This classic tale is reimagined with an inventive and modern take on The Wizard of Oz as we know it. With a talented and enthusiastic cast, comedic and heartfelt moments, this production is an enjoyable watch for all ages.
Projections are used extensively which is seemingly becoming the norm for a tour production, and we are launched into Dorothy’s world in Kansas quite abruptly with a somewhat dominating video. While the scene was indeed set, this dynamic video established the tone for much of the staging throughout the production. Despite some extensive and inventive set pieces, the large screen at the back of the stage is used primarily to distinguish scenes and at times this choice feels unnecessary and lazy, particularly as the cast performances are entirely believable.
While still backdrops were a welcome addition, the moving sequences along with the large dance numbers made the stage feel busy. Though the use of technology has expanded the realms of theatre, for a show that is about a fairytale land, this production could be stripped back, to prevent losing the magic of the story.
Abigail Matthews is a master puppeteer of Toto, and it was easy to forget that she was controlling the popular character. The cast members did well to interact with the puppet, making the exchanges believable.
‘Over the Rainbow’ is the number that the audience is waiting for and is welcomed in a reprise in Act 2. Aviva Tulley as Dorothy shines during her performance of the celebrated song, her rendition feeling fresh and bold whilst remaining innocent and classic. The audience were captivated by the powerful yet understated performance, her belt and delivery sending shivers down your spine.
While in any classic production, the audience anticipates their familiar favourites, the additional songs in this show are enjoyable fillers and performed well.
In terms of set for a tour production, it is somewhat limited in what you can achieve. However, the dynamic cast performances, energy and costume design, particularly in the Emerald City, generated enough charm that the backdrop and lighting design could have been much more modest. When we are welcomed to Munchkin Land, a much awaited spectacle, the lyrics and captivating sequence became lost in the chaotic staging, which is a disappointment.
Each character gets their moment to shine, particularly the three male leads, the Scarecrow, the Tin Man and the Cowardly Lion in ‘If Only I Had a Brain/Heart/the Nerve’. Benjamin Yates as the Scarecrow gives a fun and goofy performance, keeping in line with the original character. The Tin Man played by Marley Fenton is introduced with modern break dance, adding to the modern feel of this show. The Cowardly Lion’s entrance was most modest, but Nic Greenshields captured the Lion’s endearing personality from the offset, providing for some great comedic moments.
The Vivienne impressed in this role, her talent not showcased nearly enough in the number ‘Dorothy’s Nightmare’, but overall, she embodies the Wicked Witch of the West superbly, creating a perfect balance of fear and comedy, particularly with her witch’s cackle.
The duet between Glinda, played by Emily Bull, and Dorothy at the end of Act 2, ‘Already Home’ was particularly moving. The song was brought together by the ensemble joining in at the end, creating a magical and powerful moment. The company performing together for the curtain call tied the show together wonderfully, leaving the audience feeling particularly fulfilled.
Overall, this production captures the familiarity of The Wizard of Oz and the elements that audiences know and love, whilst modernising the tale and providing for some camp fun, ultimately hammering home the most important message that there is, in fact, no place like home.
The Wizard of Oz is currently touring the UK until 11th August 2024, with more information and tickets to be found at: https://uktour.wizardofozmusical.com/
Reviewer: Maani Way
Reviewed: 13th March 2024
North West End UK Rating: