Sunday, December 22

Author: Alice Rose

Forgiving (my mother) – The Glitch
London

Forgiving (my mother) – The Glitch

Performed in a small space at The Glitch, this devised performance was an intimate piece set in a ‘rehearsal room’ with two actors practicing a scene with two sisters discussing their mother who had recently had a fight with them. It is as if we are with them and apart of the creative process as their character’s adapt and shape a scene of a play they’re rehearsing. The performance will stop as one actor will question why this line is here, whether that would be a true response and how thoughtless the mother seemed to be. They lead discussions about theatre and its reason, the purpose of understanding our own trauma and the hilarity of being apart of an opinion but one’s only contribution is writing a play and moving on from it. The actors are really in their element here, shaping this tex...
Cowbois – Royal Court
London

Cowbois – Royal Court

This is my desert island show. It’s only January and I’ve discovered the best play of 2024. Charlie Josephine (writer and co-director) finds a very welcoming new home in the Royal Court after their run before Christmas in Stratford-upon-Avon. We explore the Wild West, a struggling town after the ‘husbands’ of the town go off in search for gold and more supplies. The ‘Wives’ are left waiting but in hearing news of a nearby explosion, hold no hope in their return. Miss Lillian (Sophie Melville) holds the bar while her husband is away- praying every morning for his return when news of the famous criminal ‘Jack’ (Vinnie Heaven) is on route to town. What unfolds is a beautiful release between two people finding their joy, passion and reason to feeling happy and being alive. This town is t...
Phantasmagoria – Southwark Playhouse
London

Phantasmagoria – Southwark Playhouse

An activist and politician meet in a forest guest house, here they partake in a closed debate ran by Jai (Antony Bunsee) who wishes to relaunch his career with his new channel following a very anticipated and most likely heated debate between the two. Activist, Mehrosh (Hussina Rama) enters anxiously as she never intended to become as admired as she is and in this has lost control of her security. The politician, Bina (Tania Rodrigues) enters with assistant Scherezade (Ulrika Krishnamurti) confident in her ability to intimidate this young woman until she’s squeezed dry of any lingering confidence she might have left. Bina’s goal is to ‘convert’ Mehrosh from activist to politician through threats to family and the promise of safe security. Mehrosh is disgusted by the fake glamour of politic...
Boy Parts – Soho Theatre
London

Boy Parts – Soho Theatre

After a huge TikTok following and cult fan group, author Eliza Clark created a fan club for women with rage. The story follows Irina, a photographer who finds art in violence and gore. She chooses her male subjects with exact images in mind, she won’t compromise her desire of ‘perfection’ up until the very last shot. Many reviews compare it to a female ‘American Psycho’ but I would argue we are exploring the endless pit of ‘The Male Gaze’ as women can never quite escape the sexualisation, the ‘pats on the head’ for their fragility- even when she shows the depth of her evil she will never be a threat. Irina is so full of rage that she’s numb. The language in the book is dirty, uncomfortable and this is what excites fans so much because it’s unusual to explore evil women this way and as you ...
Hamnet – Garrick Theatre
London

Hamnet – Garrick Theatre

Based on the outstanding sell-out book by Maggie O’Farrell, Lolita Chakrabarti adapts the story for the stage under the RSC, which just recently transferred to West End at the Garrick Theatre. This being such a widely known story it is likely to match the book in being a sell-out, however we lose so much of the quality and depth of the characters to perhaps fit the time frame. We are introduced to Agnes (Madeleine Mantock) a young woman in Warwickshire inspired by plants, herbs and natural resources- she meets her new Latin tutor, William (Tom Varey). From there, they fall in love and Agnes falls pregnant out of wedlock. Quickly married and now twins on the way William goes to London to pursue his writing. Although we have moments with William as his career takes off, we stay with the wome...
Shooting Hedda Gabler – Rose Theatre
London

Shooting Hedda Gabler – Rose Theatre

Jeff James returns to the Rose with another fantastic re-telling of a classic- ‘Shooting Hedda Gabler’ which explores the classic story in a very twisted and modern setting, written and adapted by Nina Segal. Antonia Thomas as Hedda is flown to Oslo to film ‘Hedda Gabler’ and there she meets Henrik (Christian Rubeck) the director with high ambitions and unwavering dedication to getting what he wants out of his actors. Also, on set we meet Berta (Anna Andresen) the AD and possibly the closest character to normality for Hedda as she is pulled into a collapse of self-belief, loss of identity and shame. Henrik believes the separation between actor and character should not exist and therefore creates situations to morph Hedda’s world together: so he hires her Ex to film with her, Ejlert (Avi Na...
Strategic Love Play – Soho Theatre
London

Strategic Love Play – Soho Theatre

Dating in this day and age seems to be getting harder and harder, what with less natural ‘bumping into someone’ and more organised ‘meet ups’ with your fingers crossed that a spark lights and then you can finally relax because you’re back on track. ‘Him’ and ‘Her’ (Archie Backhouse and Letty Thomas) find themselves in a pub with two pints and both completely willing to make it work. But it doesn’t, she makes it difficult admitting that she’s unlovable and all she asks is for him to not lie. He, confused then of course lies and says ‘you’re great’ but I think I’m going to leave. Somehow she convinces him to stay. The next hour takes us through a whole evening of deep, truthful conversation ending with a contract of what ‘this’ is. They agree to be like those old couples holding hands, compl...
As You Like It – Shakespeare’s Globe
London

As You Like It – Shakespeare’s Globe

Heading back to the Globe for what seems like the last summery evening of Shakespeare this year left me slightly underwhelmed and fidgety. As You Like It directed by Ellen Mcdougall runs with a gender fluid rendition, flouncy costumes filled with frill and colour with flicks of modern song. The classic has been done countless times in the past few years however maybe we have a hit a wall with what else can be done. The cast enter the stage with the unfortunate news that one cast member has fallen ill and an actor will be stepping in with script. I’m devastated to have not caught the name as this wonderful actor breathed a real freshness into the atmosphere that felt drier when they exited. The story itself is relatively easy to grasp as a couple are in love however Rosalind being ban...
Beneatha’s Place – Young Vic
London

Beneatha’s Place – Young Vic

Artistic Director of the Young Vic, Kwame Kwei-Armah writes and directs a new piece, 'Beneatha's Place', following a young black American woman, Beneatha (Cherrelle Skeete), who marries her professor Joseph Asagai (Zackary Momoh) and moves to Nigeria with him to start their new life together. The first act follows their first day moving into a white neighborhood; visitors from Joseph's childhood bring warnings of growing political pressures that put him at risk. Beneatha, overwhelmed by this new life and unaware of the politics, must catch up on how to tackle racism differently here than how she would in America. The second act brings us further into the future, with Beneatha now a Dean of an Ivy League university, bringing her employees back to this home in Nigeria to discuss the new prop...
Eurovision (Your Decision) – Above The Stag
London

Eurovision (Your Decision) – Above The Stag

In the upcoming, major event that is Eurovision we are transported back to the classics throughout the years. Four actors take us through a parody musical journey all the way back to the 70's, to covid finding all the most wonderful obscurities through the way. Set in a cabaret style theatre, the audience are encouraged to band together, make new friends and sing-along in the true Eurovision style. This fast-paced piece parodies every element, from the voice-over to the presenters. Incredibly well-timed comedy and chemistry between the cast as they jostle on and off stage clownishly. Even if you don't know the older tunes, everything is so easily available for the audience to get involved and show support. Interactive, of sorts as we decide the winner of the whole show during the int...