Based on the acclaimed novel by Michael Morpurgo, War Horse is the enchanting tale of Albert and his extraordinary horse, Joey, who, at the outbreak of the First World War is shipped to France, sold to the Cavalry, and finds himself fighting for both sides. Albert, from rural Devon whose life is his beloved horse, though not old enough to enlist, embarks on a treacherous journey to find and save Joey and bring him home.
The most notable aspect of this show is the puppetry and the effortless artistry that goes into directing the animals. Joey and Topthorn are the two stars of the show, puppeteered by Rianna Ash, Chris Milford and Samuel Parker and Tom Quinn, Michael Jean-Marain and Michael Larcombe respectively. The transitions are smooth, and the horses’ movements are detailed so that each part of the puppet moves naturally as a real horse would. The structure of the horses is impressive, and the intricate details of the design make the horses feel real, especially paired with the backlit lighting. The skills of the puppeteers are also highlighted with the other animals used throughout. The birds add to the realism of the show and the setting while the goose provides some light but well executed comedy.
The lighting design by Paule Constable is a key part of this performance. Expertly orchestrated to ensure the puppetry and action on stage appears seamless, it helps to immerse the audience fully into the story. The dark undertone is set throughout the show, reminding the audience of the period we are in but also creates a whimsical setting. Paired with gripping music, the show feels almost magical, despite being set in a historic period of turmoil. The ensemble are a key part, often on stage holding simple yet effective props and creating an atmosphere. The women often sing in harmony through scene transitions which is a nice touch to the era we are in. Sally Swanson has a beautifully controlled voice and sings often with an accordion. However, while this does create further dimension, at times her presence feels misplaced.
There is no doubt that this show works due to its clever ideas and excellent execution of them. The artistry, movement and blocking on stage throughout is impeccable as well as the special effects and projection design. Innovative ways to create sub-scenes are used such as a camera flash which show snippets of touching moments ahead of the boys going to war. A notable moment is the transition of Joey from being a foal to a fully grown horse, emitting gasps from the audience. Also noteworthy are the scenes when the cast are in battle, particularly when leading the horses. The emotional moments between cast members during the war scenes are embedded with humour and enjoyable to watch, particularly between Albert (Tom Sturgess) and David (Ike Bennett) and Captain Müller (Alexander Ballinger) and Emilie (Clara Lioe). The cast performances feel authentic and Sturgess’ interactions with Joey are a pleasure to experience. Albert’s Mother (Jo Castleton) has some comical one-liners which are perfectly executed and complement the show’s pace.
This show is filled with heart, raw emotion, and genuine joy. War Horse is a story that has been told in many ways, yet it never grows old. Most importantly, it reminds us of our history – how our society was shaped, and the strength and determination that carry us forward.
War Horse is currently on tour until 8th November 2025 ending at Norwich Theatre Royal. More tickets and information can be found at https://www.warhorseonstage.com/
Reviewer: Maani Way
Reviewed: 6th August 2025
North West End UK Rating: