

This is a unique show on so many levels. Perhaps most extraordinary in that it is a true story, told with clarity and humour, but with some big messages about mental health, creativity and redemption. Truly inspirational! Three years ago Australian, Sam Kissajukian’s ten-year love affair with stand-up comedy ended and his shiny new relationship with abstract expressionist painting began. Sam had always had a compulsive, obsessive streak and painting seemed to play right into that sweet spot of being able to release expressive thoughts that telling jokes to drunk strangers at 1am simply didn’t. In June 2021, his first painting, a monochrome self-portrait was created on a large piece of cardboard. During the next six months Sam worked on discarded cardboard, or left over bits of MDF, i...