This romantic thriller, adapted from the 1992 film of the same name starring Whitney Houston, returns to the stage this year, reviving her iconic music for a new audience. It follows former Secret Service agent Frank Farmer (Adam Garcia), hired to protect global superstar Rachel Marron (Sidonie Smith) from a dangerous threat. While the pair anticipate a clash of personalities, neither expects their professional relationship to give way to an unexpected and compelling romance.
This show is bursting with energy from the start, a loud bang jolting the audience straight to attention at the beginning. The jump scares do not cease, and they present themselves at later points in the show, which work well, particularly when the threat is introduced to us as an obsessed stalker (James-Lee Harris).
The opening sequence ‘Queen Of The Night’ is punchy, powerful and poignant and introduces the audience to the show’s style. It is evident this production wants to dazzle audiences, and its production value is clear from this number. The ensemble complement Smith with their detailed and energetic routines, creating a glimpse into the showbiz and sparkle of this unique world. Smith is a strong lead and her voice is powerful, however at times her words are lost when the production is in full swing. Houston’s discography is nothing short of iconic, and anyone stepping into this role has huge shoes to fill. Her songs demand exceptional skill and control and are vocally unforgiving, leaving little room for any performer’s flaws. Still, Smith shone and held audience in the celebrated ballads, ‘I Have Nothing’ and the finale ‘I Will Always Love You’.
A standout performance was the role of Nikki Marron (Sasha Monique), Monique’s voice being unique and naturally flowing, particularly in ‘Saving All My Love’. A compelling performer, her scenes were easy to watch, and her vocals complemented Smith’s. Their collective harmonies in ‘Run To You’ were moving and passionate, receiving great applause.
The star of the show was arguably Rachel Marron’s son Fletcher (Cale Cole) who brought some light-heartedness into the tense storyline. Cole was at ease on stage and connected with the older cast seamlessly. A charismatic and charming addition, he shone as a dancer and singer, and lifted the scenes he was in.
While Garcia and Smith are celebrated actors in their own right, the chemistry between the two leads felt a little forced and the pairing didn’t denote a passionate love story. Though the plot is well established, incorporating more intimate moments between the two, or even a duet, could deepen their connection on stage and better showcase their talents. Their scene together in the karaoke bar was particularly memorable for its character and charm. The comedy, as with other scenes within the show, was well executed.
This set is well thought out for a tour production and doesn’t distract from the action on stage. The cabin set is particularly impressive, with a blazing fire, which helped the audience to feel immersed. The use of projection sometimes worked extremely well, particularly when Frank saves Rachel from harm, but at other times it felt forced or used as a way to hide upcoming scene changes.
This cast is undeniably talented which was evident in the final bows and their electric performance of ‘I Wanna Dance With Somebody’. While it is regrettable that this story and production don’t give the performers full moments to shine, this adaptation remains enjoyable, lively and full of character – especially for those already devoted to the show.
The Bodyguard is currently touring until 29th August 2026 with tickets and more information to be found at: https://www.thebodyguardmusical.com/
Reviewer: Maani Way
Reviewed: 16th February 2026
North West End UK Rating: