Alan Stuart Malin, Author at North West End UK

The Liar, the Bitch and the Wardrobe – Union Theatre

8Dec

By Alan Stuart MalinNo Comments

London

The Liar, the Bitch and the Wardrobe – Union Theatre

There are times in the theatre when you can feel an entire room surrender to delight, when a show strikes the rare balance between clever writing, full throttle performance and joyful mischief. ‘The Liar, the Bitch and the Wardrobe’ at the Union Theatre delivers exactly that kind of night. It is, without exaggeration, pure writing genius. Joshua Coley’s unapologetic and confident script spins a riotous adult panto that is as sharp as it is shameless, packed with more wit, filth and surprise than should reasonably fit into two hours. Every gag lands well, every callback builds, every twist feels fresh. It is a gleefully untamed carnival of comedy, queerness, and musical mayhem! The premise alone sets the tone. Two hapless, fruity East London wartime young lovers, evacuated to the hilario...

A Fairytale for Christmas – Dominion Theatre

25Nov

By Alan Stuart MalinNo Comments

London

A Fairytale for Christmas – Dominion Theatre

‘A Fairytale for Christmas’ returns with all the charm, sparkle, and heart that has made it a staple of the festive season. Blending Irish musicality with classic Christmas nostalgia, this year’s production proves why audiences return year after year. It is a warm, generous show that wears its joy proudly and delivers exactly what its title promises, wrapping tradition, talent, and musical storytelling into a glittering seasonal package. The staging places the entire concert inside McGrath’s, a pop-up Christmas bar tucked away in a corner of Central Park, instantly grounding the show in a sense of homespun nostalgia. Wooden bar stools, twinkling lights, and the gentle clutter of a well-loved local Christmas haunt create an atmosphere that feels lived-in rather than theatrical. This sett...

24Oct

By Alan Stuart MalinNo Comments

London

The Unbelievers – Royal Court Theatre

Silence sits heavily in Nick Payne’s “The Unbelievers”, a play that dares to explore the uneasy space between grief, uncertainty and the fragile bonds of family. In a production of striking control and emotional weight, the Royal Court presents a portrait of people suspended between hope and despair, clinging to ritual as time slips around them. It is a thoughtful and often gripping piece of writing, although it leaves behind an unsettling aftertaste that is difficult to define. Designer Bunny Christie’s set is extraordinary in both concept and execution. What initially appears to be an ordinary kitchen slowly becomes a canvas for the passage of time. Subtle changes in lighting (Jack Knowles), shifts in everyday clutter and the creeping disarray of domestic life reveal the ache of waiti...

Arcade at Darkfield – Queen Elizabeth Olympic Park

13Oct

By Alan Stuart MalinNo Comments

London

Arcade at Darkfield – Queen Elizabeth Olympic Park

Stepping into ‘Arcade’ at Darkfield’s shipping container village feels like entering another realm entirely. You are walked into a brightly lit container, handed a headset, plugged into an arcade style game unit and then plunged into complete darkness. Suddenly you are surrounded by the hum of machines, the click of coins, and a disembodied voice that seems to know way too much about you. It is immersive theatre stripped to its essence, with no visuals and no visible actors, yet it feels completely cinematic and totally immersive. The sound design is remarkable, creating a 360-degree world of nostalgia, menace, fear and intrigue that makes your pulse quicken even though nothing traditional is taking place. ‘Arcade’ plays with ideas of memory and control, turning a simple arcade game...

Every Brilliant Thing (with Sue Perkins) – Sohoplace

11Sep

By Alan Stuart MalinNo Comments

London

Every Brilliant Thing (with Sue Perkins) – Sohoplace

‘Every Brilliant Thing’ is a play that makes you feel alive in the deepest sense. Staged in the round at the stunning @sohoplace Theatre, it invites the audience to sit close enough to feel part of the story, the circular setting removing any distance between performer and spectator, turning the theatre into a shared living room where every glance and every laugh travels instantly across the space. This intimacy is more than a design choice, it allows the production to draw everyone into its gentle exploration of joy, grief, and the tiny moments that give life meaning. From the very first words, you sense that what unfolds will not be a typical night at the theatre but a collective experience of listening, feeling, and remembering together. With Sue Perkins at the centre, the evening be...

6Sep

By Alan Stuart MalinNo Comments

London

The Switchboard Project – Hope Theatre

It is 1985, and above a bookshop in King’s Cross, a small team of volunteers huddle around phones, scribbling notes, fumbling for pens, and trying to keep the lines open. For Lou, Joan, Nana and Jackie, it’s another evening at Gay Switchboard. But as the phones ring, their work becomes far more than routine, it’s a lifeline for a community under siege. Molly Byrne’s The Switchboard Project brings to life the often-forgotten stories of lesbian volunteers who played an essential role in building queer solidarity during the AIDS crisis. Drawing inspiration from real calls and interviews, Byrne has created a piece that is both dramatically rich and emotionally resonant, shining a light on the resilience and humour that powered these women through impossible circumstances. The writing is ...

Mark Guest: Believe – Calder’s Bookshop and Theatre

31Aug

By Alan Stuart MalinNo Comments

London

Mark Guest: Believe – Calder’s Bookshop and Theatre

Mark Guest’s evening of magic and mentalism promises wonder, laughter and a touch of the inexplicable, all in support of an important cause: raising funds for cancer charities. On that front, it succeeds, the show is engaging, slickly delivered, and full of impressive routines that had much of the audience gasping in delight. Guest himself is a charismatic performer with natural showmanship, blending classic sleight-of-hand with modern psychological trickery in a way that feels fresh and accessible to all. The evening included a variety of complex pieces: card tricks performed with apparent ease, mind-reading demonstrations that seemed uncannily accurate, and larger sequences involving multiple audience members, adding both energy and scale. These moments showcased Guest’s undeniabl...

17Aug

By Alan Stuart MalinNo Comments

London

Collapse – Riverside Studios

Allison Moore’s ‘Collapse’ takes a familiar domestic setup and detonates it in spectacularly funny fashion. Hannah’s carefully maintained and tightly controlled life, already visibly fraying under the strain of infertility, financial uncertainty, threat of unemployment, and a husband adrift, tips into complete chaos when her rebellious (and hilariously funny) sister arrives with a mysterious package she has agreed to deliver to a guy called “Bulldog”. What follows is a darkly comic unravelling where love, fear, and survival collide. Emma Haines delivers a commanding central turn as Hannah, balancing brittle control with flashes of honest vulnerability. She moves seamlessly between sharp, fast-paced exchanges with her co-performers, and quieter solitary moments that land with unexpected ...

17Aug

By Alan Stuart MalinNo Comments

London

Feminine Rage – Courtyard Theatre

Part of this year’s Camden Fringe, Feminine Rage tackles one of the most urgent and devastating issues in modern Europe: the wave of femicides in Greece. Writer Venice Billia weaves a concept of striking potency, imagining victims of male violence gathering in the afterlife to build a fragile sanctuary for themselves. It is an idea that resonates deeply; these women deserve voice, presence, and dignity, and the framing offers a space to mourn and reflect on a crisis too often pushed aside. The script carries weight, particularly when it edges toward naming and acknowledging the silenced women. Yet, the production struggles to match the gravity of its subject. The set is stark to the point of looking unfinished, reminiscent of a school-level staging rather than a professional platfor...

Kaleidoscope Festival 2025 – Alexandra Palace

14Jul

By Alan Stuart MalinNo Comments

London

Kaleidoscope Festival 2025 – Alexandra Palace

Perched high above the city, on a glorious July summer day, with the most breathtaking panoramic views stretching across the city of London, Alexandra Palace once again played host to the Kaleidoscope Festival, a one-day celebration of music, art, food, comedy, and local community that’s as much about the atmosphere and vibe as it is about the on-stage acts. In its sixth edition, the 2025 festival delivered a packed programme and an unmistakable summer spirit. It must be said that very few London venues rival “Ally Pally”, and very few can compete for the perfect festival setting, with the Palace itself presiding over the main stage, while the surrounding green and luscious parkland offered space to relax, stretch out, dance, and soak up the sun. With the city skyline sparkling in the d...