Alan Stuart Malin, Author at North West End UK

13Mar

By Alan Stuart MalinNo Comments

London

Ancient Grease – The Vaults, London

Few venues could host something as gleefully ridiculous as ‘Ancient Grease’, but The Vaults proves the perfect playground. By taking the familiar DNA of the much-beloved musical Grease and hurling it backwards in time to Mount Olympus, the production, written by Lady Aria Grey, creates a riotous, camp, and unapologetically adult parody that revels in theatrical mischief. The result is a night of theatre that feels mischievous, raunchy, and irresistibly fun. Set at the fictional Olympus Academy, the story “loosely” echoes the structure of the original Grease narrative, but with gods, goddesses and mythical chaos replacing high school antics. Zeus (Peter Camilleri) and Hera (Philippa Leadbetter) find their relationship under the watchful manipulation of the Fates whilst other Olympian...

11Mar

By Alan Stuart MalinNo Comments

London

Sugar Daddy – Underbelly Boulevard Soho

Some comedy shows aim simply to entertain. ‘Sugar Daddy’, written and solo-performed by comedian Sam Morrison, does something far rarer, it makes an audience laugh until their cheeks ache, and then quietly reminds them how fragile and beautiful love and life can be, it delivers a comedy punchline and at the same time, leaves an emotional wound. Performed at Underbelly Boulevard Soho, Morrison’s one-man show begins with the easy rhythm of stand-up. He has high energy levels, bounds around the stage with a burst of nervous enthusiasm, the kind that feels wonderfully unpolished and instantly human. You can tell early on that he is deeply connected to his story and wants to tell it. That slightly anxious energy becomes part of the charm of this piece. Morrison does not hide behind the safet...

20Jan

By Alan Stuart MalinNo Comments

London

Later Life Letter – Southbank Centre

‘Later Life Letter’, a book of poems, written and performed by Luke Wright, is a quietly extraordinary piece of contemporary, poetic storytelling that reminds us of the power of spoken word when it is rooted in lived experience and delivered with absolute sincerity. This autobiographical work blends poetry, memoir, and stand-up storytelling to explore Wright’s very personal experience of adoption and the complex questions of identity, belonging, and family that follow him into adulthood. Structured as a reflective “later life letter” (a letter written to adopted children, to be opened at a later point in their life), the show unfolds with clarity and confidence, allowing the poetry to do the emotional heavy lifting without ever tipping into sentimentality. Each piece feels carefully sha...

6Jan

By Alan Stuart MalinNo Comments

London

Jack – Courtyard Theatre

Having celebrated previously successful runs, ‘Jack’ (the musical) arrives in London with a gothic-electro music fusion bringing the vibes of Victorian London crashing into the modern day. This is an intriguing and exciting concept, based around the story of “Jack The Ripper”, and within Sahar Malaika’s storytelling there are moments of genuine promise, but the execution of this production ultimately falls well short of the standard expected on a professional stage. At its core, the ‘Jack’ suffers from a lack of cohesive artistic vision from Co-Directors Rosie Sutton and Sasha Ranawake. Casting choices feel under-baked and poorly considered, with very young performers presented to the world without a clear or consistent aesthetic. Facial jewellery, modern bleached hair highlights, m...

The Liar, the Bitch and the Wardrobe – Union Theatre

8Dec

By Alan Stuart MalinNo Comments

London

The Liar, the Bitch and the Wardrobe – Union Theatre

There are times in the theatre when you can feel an entire room surrender to delight, when a show strikes the rare balance between clever writing, full throttle performance and joyful mischief. ‘The Liar, the Bitch and the Wardrobe’ at the Union Theatre delivers exactly that kind of night. It is, without exaggeration, pure writing genius. Joshua Coley’s unapologetic and confident script spins a riotous adult panto that is as sharp as it is shameless, packed with more wit, filth and surprise than should reasonably fit into two hours. Every gag lands well, every callback builds, every twist feels fresh. It is a gleefully untamed carnival of comedy, queerness, and musical mayhem! The premise alone sets the tone. Two hapless, fruity East London wartime young lovers, evacuated to the hilario...

A Fairytale for Christmas – Dominion Theatre

25Nov

By Alan Stuart MalinNo Comments

London

A Fairytale for Christmas – Dominion Theatre

‘A Fairytale for Christmas’ returns with all the charm, sparkle, and heart that has made it a staple of the festive season. Blending Irish musicality with classic Christmas nostalgia, this year’s production proves why audiences return year after year. It is a warm, generous show that wears its joy proudly and delivers exactly what its title promises, wrapping tradition, talent, and musical storytelling into a glittering seasonal package. The staging places the entire concert inside McGrath’s, a pop-up Christmas bar tucked away in a corner of Central Park, instantly grounding the show in a sense of homespun nostalgia. Wooden bar stools, twinkling lights, and the gentle clutter of a well-loved local Christmas haunt create an atmosphere that feels lived-in rather than theatrical. This sett...

24Oct

By Alan Stuart MalinNo Comments

London

The Unbelievers – Royal Court Theatre

Silence sits heavily in Nick Payne’s “The Unbelievers”, a play that dares to explore the uneasy space between grief, uncertainty and the fragile bonds of family. In a production of striking control and emotional weight, the Royal Court presents a portrait of people suspended between hope and despair, clinging to ritual as time slips around them. It is a thoughtful and often gripping piece of writing, although it leaves behind an unsettling aftertaste that is difficult to define. Designer Bunny Christie’s set is extraordinary in both concept and execution. What initially appears to be an ordinary kitchen slowly becomes a canvas for the passage of time. Subtle changes in lighting (Jack Knowles), shifts in everyday clutter and the creeping disarray of domestic life reveal the ache of waiti...

Arcade at Darkfield – Queen Elizabeth Olympic Park

13Oct

By Alan Stuart MalinNo Comments

London

Arcade at Darkfield – Queen Elizabeth Olympic Park

Stepping into ‘Arcade’ at Darkfield’s shipping container village feels like entering another realm entirely. You are walked into a brightly lit container, handed a headset, plugged into an arcade style game unit and then plunged into complete darkness. Suddenly you are surrounded by the hum of machines, the click of coins, and a disembodied voice that seems to know way too much about you. It is immersive theatre stripped to its essence, with no visuals and no visible actors, yet it feels completely cinematic and totally immersive. The sound design is remarkable, creating a 360-degree world of nostalgia, menace, fear and intrigue that makes your pulse quicken even though nothing traditional is taking place. ‘Arcade’ plays with ideas of memory and control, turning a simple arcade game...

Every Brilliant Thing (with Sue Perkins) – Sohoplace

11Sep

By Alan Stuart MalinNo Comments

London

Every Brilliant Thing (with Sue Perkins) – Sohoplace

‘Every Brilliant Thing’ is a play that makes you feel alive in the deepest sense. Staged in the round at the stunning @sohoplace Theatre, it invites the audience to sit close enough to feel part of the story, the circular setting removing any distance between performer and spectator, turning the theatre into a shared living room where every glance and every laugh travels instantly across the space. This intimacy is more than a design choice, it allows the production to draw everyone into its gentle exploration of joy, grief, and the tiny moments that give life meaning. From the very first words, you sense that what unfolds will not be a typical night at the theatre but a collective experience of listening, feeling, and remembering together. With Sue Perkins at the centre, the evening be...

6Sep

By Alan Stuart MalinNo Comments

London

The Switchboard Project – Hope Theatre

It is 1985, and above a bookshop in King’s Cross, a small team of volunteers huddle around phones, scribbling notes, fumbling for pens, and trying to keep the lines open. For Lou, Joan, Nana and Jackie, it’s another evening at Gay Switchboard. But as the phones ring, their work becomes far more than routine, it’s a lifeline for a community under siege. Molly Byrne’s The Switchboard Project brings to life the often-forgotten stories of lesbian volunteers who played an essential role in building queer solidarity during the AIDS crisis. Drawing inspiration from real calls and interviews, Byrne has created a piece that is both dramatically rich and emotionally resonant, shining a light on the resilience and humour that powered these women through impossible circumstances. The writing is ...