Greg Holstead, Author at North West End UK

20Aug

By Greg HolsteadNo Comments

Scotland

Adults – Traverse Theatre

Back to The Traverse Theatre, which can be relied upon for good quality shows with high production values, great tech and quality actors throughout the year, but really pulls out the stops come Fringe time. So, here comes my review number 4 for the ‘Trav’ this time round. Adults isa slightly awkward three-hander from Kieran Hurley which seeks to challenge our conception of what is sexually ‘normal’, whilst also trying to be a serious commentary on the economics of the sex work industry within the capitalist market economy, and a sex farce. Can it really be all these things? This starts so well and with a swarth of laughs in the first half, the audience lean in as Madam Zara (Dani Heron) realises that the latest customer to her tiny attic flat/brothel is none other than her old in...

TONY! [The Tony Blair Rock Opera] – EICC

20Aug

By Greg HolsteadNo Comments

Scotland

TONY! [The Tony Blair Rock Opera] – EICC

Tony! The Tony Blair Rock Opera is a modern rock opera that sets out to tell the story of the ex-prime minister who modernised Labour and catapulted them to new heights with his ‘New Labour’ landslide election victory in 1997, ending 18 years of Conservative government. Like Tony Blair himself, this production has good points, and bad points. It is probably forgivable and understandable that this show steers clear of outright satire, after all, Blair is still alive and has very, very deep pockets. Some parts of the script actually make comic reference to this! Unfortunately, this lack of bite made for an enjoyable, but perhaps ultimately unedifying evening. More Spitting image than Question Time but then again what do you expect from writer Harry Hill! We start the evening, with a...

Vote Macbeth! – The Space @ Surgeons’ Hall

19Aug

By Greg HolsteadNo Comments

Scotland

Vote Macbeth! – The Space @ Surgeons’ Hall

Part 4 of my Fringe of ’23, Macbeth marathon, sees another murder, this time set in the present day that boils and bubbles its way through a very dense script/lib to end with its own toils and troubles. The common theme in disappointing shows is that they inevitably try to do too much, and there could hardly be a better example than this one. From the singular hand of John Paul Liddell, writing, composing, directing, acting and singing (very nicely BTW I might add!) in the Macbeth lead role, there is no air at all left in this one by the end. A dense and wordy treatise on political power, where Macbeth is president, I assume of a post-Independent Scotland, set in the near future, the musical is comprised of 18 songs, which run non-stop, top to tail, with no dialogue in-between. N...

18Aug

By Greg HolsteadNo Comments

Scotland

Ripper – Hill Street Theatre

A small ‘black box’ theatre venue with a pronounced AC thrum and uncomfortable chairs does not auger well for this brand new musical by Pete Sneddon. However, once the action started I am pleasantly surprised, both by the quality of the acting, the script and the music accompanying this pacy rock opera, directed efficiently by Mark Jeary-Fairbairn. It just goes to show what can be produced on a tight budget, with enough commitment and talented actors. A few tweaks of the lighting set up would improve the audience experience, with bright LEDs behind the stage area causing some unnecessary glare issues, particularly for the front row. That having been said, John Christopher is excellent in the lead role, which requires real commitment and attack from the very start, and which he...

18Aug

By Greg HolsteadNo Comments

Scotland

No Love Songs – Traverse Theatre

It probably helps that I was already a fan of the music of The View and Kyle Falconer. This was on my must-see wish-list, and boy was it worth waiting for. Certainly the best show I have seen at the Fringe this year, and I have seen a lot. This is review no. 50! Brilliantly acted by John McLarnon as musician, Jesse andwith an absolutely knock-out award-winning performance by Dawn Sievewright as Fashion student, Lana, the story is a simple boy-meets-girl, which only starts getting complicated when two become three. The simplicity and universality of the story-telling is perhaps this shows greatest strength, for it allows the music to shine – the essential element that brought them together and the one that is tearing them apart. When Jesse leaves to tour America, Lana’s ini...

The Grand Old Opera House Hotel – Traverse Theatre

18Aug

By Greg HolsteadNo Comments

Scotland

The Grand Old Opera House Hotel – Traverse Theatre

A technical Tour De Force, and certainly the most lavish production by the Traverse at this year’s Fringe, with a knock-out set and costumes by Ana Ines Jabares-Pita . Set in an old haunted Opera house, turned 21st century hotel we follow, Aaron (Ali Watt) who has just started working at the hotel, but quickly discovers that hidden just beneath the magnolia painted walls lies the original spook-ridden opera house. It is not long before he meets and falls in love with a strange opera-singing girl, Amy (the wonderfully gifted Karen Fishwick) and he also finds his own opera voice. Once the ghosts and the guests all find their singing voices the real fun starts, let the panto-farce-opera commence. There is some hilarious re-wording of opera favourites, which at least some of the audi...

Otto & Astrid’s Joint Solo Project – Assembly George Square Gardens

18Aug

By Greg HolsteadNo Comments

Scotland

Otto & Astrid’s Joint Solo Project – Assembly George Square Gardens

A stunning little music tent with beautiful raked, ancient timber and leather curved seating, in a prime time slot in a perfect location, what could possibly go wrong. Well, no audience for one! Maybe it is the wordy title or perhaps a total lack of self-publicity, I don’t think they care one way or the other, because they are going to have fun! If they can just sort out Astrid’s Public Liability Insurance! And that is the attitude that carries through the show: Anarchic, chaotic and absurd fun. Come ready to rock out to their latest anthems, ‘I Want To Be Your Kitten’, and ‘Tasty Snack’, with hilarious lyrics sung to a heavy metal soundtrack, and some very funny moments. I hope you are getting this picture, because it is not exactly easy to sum up! This is a hidden gem of a show...

Magic Bones: Soulful Magic Volume Two – Underbelly Bristo Square

17Aug

By Greg HolsteadNo Comments

Scotland

Magic Bones: Soulful Magic Volume Two – Underbelly Bristo Square

This venue, squeezed in the gap between Teviot Hall and McEwan Hall at Bristo Square is slightly awkward to find, but well worth seeking out for this hit show by all-rounder Richard Essien, AKA Magic Bones. With a triple threat of magic, humour and break-dance, Essien brings this brand new show to Edinburgh fringe, and by the end has the audience eating out of his hand. Britain’s Got Talent finalist in 2020, described there as ‘the, best-presented magic act I’ve ever seen’, Essien gives a unique mixture of high octane, high energy, but in turns gentle and transfixing performance, which has you leaning in right from the start. One of the hottest acts on the British magic scene, we are treated to plenty of top quality extraordinary tricks, illusions and misdirection, flips and danc...

Julia Bullock & Bretton Brown – The Queens Hall

17Aug

By Greg HolsteadNo Comments

Scotland

Julia Bullock & Bretton Brown – The Queens Hall

Julia Bullock is an American Soprano, from Missouri, the New York Times have described as, ‘An impressive, fast-rising soprano…poised for a significant career’. This was a real concert of two halves, the first section being more classical and almost funereal in places, and the second after the interval, being much more lyrical and almost playful, albeit with a serious message. And perhaps pointing towards the dual personality of Bullock herself; extremely serious about her music, with many years of Classical training, on the one hand but clearly also very passionately involved with the plight of sisterhood and Black America. I particularly liked the tenderly sung, Billy Holliday number, ‘Our Love Is Different’, which also included some beautiful Jazz solos by pianist Bretto...

16Aug

By Greg HolsteadNo Comments

Scotland

Mariza – Festival Theatre

Despite the language barrier there is no doubt at all that this is a heck of a show, and a display of superlative singing power and grace, from the statuesque Portuguese star Mariza returning to the Edinburgh International Festival in style after a ten year hiatus. At times dropping the mic and singing without amplification in the vast hall, shows the immense power of her voice, and her confidence in it. Singing songs in Portuguese, in the Fado (translated as destiny or fate in Portuguese) tradition, a style thought to have originated in Lisbon in the 1820s, often associated with pubs and cafes, and renowned for its expressive and profoundly melancholic character. Launching into Loucura, the first song from her first album all of 24 years ago, she reminisces that at that time the...