Vote Macbeth! – The Space @ Surgeons’ Hall
Part 4 of my Fringe of ’23, Macbeth marathon, sees another murder, this time set in the present day that boils and bubbles its way through a very dense script/lib to end with its own toils and troubles.
The common theme in disappointing shows is that they inevitably try to do too much, and there could hardly be a better example than this one. From the singular hand of John Paul Liddell, writing, composing, directing, acting and singing (very nicely BTW I might add!) in the Macbeth lead role, there is no air at all left in this one by the end.
A dense and wordy treatise on political power, where Macbeth is president, I assume of a post-Independent Scotland, set in the near future, the musical is comprised of 18 songs, which run non-stop, top to tail, with no dialogue in-between. N...