Alan Stuart Malin, Author at North West End UK

17Sep

By Alan Stuart MalinNo Comments

London

Myra DuBois: Be Well – Hackney Empire

Myra DuBois returned to the stage at the Hackney Empire with her irreverent brand of comedy, leaving the audience in stitches, and occasionally wincing with disbelief. Presented as a "wellness sermon," ‘Myra DuBois: Be Well’ promised a fresh perspective on mental health, but what we really got was a night of rapid-fire wit, punchy audience reads, and the occasional awkward pause. The show opened with Frank Lavender, another of Gareth Joyner’s comic personas. Lavender, a relic of 1980s northern stand-up, played on his outdated attitudes with impeccable timing. Red-faced and sequined, Lavender delivered his gags with more cheese than precision, striking just the right balance of nostalgia and absurdity, generating more than a few belly laughs and a high level of energy across the audi...

London City Ballet’s Resurgence at Sadler’s Wells

13Sep

By Alan Stuart MalinNo Comments

London

London City Ballet’s Resurgence at Sadler’s Wells

After nearly three decades, London City Ballet made a triumphant return to its former home at Sadler’s Wells with ‘Resurgence’, a performance that feels both like a heartfelt tribute to its past and a confident step into its future. Under the careful eye of Artistic Director, Christopher Marney, the evening offered a mix of classic and contemporary pieces that beautifully highlighted the company’s range and passion. The evening kicked off with Ashley Page’s Larina Waltz, a vibrant and traditional work set to Tchaikovsky’s famous waltz from Eugene Onegin. This charming piece, which celebrates its 30th anniversary, saw five couples in constant, flowing movement. Whilst there were moments where the synchrony faltered, and the timing between dancers felt slightly off, the dancers’ grace and...

7Sep

By Alan Stuart MalinNo Comments

London

An Inspector Calls – Alexandra Palace

Stephen Daldry’s iconic revival of ‘An Inspector Calls’ has returned to the stage, opening its highly anticipated 2024 UK tour at the extremely grand Alexandra Palace. First performed in 1992, Daldry's production of J.B. Priestley’s classic thriller has since become a global phenomenon, earning 19 major awards, including Tony and Olivier accolades. With its distinct fusion of heightened realism and surrealist undertones, this tour aims to captivate both new and returning audiences. The play is set in 1912 and revolves around the wealthy Birling family. As they celebrate an engagement, their evening is disrupted by the arrival of the mysterious Inspector Goole, investigating the suicide of a young woman. His inquiries expose uncomfortable truths about the family's involvement in the trag...

Fun at the Beach Romp-Bomp-A-Lomp!! – Southwark Playhouse

31May

By Alan Stuart MalinNo Comments

London

Fun at the Beach Romp-Bomp-A-Lomp!! – Southwark Playhouse

If you're craving a delightfully exciting blend of retro charm and laugh-out-loud comedy, look no further than ‘Fun at the Beach Romp-Bomp-A-Lomp!!’ which is currently dazzling audiences at Southwark Playhouse (Borough). Directed by Mark Bell, the genius behind ‘The Play That Goes Wrong,’ this brand-new musical offers a riotous escape to a sun-soaked beach brimming with beach competitions, vibrant characters, and musical nostalgia. The story unfolds on a picturesque sunny, summers day during the famed ‘Beach Romp-Bomp-A-Lomp’ competition, where participants vie for the prestigious titles of King “or” Queen of the Beach. As expected, romance and rivalry intermingle amid a series of increasingly absurd and entertaining challenges. The show cleverly satirizes the conventional jukebox music...

Stop Trying to Look at my D**k! – Canal Cafe

16May

By Alan Stuart MalinNo Comments

London

Stop Trying to Look at my D**k! – Canal Cafe

Challenging yet underdeveloped, Jacob Grunberger's one man show, ‘Stop Trying to Look at my D**k!’ staged at Canal Cafe Theatre aims to offer a bold exploration of masculinity in a modern world, but unfortunately falls far short of the standards expected for professional London theatre. While the play delves very lightly into provocative themes, its execution lacks the refinement and depth required for a polished production. The performance, more reminiscent of theatre student’s end of year showcase than a professional endeavour, suffers from several shortcomings. The use of props is questionable, detracting from the overall impact, the physical theatre and choreography feel rudimentary and lacking in sophistication, and the comedy and script content come across as stunted and disjointe...

2May

By Alan Stuart MalinNo Comments

London

Constellations – Drayton Arms Theatre

In the extremely intimate space of The Drayton Arms Theatre, Burnt Orange Theatre Company presents Nick Payne's ‘Constellations’ under the masterful direction and production of Rosie Thomas. The play delves into the intricate tapestry of human relationships through the stories of string theorist Marianne and beekeeper Roland, in a way that defies theatrical norms, intertwining multiple alternate narratives and exploring the complexities of love through the lens of quantum physics. Sounds complex, but through this beautiful and heartwarming production, audiences are swept into the lives of various characters as they navigate forwards, backwards and sideways, the vast expanse of human emotions, from profound love to heartbreaking loss. ‘Constellations’ is a truly exceptional piece of ...

I Should Be So Lucky – New Wimbledon Theatre

31Jan

By Alan Stuart MalinNo Comments

London

I Should Be So Lucky – New Wimbledon Theatre

‘I Should Be So Lucky’ marks a long-awaited milestone in musical theatre, finally a production that pays total homage to the iconic music of Stock Aitken and Waterman, the soundtrack of “generation pop”, intertwined with a typically British camp musical comedy storyline that should, on paper, be guaranteed to leave audiences dancing in the aisles. At the heart of the show lies the story of Ella (Lucie-Mae Sumner) and Nathan (Billy Roberts), whose impending nuptials are thrown into total chaos when Nathan jilts Ella at the altar due to a mysterious family secret. All is not lost though as Ella's larger than life family and closest friends rally around her, whisking her off to Turkey for what was meant to be her romantic honeymoon, but ends up being a glitter bomb of rom-com moments, in...

6Nov

By Alan Stuart MalinNo Comments

London

Nutcracker – Tuff Nutt Jazz Club

Drew McOnie's latest choreographic endeavour, ‘Nutcracker’, is a contemporary dance show that breathes new life into the beloved festive classic. In a bold departure from tradition, McOnie's production takes audiences on a wild-spirited adventure that is as delicate and sophisticated as it is daring and mature, offering a fresh perspective on the iconic holiday ballet. This reimagining, staged at the brand-new venue, Tuff Nutt Jazz Club within London's Southbank Centre, is not only a feast for the eyes but a celebration of diversity and self-acceptance that opens the door to those who may have previously felt excluded from the magic of "The Nutcracker." One of the most striking features of McOnie's rendition is its redefined cast of characters. Clara, typically portrayed as an upper-cla...

2Nov

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London

LIZZIE– Southwark Playhouse

London's Southwark Playhouse is currently playing host to a riveting and unapologetically fierce production of ‘LIZZIE’, the true crime rock punk musical. This fresh and dynamic production of the first UK staging, presented by the accomplished team at Hope Mill Theatre, is edgy, bold, and nothing short of brilliant. It brings a thrilling blend of music, drama, and history to the stage, redefining the boundaries of what a musical can be, and quite frankly goes toe-to-toe with some of the other similar historical productions that are currently playing in the West End and round the globe. Set in the backdrop of the infamous Lizzie Borden murders in Fall River, Massachusetts in 1892, ‘LIZZIE’ weaves a gripping narrative that blends fact, fiction, legend, and female sass, into an intoxicatin...

10Oct

By Alan Stuart MalinNo Comments

London

What It Means – Wilton’s Music Hall

In the realm of theatrical productions that aim to explore important historical events and their relevance to contemporary society, 'What It Means' by James Corley certainly stands out for its ambitious premise. Based on the groundbreaking 1971 article 'What It Means to Be a Homosexual' by Merle Miller, this play endeavours to shed light on the struggle for LGBTQ+ equality, a topic of paramount importance in the current climate. However, whilst the play's intentions are noble, it is, unfortunately, an absurdly and unnecessarily long production that bears a striking resemblance to a dry academic lecture rather than a traditional piece of contemporary theatre, and this ultimately leaves audiences fighting to reach the finish line. The central pillar of 'What It Means' is the (near) solo p...