Brian Madden, Author at North West End UK

16Jun

By Brian MaddenNo Comments

North West

The Bodyguard – Liverpool Empire

The UK tour of The Bodyguard brings the high-stakes, romantic thriller to life on stage, expertly balancing the glitz of a pop concert with the tension of a dark TV drama. Telling the story of superstar Rachel Marron and Frank Farmer - the former Secret Service agent hired to protect her from an obsessive stalker - the show manages to be both a spectacular showcase of Whitney Houston’s greatest hits and a genuinely gripping theatrical experience. The show doesn't gently ease you into your seat; it commands your attention from the absolute second the house lights fade. Opening with an explosive rendition of "Queen of the Night," the production immediately immerses the audience into the high-octane world of a global mega-celebrity. What follows is a clever juxtaposition of high-energy...

To Kill a Mockingbird – Liverpool Empire

13May

By Brian MaddenNo Comments

North West

To Kill a Mockingbird – Liverpool Empire

To Kill a Mockingbird at the Liverpool Empire is a powerful and emotionally charged production that proves Harper Lee’s story still has enormous relevance today. Aaron Sorkin’s adaptation brings a sharper, more contemporary edge to the novel, while Bartlett Sher’s direction balances moments of humour and warmth with the darker realities of racism, injustice and prejudice. The result is gripping theatre that feels both timeless and uncomfortably current. Set in 1930s Alabama, the story follows lawyer Atticus Finch as he defends Tom Robinson, a Black man falsely accused of assaulting a white woman. Told through the eyes of Scout, Jem and Dill, the production cleverly contrasts the innocence of childhood with the ugliness of the adult world around them. This adaptation also digs deeper int...

4Apr

By Brian MaddenNo Comments

North West

We Will Rock You – Liverpool Empire

Empire Youth Theatre’s production of We Will Rock You at the Liverpool Empire is an ambitious, high-energy showcase that highlights both the strengths and growing edges of a young cast taking on a demanding, full-scale musical. From the opening number, there’s a clear sense of commitment. We Will Rock You is no easy feat, requiring strong vocals, comic timing, and the ability to navigate a deliberately over-the-top and often chaotic script. The cast largely rises to the challenge, delivering Queen’s iconic songs with enthusiasm and, in many cases, impressive vocal control. Somebody to Love is a particular standout, showcasing Scaramouche’s vocals to great effect with a confident and engaging performance. However, at times the balance isn’t quite right, with the backing singers’ mic leve...

21Mar

By Brian MaddenNo Comments

North West

Waiting for Godot – Liverpool Playhouse

Dominic Hill’s revival of Waiting for Godot, seen here at Everyman Theatre, reminds you why this play still divides audiences' decades after its premiere. Samuel Beckett’s writing can feel elusive and, at times, deliberately opaque - but in the right hands, it becomes something quietly powerful. The production opens on a stark, desolate set designed by Jean Chan. A fractured landscape stretches across the stage, dominated by the familiar solitary tree, here emerging from the wreckage of an abandoned car. It’s a world that feels worn down and forgotten, reinforcing the sense that time has stalled completely. At the centre are Vladimir and Estragon, played by George Costigan and Matthew Kelly. Their performances carry the production. There’s an ease between them that never feels theatr...

Friends! The Musical Parody – Buxton Opera House

11Feb

By Brian MaddenNo Comments

North West

Friends! The Musical Parody – Buxton Opera House

After successful runs in New York and Las Vegas, Friends! The Musical Parody has landed in the UK with a tour stop at Buxton's Opera House. Promising a musical celebration of the hugely popular sitcom, the production attempts to compress ten seasons of television into a two-hour stage show — an ambitious idea that ultimately struggles to translate into a consistently entertaining evening. Photo: Pamela Raith Structured as a rapid-fire sequence of references, the show relies heavily on audience familiarity with the original series. Rather than building a coherent narrative, it jumps abruptly between famous storylines and catchphrases, often without enough context to make them land effectively. While devoted fans may appreciate the recognisable moments, the lack of breathing room me...

3Dec

By Brian MaddenNo Comments

North West

Freaky Friday – HOME Mcr

Disney’s Freaky Friday has had several incarnations over the decades, yet this musical version manages to feel lively, warm, and surprisingly moving. Rather than leaning on nostalgia, it approaches the familiar story with modern humour, heartfelt character work, and two central performances that elevate the entire production. At its heart are Katherine, played with effortless comedic timing by Rebecca Lock, as Ellie, portrayed with sharp wit and authentic teenage exasperation by Jena Pandya. Katherine is a single mum trying to hold together her business, her upcoming wedding, and a household on the brink of chaos. Ellie is equally overwhelmed, navigating friendship politics, crushes, and the intense importance of her school’s annual scavenger hunt. When a heated argument erupts between ...

29Nov

By Brian MaddenNo Comments

North West

Nativity! The Musical – Blackpool Grand

Blackpool Grand Theatre has launched its Christmas season with a sparkling, joy-filled production of Nativity! The Musical—a show that bursts with festive cheer from the very first moment. Adapted from Debbie Isitt’s much-loved 2009 film, this stage version manages to capture all the warmth and humour of the original while embracing the unique magic that only live theatre can bring. Film-to-stage adaptations can sometimes feel like carbon copies, but this one never does. Instead, it strikes a perfect balance between staying faithful to the beloved storyline and introducing theatrical touches that make it feel fresh, lively, and wonderfully immersive. It understands exactly why audiences love the film and elevates those moments with clever staging, expressive choreography, and infect...

13Oct

By Brian MaddenNo Comments

North West

Snake in the Grass – Octagon Theatre

Would Snake in the Grass go with a bump, a bang, or a flop? Definitely not the latter. The Octagon Theatre Bolton’s gripping production of Alan Ayckbourn’s darkly comic thriller delivers a night of theatre that is equal parts chilling, suspenseful, and wickedly funny. Performed in the Octagon’s intimate space, the audience is drawn straight into the heart of a decaying family garden where secrets fester and ghosts real or imagined seem to lurk in every shadow. The story centres on Annabel Chester (Sue Cleaver), who returns home after her abusive father’s death. She’s physically and emotionally fragile, her father’s cruelty still haunting her. But her uneasy homecoming takes a sinister turn when her father’s former nurse, Alice (Lisa Zahra), arrives with a blackmail scheme, claiming ...

30Sep

By Brian MaddenNo Comments

North West

2:22 A Ghost Story – Regent Theatre

Danny Robins’ 2:22 A Ghost Story is a contemporary stage thriller built around one simple question: do ghosts exist? The story follows Jenny (Stacey Dooley), a new mother who becomes convinced that something unsettling happens in her home at exactly 2:22am. Her husband Sam (Kevin Clifton) is an outspoken sceptic, quick to dismiss her fears as irrational. Determined to prove her point, Jenny insists they stay awake with friends Lauren (Shvorne Marks) and Ben (Grant Kilburn) to see what occurs when the clock strikes. The staging sets the tone well: a stylish yet slightly oppressive kitchen-living area in a renovated London house, with French windows opening onto a garden glimpsed only when a motion-activated light clicks on. A digital clock is constantly visible, counting down the minu...

6Sep

By Brian MaddenNo Comments

North West

Yen – Octagon Theatre

Connor Goodwin’s production of Anna Jordan’s Yen at the Octagon Theatre is raw, tense, and painfully intimate. The play follows brothers Hench (Adam Owers) and Bobbie (Jonny Grogan), left to fend for themselves in a flat in Feltham while their mother drifts in and out of their lives. Their fragile existence is punctuated by pornography, video games, and a caged dog — numbing routines that barely cover their hunger for love and stability. The arrival of their neighbour Jennifer (Lucy Eve Mann) disrupts their chaotic balance. Her presence awakens a tenderness in Hench and a defiance in Bobbie but also exposes just how unprepared the boys are for connection. Vicky Binns, as their mother Maggie, delivers a performance that is both heartbreaking and infuriating — her fleeting warmth undermin...